Egyptian Architecture and Sculpture
The chief feature of Egyptian architecture is its colossal, massive grandeur, from the use of enormous blocks of masonry, and from the vast extent of the buildings, which produce in the beholder an unequalled impression of sublimity and awe. The approaches to the palaces and temples were paved roads, lined with obelisks and sphinxes; and the temples and the palaces themselves surpassed in size, and in elaborate ornament of sculpture and of painting, all other works of man.
The Pyramids.—Of about forty pyramids now left standing in Middle Egypt, the most remarkable are the group of nine at Gizeh, near the site of ancient Memphis. The removal of the vast blocks of stone from distant quarries, and their elevation to heights, which have sorely puzzled modern engineers, were effected, not by the ingenuity of mechanical contrivance, but by the lavish use of human labor. Thousands of men were employed for months in moving single stones.
The Temple Columns.—Egyptian columns were formed by their architects on the model of the palm-tree, whose feathery crown of foliage was ever before their eyes, or of the full-blown or budding papyrus. We find constantly in the mural decorations the figure of the famous lotus-plant, or lily of the Nile, beheld by the Egyptians with veneration, and used in sculpture and in painting as no mere ornament, but as a religious symbol. This water-lily of Egypt was consecrated to Isis and Osiris, and typified the creation of the world from water. It also symbolized the rise of the Nile and the return of the sun in his full power.