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‹Better GutenbergGerman compositionSection 132 — The⁠ Progress in the Art of Printing · 137 of 257Contents›

German composition

by Hermann Lange

137 of 257 · Contents · Download EPUB

Section 132 The⁠ Progress in the Art of Printing1

(Conclusion⁠2 of a speech delivered at the Caxton Celebration, June 30, 1877, in London.)

I now call⁠3 attention, in⁠4 a few words, to the progress of this art. I hold up a volume in my (S. 43, N. 9) hand, to⁠5 which I beg everyone to direct his eye, because I think it⁠6 may be called the climax and consummation of this art. This⁠7 volume is bound, as you see, and stamped with the arms of the University of Oxford. It is a Bible bound⁠8 in a manner that commends itself to the reader—I believe⁠9 in every sense an excellent piece of workmanship, containing more than one⁠10 thousand pages. Well⁠11, you will say: “That is very⁠12 commonplace, why bring it before us?” I do so⁠13 in order to tell⁠14 you that this book sixteen hours ago did not exist—it⁠15 was not bound, it was not folded, it was not printed. Since the clock struck twelve last night at⁠16 the University Press in Oxford, the people (man) there have printed and sent us this book. They (man) have sent several copies⁠17 to⁠18 be distributed here in the midst of your festival. That shows what can be done, and that is what has been done, and⁠19 it shows the state to which this great art is now happily arrived. If⁠20 I began with a humiliating confession as to the small share we could claim in contributing to the early history of printing, we may⁠21 leave off, ladies and gentlemen, in a better spirit, because I think that such a performance as this is⁠22 one that will be admitted to be a credit in any portion of the world. Now I will trouble you no longer, but (S. 6, N. 10) will ask⁠23 you to⁠24 drink with me to the memory of this most distinguished name: “To⁠25 the memory of⁠26 William Caxton, the (S. 53, N. 9) first English printer, and a native⁠27 of this our beloved country⁠28.”—The Right Hon. W. E. Gladstone.

Notes

1 Die Fortschritte in der Buchdruckerkunst. The noun ‘progress’ is generally rendered by the corresponding plural form in German.

2 Schluß einer am 30. Juni 1877 bei Gelegenheit der Caxtonfeier in London gehaltenen Rede. William Caxton, der erste Buchdrucker Englands, wurde im Jahre 1412 zu Weald m Kent geboren, wohnte aber später als Bürger und Kaufmann in London, woselbst er auch im Jahre 1492 starb.

3 to call a person’s attention to a thing, einen auf etwas aufmerksam machen. Begin with the adv. ‘now’, and supply the personal object ‘Sie’.

4 in a = with; of = in.

5 = which I beg you all to look at (betrachten, v. tr.).

6 it — art = we may (dürfen) consider (an´sehen) it the climax and consummation (als die höchste Stufe der Vollendung) of (= in) this art.

[7] Say ‘As you see, this volume (here Einband) is stamped with the arms’, etc.

8 bound — reader = the binding of which must commend (App. § 18) itself at once (sich von selbst) to the reader.

9 Here insert ‘it is’; sense = respect, Beziehung, f.; piece of workmanship = ‘work of art’, which render by forming a comp. n. according to S. 36, N. 7, A.

10 ’One’ or ‘a’ before ‘hundred’ and ‘thousand’ is, as a rule, not translated in German.

11 Say ‘But (which place after the copula ‘will’) you will perhaps say’.

12 etwas ganz Gewöhnliches, wozu es uns noch zeigen?

13 The English ‘so’ in connection with a transitive verb is generally to be rendered by ‘es’. If we want to emphasize the object, however, we use either of the demonstrative pronouns ‘das’ or ‘dies’, and place it at the head of the clause; as—Do you think so? Glauben Sie es? No, I do not, Nein, das glaube ich nicht.

14 sagen or mit´teilen.

15 Say ‘it was neither bound, nor... nor...’

16 Render ‘at the’ by the gen. of the def. art.; and place the clause ‘at — Oxford’ after ‘clock’. Last night, vergangene Nacht.

17 ‘Copy’ in the signification of ‘specimen’ is rendered by Exemplar, n.; pl. e (= e); Kopie, f., is the written copy of any book, document or MS.

18 Say ‘in order to distribute them here during this festival’.

19 and — arrived = and it shows the high degree (Stufe, f.) of (der) perfection which this great art has reached now-a-days (heutzutage) (App. § 17).

20 If — printing = If I began with the humiliating confession that we in respect to (auf) our contribution to the (zur) early (früheren) history of the art of printing can claim (beanspruchen dürfen, which comes last) only a small (gering) share.

21 may = can; leave off = conclude; spirit = mood, Stimmung, f.; performance, Leistung, f.

22 is — world, überall in der Welt mit Ehren anerkannt werden wird.

23 ‘To ask’ in the signification of ‘asking a question’ is rendered by fragen or eine Frage stellen, but in that of ‘to request’ by bitten.

24 to — name = to empty your glasses with me to the (zum) memory (Andenken) of (an) this most (höchst) distinguished name; (‘your glasses to empty’ must be placed at the end.)

25 Zum Gedächtnis.

26 Use the Anglo-Saxon genitive here.

27 native = son.

28 country = fatherland.

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