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The Southern Literary Messenger, Volume I., 1834-35

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Letters from a Sister.

Letter Eighth.

Hotel des Invalides—Chamber of Deputies—Pont Louis 16th—Bridges of Paris—The Pont Neuf.

PARIS, ——.

My dear Jane:

"Let them gild the dome of the Hotel des Invalides," said Napoleon to an officer, who informed him that unless the war in Italy was discontinued, there would certainly be a revolution in Paris. The mandate was issued, the dome covered with the shining leaf, and the minds of the people immediately turned from the operations of war, to those of the artisans employed on the cupola of the military asylum. Napoleon foresaw this, for well he knew the character of his subjects. A mere trifle, having novelty to recommend it, attracts their notice, engages their attention, and forms the theme of their conversation for a long while—at least, until another new bubble arises. This we must own is a happy disposition, and better calculated to render a nation contented and joyous, than the sober, phlegmatic temperament of our Islanders.

Thus, my dear Jane, have I managed to describe to you in a very few words—the dome of the Invalids and the character of the Parisians. Knowing you hate prolixity, I rejoice at my success, and for the same reason, proceed without delay, to give you an account of the Hospital in question. It is a stately edifice, and was erected by Louis 14th, for the reception of brave and disabled old soldiers. In approaching it, you traverse a vast esplanade embellished with a fountain and bordered by a grove of lofty trees, with seats beneath them, to tempt the lounger and rest the weary; some of them were occupied by veterans whom I readily imagined to be telling "how fields were won." We spent three hours in their noble asylum, examining its spacious halls and dormitories, its cleanly and well arranged kitchen, its library and magnificent church, and its cabinet of architecture, which consists of two large rooms, containing models of all the fortified towns in the kingdom. These are most ingeniously and beautifully executed, and give you a perfect idea of the places they represent. The council chamber adjoins the library, and this and two other apartments are decorated with the portraits of the deceased marshals of France; while the originals are living, their likenesses are deposited in the "Salle des Marécheaux," at the Palace of the Tuilleries. In the church we saw the mausoleum of Turenne and that of the famous engineer Vauban.1 The interior of the dome and the ceilings of six chapels surrounding it are richly painted, and the tesselated pavement, interspersed with fleurs de lis and other symbols, is exceedingly beautiful. Three hundred flags, the spoils of different nations, were once suspended from the dome; but when the allies entered Paris the invalid warriors tore them down to prevent their being retaken.

1 He was deformed, and being once asked by the king what his enemies thought of his back,—"Sire, (he replied) they have never seen it."

From the Hotel des Invalides we rode to the Chamber of Deputies, adjoining the palace of Bourbon, and situated on the southern bank of the Seine, which separates it from the "Place Louis Quinze." It is a handsome building, adorned with statues and corinthian columns, and has a pleasant garden attached to it; the deputies hold their assemblies in a semicircular hall, lighted from the top and appropriately arranged. Monsieur de N—— was so kind and polite as to send us tickets, and we have been twice to hear the debates; they were very animated, though whenever a member wished to speak, he was obliged to curb the spirit that moved him, until he could cross the floor and mount a rostrum, which delay I should think is most unfavorable to extemporary eloquence. Returning, we passed over the Pont Louis Seize, and examined the twelve colossal figures of white marble, that have recently been placed on it; they are masterly pieces of sculpture, but too gigantic for the size of the bridge and their approximation to you. There are no less than seventeen bridges athwart the Seine, but not one of them can be compared to those of Waterloo, Blackfriar's, or Westminster at London, as regards strength or magnitude. The Pont Neuf is the largest; it is more than sixty feet wide, and lined on each side with stalls of every description; the passengers are continually beset by the importunities of the shoe-black, the dog-shaver, the ballad singer, the bird seller, the fruiterer, the pedler, the vender of second-hand books, and various other petty dealers. Good night, dear sister. My paper and candle warn me to conclude, which I fear you will not regret.

LEONTINE.

Letter Ninth.

Arrival of friends—Voyage from London to Calais—Route from Calais to Paris—Levee at the Minister's of the Marine—Expiatory Chapel.

PARIS, ——.

My dear Jane:

We were agreeably surprised the day before yesterday, while at dinner, by the arrival of the Danvilles, the American family with whom we were so charmed at Bath last summer. Leonora is as likely as ever, and delighted at the idea of spending the fall and winter here; she expects too, to be joined by her cousin Marcello, of whom we have heard her speak with such affection and admiration. She has been so good as to let me read her journal, and I have obtained her permission to transcribe a part of it for your perusal. It concerns the journey from Calais to Paris, and as I have given you a sketch of that from Havre here, this will enable you to compare the two routes. I dare say you will like, also, to read her observations about the Thames and our steam boats. She writes thus:

"Soon after leaving London, the Thames quite astonished me. I had no idea it was so considerable a river. For many miles it is broad and winding, and each shore presents fine scenery. We had a good view of several noted towns, and remarked the superb hospital at Greenwich and the royal dock yard at Woolwich, where ships of war are made. At Gravesend we passed two vessels transporting convicts to Botany Bay, and I regretted to observe that the women were more numerous than the men.

"The motion of the English steam boats is still more disagreeable than that of ours, but their machinery is less noisy. Coal being used for fuel instead of wood, the passengers soon look dingy in face and dress: therefore one should not travel in them handsomely clad, as clothes are quickly ruined by the smoke and dust. There is no particular hour for breakfast; each person calls for it when it suits his pleasure, and has a table to himself. Dinner is served at five o'clock.

"We reached Calais about eight P.M. At the custom house the officers were not strict in their examination of our baggage; this surprised us, for we had understood that they were always very rigid in performing this troublesome duty. Perhaps our being Americans was the cause of their moderation in disturbing our trunks and boxes,—for the French like us almost as much as they detest the English. On landing, we were highly diverted at the scene on the Quay. The instant we left the boat we were beset with men and boys on every side, recommending different hotels,—and frequently cards of address were absolutely forced into our hands. When one overheard another advising any of us to go to a particular house, he would cry out, 'never do you mind that fellow, ma'am, (or sir) he tells a lie; he always tells lies!' Or, 'no such thing, sir; that house is full, sir; you can't get in, and he knows it!' Or, 'that hotel is not a good one, sir,—indeed it is not; try mine, sir; mine's a palace to it!' and fifty other such droll speeches, at which (tormented as we were) we could not help laughing. Sometimes they would even seize us by the arm and entreat us to accompany them to their hotel, if only to see how comfortable it was. These besiegers (we have since been told) receive a trifle from every innkeeper to whom they carry a guest, and it is their anxiety to obtain this fee, that renders them so annoying to travellers.

"Ere leaving Calais we had sufficient leisure to walk about the town and visit the church, the town hall on the 'place d'armes,' and the column on the pier commemorating the landing of Louis 18th, on the 24th of April, 1814. It is a plain stone pillar, surmounted by a ball and a fleur de lis. In front of it is a representation in bronze of the print of the king's foot (or rather his shoe) upon the spot he first stepped on from the vessel. We found the country between Calais and Paris uninteresting, and generally barren. Once or twice we had a fine view of the sea. The French villages appeared horribly dirty after the exquisite neatness of those in England. The highways presented a bustling and entertaining scene; for men and women, boys and girls, gaily dressed, continually passed us, carrying baskets of fruit, riding on donkeys, or driving along pigs, sheep, cows, or geese. The venders of fruit would frequently jump up behind our carriage, and thrust in at the window, peaches, pears and grapes, beseeching us to buy them, and assuring us we had never tasted better in all our lives. Whenever we stopped at an inn, or ascended a hill, we were surrounded by dozens of paupers, begging for a sous. Sometimes they looked so miserable, it was impossible to refuse; at others, we were fain to bestow it in order to get rid of them. Little urchins would also solicit a penny, and scamper after us a considerable distance, often springing up behind and sticking their heads into the coach. Upon the whole I am contented with our journey hither, for if it was not picturesque it was highly amusing.

"The principal towns we have passed through, are Boulogne, Abbeville, and Beauvais. The first is said to have been founded by Julius Caesar; and Le Sage, the author of Gil Blas, died there in 1747; the house in which he expired, is yet shewn as a curiosity. Within a mile of Boulogne is a corinthian column, which Bonaparte began to erect as a memento of his victories over the English; he left it unfinished, and Louis 18th had it completed for his own honor and glory."

Thus far, dear sister, I have copied from Leonora's diary; now for something of my own. Last night we were at Mr. de Neuville's grand levee; he has one every week, and being exceedingly popular, his rooms are generally crowded. We saw there, many distinguished characters; among them, Monsieur de Chateaubriand, whose travels have afforded us so much entertainment and instruction, and General Saldanha, the brave Portuguese. He has a commanding figure and face, and wears a pair of tremendous mustachios, which are so frightful and so fashionable! To-day we devoted a portion of our time to the Expiatory Chapel, a beautiful building, constructed in honor of Louis 16th and Marie Antoinette; it covers the spot where their remains were first interred; for since the restoration of the Bourbons, these have been conveyed to the royal vault at St. Denis. The entrance and interior of the chapel are very handsome; the light is admitted from the cupola, beneath which are fifteen niches, destined to hold statues of the chief victims of the revolution. There is a neat altar, and the will of Louis and that of his sister, (the Princess Elizabeth) are engraved in golden letters, on two white marble tablets. A subterranean apartment contains another altar, and in front of this a black marble slab bearing an inscription, still designates the original grave of the royal and unfortunate pair. In the court of the chapel many of their faithful Swiss guards are interred. The testament of Louis, wherein he expresses good will towards his enemies and forgiveness of his unloyal and cruel subjects, is very touching. A peasant girl was reading it when we entered, and her cheeks were bedewed with tears.

I regret to inform you that Mamma has had a return of her consumptive cough, and is compelled to drink asses' milk. She is plentifully supplied with it every morning, by an old man who drives a flock of female asses about the streets, and milks them before the door of each customer. The tingling of a little bell, which he carries, gives notice of his arrival whenever be stops. Farewell: kind greetings to those around you,—and above all, to yourself. From

LEONTINE.

Letter Tenth.

The Luxembourg—The Observatory—Notre Dame—The Pantheon—Madame Malibran—M'lle Sontag.

PARIS, ——.

Dearest Jane:

On inquiring the day of the month, I am quite surprised to find that my pen has been idle nearly a week. I will now try to make up for lost time, by describing to you some of the places we have visited in the interim, and the Luxembourg being first on the list, will commence with that. It is one of the most magnificent palaces in Paris. The exterior is highly embellished; and to use the words of an English tourist, "the architecture throughout is distinguished by its bold and masculine character, and by the regularity and beauty of its proportions." This palace was built by order of Mary de Medici, the widow of Henry 4th; it afterwards became the property of some of the French nobility, but was finally restored to the crown. During the revolution, it was used as a prison; the senate afterwards occupied it; at present it contains the Chamber of Peers,—and its galleries are filled with the chêf d'oeuvres of modern artists, whose productions are not admitted into the Louvre until their death. Of course the collection of paintings here is much smaller than at the Louvre, but the pictures are all on the most interesting subjects and are seen to greater advantage, the light being let in from above instead of from the sides of the rooms, as is the case at the Louvre. There are some choice pieces of sculpture; one of them (by Charles Dupaty) represents the Nymph Biblis, changing to a fountain. It is both a singular and ingenious production. The Chamber of Peers, like that of the Deputies, is semicircular in shape; it is hung with blue velvet; and the marble effigies of several orators, legislators and warriors of old, grace its walls. From the ceiling, which is painted, hangs a splendid chandelier. I will only mention one or two more of the apartments—the Salle du Trone,2 as being particularly rich, and the billiard room, which is tapestried with white velvet, with various views of Rome beautifully delineated on it in water colors. On the ground floor is the chapel—this is very plain; near it is the gorgeous chamber of Marie de Medicis,—the ceiling, walls, and shutters of which are covered with gilding and arabesque paintings. The principal staircase of the palace is remarkably grand and magnificent; there are forty-eight steps, each twenty feet in length, and formed of a single stone; on the right and left of it, are statues and trophies. The garden of the Luxembourg is shady and pleasant, and has the usual embellishments of gods and goddesses amid fountains and flowers; as you are fond of the marvellous, I will tell you a tradition I have just read respecting it.

2 Hall of the Throne.

There once stood a castle on the site of this garden, which remaining a long while uninhabited, was said to be haunted by frightful demons and apparitions; the whole neighborhood was nightly disturbed by them; no person would venture out after sunset, and finally the inhabitants were compelled, for the sake of rest, to seek other dwellings. In this state of things, the monks of a Carthusian monastery at Gentilly, (who were doubtless at the bottom of the mystery) promised to drive away the malicious spirits by exorcism, if St. Louis would grant them the castle and its appurtenances. Their request was complied with, and they so faithfully performed their part that peace was soon restored and the chateau converted into a convent, which existed about six hundred years.

From the Luxembourg we proceeded through a long sunny avenue, to the observatory. On the left of the road, Arnaud our valet de place, pointed out the spot upon which Marshal Ney was shot. "Regardez, Mesdames! ce fut la (pointing with his finger) l'endroit ou le brave Maréchal Ney fut massacré—Jétais présent et il me semble que je le vois tout sanglant dans le moment," said he, shuddering. We paused to look at the once bloody spot, now verdant with grass and so sadly interesting. The observatory may be considered a wonderful building, for neither iron nor wood have been used in its construction; it is entirely of stone, each piece being ingeniously fitted to another. Four astronomers pursue their avocations here, and have the advantage of a good library and apparatus; there are, likewise, an anemometer for indicating the course of the wind, and a pluviometer for measuring the quantity of rain that falls at Paris. A geometrical staircase leads to the entrance of some spacious caverns where experiments in congelation are made, and these caverns communicate with subterranean galleries that were originally quarries, and extend a considerable distance under the city, containing beautiful stalactites, formed by water oozing through the rocks. We did not see them, for they cannot be entered without a special guide, and a written permission from certain persons appointed by government to superintend and inspect them. But my stars! I have exhausted nearly all my paper, and have yet a dozen places to describe! Well, well, you must be contented with an account of two of the most important; and by the time I have finished with them, I shall have to squeeze in my name, no doubt. And now let me decide which of the various objects we have examined, I ought to regard as chief. Why, the mother church of France "Notre Dame," and the Pantheon, to be sure! The first is the most ancient religious structure in the city, and is pronounced to be one of the handsomest in the kingdom. Being built in the Gothic ages, its architecture is according to the fashion of those times, very singular and bold.—The interior of the building corresponds with the outside in curious carving and designs; the choir and the stalls surrounding it are covered with grotesque sculpture. There are no less than thirty chapels, and all of them contain pictures, but they are generally very indifferent. There are several fine ones around the choir—among them the "Visitation," by Jean Jouvenet; this painting was executed entirely with his left hand, after he lost the use of his right by a paralytic stroke. Behind the altar, is a good piece of sculpture by Coustou; the subject is the "descent from the cross." In the vestry room, we were shewn some extraordinary relics,—such as part of the crown of thorns that was worn by our Saviour, and a bit of his cross!! We also saw the regalia of Charlemagne, and the splendid robes given to the priests of this cathedral by Buonaparte at the period of his coronation, upon which occasion they were used; they are embroidered in the richest manner with gold and silver, and amazingly heavy. Numerous sacred festivals are celebrated at Notre Dame in the course of the year; and in August there is to be a procession in fulfilment of a vow made by Louis XIII. This is done on the 15th of that month annually, and the royal family always join in it. We shall go to see it of course; and how I wish you, aunt Margaret and Albert were to be of our party!

The Pantheon, or Church of Saint Geneviève, is a magnificent structure, and its dome is the most striking object that presents itself as you approach Paris. The interior of it is beautifully painted, the artist having chosen for his subject the apotheosis of Louis XVI and his family. When the work was finished, the king went to see it, and after looking at it attentively for a quarter of an hour, he turned to the painter Gros who was anxiously awaiting his opinion, and said to him, "Eh bien Monsieur le Baron votre ouvrage est trés bien fait!" thus recompensing his talents, by bestowing on him a title of nobility. Saint Geneviève, the patron Saint of Paris, is buried in the Pantheon, and her tomb is always surrounded by lighted tapers, the votive offerings of those who come to demand her intercession for pardon or blessing. In the vaults beneath the church, many distinguished men are interred. Indeed, it was to receive the ashes of such that the Pantheon was designed; and Louis XV, who was the liberal encourager of science and art, was the founder of it.

Contrary to my expectations, I find I've yet space enough to inform you that we have been twice to the Italian Opera, to hear Madame Malibran and Mademoiselle Sontag. The former seems really adored here. At her benefit, many gentlemen voluntarily paid one hundred francs for a ticket, instead of twenty, the actual price. She sings enchantingly and acts with great spirit; so does her rival Mademoiselle Sontag. In fact, I know not to which of these nightingales I prefer listening. Adieu.

LEONTINE.

For the Southern Literary Messenger.

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