The Southern Literary Messenger, Volume I., 1834-35

Original Literary Notices.

INAUGURAL ADDRESS, DELIVERED BY THE REV. STEPHEN OLIN, President of Randolph-Macon College, on the occasion of his induction into office, 5th March, 1834. Richmond: Nesbitt & Walker.

Randolph-Macon College is a new institution, in Mecklenburg county, Virginia; and President Olin, we believe, is a late comer into the state: at least we are so ignorant as not to have heard of him before. If we are permitted to judge from the "inaugural address," we congratulate the commonwealth upon the acquisition of an instructor of solid endowments, sound practical views, and elegant taste. He treats the subject of education like one who had thoroughly mastered the philosophy upon which it is founded—and who evidently prefers to be guided by the safe lights of experience, rather than by the specious but uncertain theories which acquire a transient popularity—but which cannot bear the test of sound investigation and analysis. President Olin, we think, combats with effect a very popular error, to wit: that education ought to be so directed as to subserve a particular profession or pursuit; in other words, that the profession or pursuit of a young man ought to be previously selected, and the course of instruction made to conform accordingly. Now nothing, in our view, can be more preposterous; and we concur entirely with the President in the opinion, that one of the objects of education it to develop the intellectual aptitudes and moral qualities, and that these when developed, should entirely control the preference or choice of a profession. Not that if these aptitudes and qualities when manifested, should point in an evil direction, they should therefore be indulged. By no means. The primary object of education should be—the highest development of morals and intellect. In the pursuit of this great object however, if the course of instruction is rightly ordered, the predominant aptitudes and qualities will appear—and then is the time for the judicious parent or guardian to co-operate with the wise indications of nature.

In conformity to this view of the subject, the President urges the choice of such studies in a collegiate course, as have a tendency to enlarge, invigorate and discipline the mind. To the mathematics he assigns a high rank. "They habituate the mind to protracted and difficult efforts of attention, and to clear and lively perception of truth, and at the same time furnish it with principles and facts of inestimable value in many of the departments of useful industry and philosophical research."

Nor does he attach less importance to the study of the Greek and Roman languages. In the opinion of President Olin they "give useful employment to the intellectual faculties at a period when they are incompetent to more abstract and severe occupations. They call up the attention to such short and easy, but repeated efforts, as are best calculated to correct its wanderings and increase its energies. The mind is accustomed to analysis and comparison, and its powers of discrimination are improved by frequent exercises in declension, inflexion and derivation, and by the constant necessity that is imposed upon it, of deciding between the claims of rival definitions. The memory is engaged in the performance of such tasks as are precisely fitted for its development, and the judgment and other reasoning faculties find ample and invigorating employment in the application of grammatical rules, and the investigation of philological principles." We wish we had space for the whole of Mr. Olin's remarks upon classical learning. He considers the growing scepticism in reference to its utility and importance as an evil omen.

Next to pure and mixed mathematics and the learned languages, the President is inclined to give a place to intellectual philosophy. "It familiarises the student with the laws and the phenomena of mind, and with such efforts of subtle analysis and difficult combination as are best fitted to enlarge and fill the grasp of the highest intellectual capacities." He also recommends as subordinate, but highly important studies—composition and eloquence—moral and natural philosophy—chemistry—the French language—and geology and mineralogy.

Mr. Olin opposes with much force the excessive multiplication of studies without a correspondent prolongation of the collegiate term. "The industry which was profitably directed to a few, may be divided amongst a multitude of objects; but it will incur the inevitable penalty of fitful and dissipated intellectual exertion—superficial attainments and vicious intellectual habits." In what is denominated the art of education, the President is not inclined to set as high a value upon the lecture system as upon the mode of frequent recitations from well digested text books. From the history of the two universities, and of the literature of Scotland and England for the last century, he is led to draw the conclusion that the "lecture system is more favorable to the improvement of the professor, and the reputation of the university—whilst the opposite method has been more productive of thorough and accomplished scholars."

Upon the subject of moral restraint and college discipline, Mr. Olin is forcible and interesting. With a mind well organized for the clear perception of truth, we take the President to be fearless in proclaiming his convictions, without stopping to calculate the strength of opposing prejudices and opinions. He does not hesitate to come up boldly to the mark, and to advocate the only rational system by which our erring nature, and especially our youthful nature, can be brought to a just sense of what is due to its own interests, as well as to the requirements of society. Upon this subject, however, we prefer that the President should speak for himself.

"In proportion as virtue is more valuable than knowledge, pure and enlightened morality will be regarded by every considerate father the highest recommendation of a literary institution. The youth is withdrawn from the salutary restraints of parental influence and authority, and committed to other guardians, at a time of life most decisive of his prospects and destinies. The period devoted to education usually impresses its own character upon all his future history. Vigilant supervision, employment, and seclusion from all facilities and temptations to vice, are the ordinary and essential securities which every institution of learning is bound to provide for the sacred interests which are committed to its charge. But safeguards and negative provisions are not sufficient. The tendencies of our nature are retrograde, and they call for the interposition of positive remedial influences. The most perfect human society speedily degenerates, if the active agencies which were employed in its elevation are once withdrawn or suspended. What then can be expected of inexperienced youth, sent forth from the pure atmosphere of domestic piety, and left to the single support of its own untested and unsettled principles, in the midst of circumstances which often prove fatal to the most practised virtue! I frankly confess that I see no safety but in the preaching of the cross, and in a clear and unfaltering exhibition of the doctrines and sanctions of christianity. The beauty and excellence of virtue are excusable topics, though they must ever be inefficient motives, with those who reject the authority of revelation; but in a christian land, morality divorced from religion, is the emptiest of all the empty names by which a deceitful philosophy has blinded and corrupted the world. I venture to affirm, that this generation has not given birth to another absurdity so monstrous, as that which would exclude from our seminaries of learning the open and vigorous inculcation of the religious faith which is acknowledged by our whole population, and which pervades every one of our free institutions. Our governors and legislators, and all the depositaries of honor and trust, are prohibited from exercising their humblest functions till they have pledged their fidelity to the country upon the holy gospels. The most inconsiderable pecuniary interest is regarded too sacred to be entrusted to the most upright judge or juror, or to the most unsuspected witness, till their integrity has been fortified by an appeal to the high sanctions of christianity. Even the exercise of the elective franchise is usually suspended upon the same condition. The interesting moralities of the domestic relations—the laws of marriage and divorce—the mutual obligations of parents and children—are all borrowed from the christian scriptures. The fears of the vicious and the hopes of the upright—the profane ribaldry of the profligate, no less than the humble thanksgiving of the morning and evening sacrifice, do homage to the gospel as the religion of the American people. Our eloquence and our poetry—our periodical and popular literature in all their varieties—the novel, the tale, the ballad, the play, all make their appeal to the deep sentiments of religion that pervade the popular bosom. Christianity is our birthright. It is the richest inheritance bequeathed us by our noble fathers. It is mingled in our hearts with all the fountains of sentiment and of faith. And are the guardians of public education alone 'halting between two opinions?' Do they think that in fact, and for practical purposes, the truth of christianity is still a debateable question? Is it still a question whether the generations yet to rise up and occupy the wide domains of this great empire—to be the representatives of our name, our freedom and our glory, before the nations of the earth, shall be a christian or an infidel people? Can wise and practical men who are engaged in rearing up a temple of learning to form the character and destinies of their posterity, for a moment hesitate to make 'Jesus Christ the chief corner stone?"

It is not to be supposed, however, that Mr. Olin is in favor of subjecting our public seminaries to the control of any particular religious denomination, or that the faith of the student is either to be influenced or regulated by sectarian views. On the contrary, he considers that such a course would be a manifest violation of the principles of free government. His remarks upon the internal discipline of a college are sound and excellent. He is decidedly opposed to that "multitude of vexatious enactments," and those frivolous and arbitrary regulations which too often disgrace our seats of learning. In the administration of such wise and salutary laws, however, as experience has proved to be necessary, President Olin refers to the co-operation of parents and guardians as absolutely essential. We wish that conviction on this subject was more general than it is, and that all who are in any wise responsible for the intellectual and moral training of youth, whether at colleges, academies, or private schools, would consider the importance of sustaining, by parental authority, the just and wholesome government of the teacher. A weak or capricious parent, who from false tenderness, countenances the wayward inclinations of a child in opposition to school authority, is not only inflicting upon it irreparable mischief, but is doing equal injury to others by the encouragement of a bad example.

A DISCOURSE ON THE LIFE AND CHARACTER OF WM. WIRT, late Attorney General of the United States; pronounced at the request of the Baltimore Bar before the Citizens of Baltimore, on the 20th of May, 1834, by John P. Kennedy. Baltimore: Wm. & Joseph Neal. 1834.

Mr. Kennedy is favorably known as an eloquent lawyer and literary writer of distinction. The task therefore of delineating the character and genius of Mr. Wirt, could not have been confided to abler hands. We have read his oration with great pleasure; a pleasure it is true, alloyed by the reflection that the country has sustained a bereavement so afflicting and irreparable. There is a mournful satisfaction in recalling the eminent virtues, and matchless accomplishments of the deceased,—in dwelling upon his bright example, and retracing the incomparable graces and excellencies which adorned his public and private character. Mr. Kennedy has touched with the hand of a master, the sad but brilliant theme, and has poured forth in "thoughts that breathe and words that burn"—a most eloquent tribute to the memory of one of the brightest and purest spirits of the age. Mr. Wirt, though a native of Maryland, was in truth a Virginian, by all the endearing ties of social and domestic life. He spent the prime of his youth and manhood among us, and it was here in the Metropolis of the Old Dominion, that he reared that enduring fabric of illustrious talent and virtue which placed him first among his equals—and which will long be embalmed in the recollection of his contemporaries. Hundreds in this city, still remember those surpassing triumphs of his genius as an orator and advocate, achieved in the celebrated trial of Burr;—how he depicted in colors glowing and beautiful the enchanting island of Blennerhassett—the misery of his disconsolate wife—and the wiles of that evil genius who entered the Paradise of the Ohio, and withered forever its enjoyments. Hundreds here and elsewhere have hung with ecstasy over the rich pages of the "British Spy" and "Old Batchelor"—have listened to the magic of his voice both in public and colloquial discourse—and have been constant eyewitnesses of the "daily beauty" and sublime morality of his life. Proudly and sacredly however as his native and adopted states ought to cherish his memory—the fame of such a man as Wirt, must be regarded as the property of the whole nation. His great and commanding genius illustrated and adorned the age and country in which he lived, and thousands and tens of thousands of American bosoms have exulted at the thought that he was their countryman.

In one respect especially, Mr. Wirt was an uncommon man. Most persons distinguished for their moral and intellectual qualities, have at some time or other, been the objects of illiberal censure. Greatness is almost invariably the mark of envy, and envy gives birth to detraction. The deceased however, it is believed, lived and died without an enemy. His manners were so bland and gentle—his purposes so pure—and his life so blameless—that even malice had no nourishment left whereon to feed. In the language of Mr. Kennedy "he possessed, in a remarkable degree, that trait which has been called simplicity of heart—it was single mindedness, straight forward candor. His manners had the wayward playfulness of a boy, that won upon, and infected with their own buoyancy every class of his associates, from the youngest to the oldest—from the humblest retainer about his person, or casual stranger, to the most eminent and most intimate."

In analyzing the intellectual qualities of the deceased, Mr. Kennedy is inclined to the opinion, that powerful as was his legal acumen, and almost unsurpassed his eloquence, yet, that if circumstances had permitted an exclusive devotion to literary pursuits, his fame might have become still more brilliant. We cannot forbear to extract from the oration, the whole passage which illustrates this idea.

"In taking this survey of the chief productions of Mr. Wirt's pen, I am tempted to pause for a moment, to express my regret that the pursuits of his life had not been more decidedly applied to literary labors, than either circumstances or his own choice seem to have permitted. He was remarkably qualified by the character of his mind, and, I think I am warranted in saying, by his inclination, to attain great distinction in these pursuits. A career, in a larger degree, directed to this end would certainly have been not less honorable to himself, nor less useful to his country, and, I would fain persuade myself, not less profitable,—although the consideration of gain be but an unworthy stimulant to the glorious rewards which should interest the ambition of genius. He had, however, a large family around him who depended upon him for protection; and it may be that, surveying the sad history of the gifted spirits who have lighted the path of mankind with the lamps of their own minds and made their race rich with the treasures of wisdom and science, he has turned distrustfully from the yearnings of his ambition, and followed the broader and more certain track that led to professional fame and wealth. I can excuse him for the choice, whilst I lament over the dispensation of human rule by which the latter pursuits should have such an advantage.

"As a literary man he would have acquired a more permanent renown than the nature of professional occupation or the exercises of the forum are capable of conferring upon their votaries. The pen of genius erects its own everlasting monument; but the triumphs of the speaker's eloquence, vivid, brilliant and splendid as they are, live but in the history of their uncertain effects and in the intoxicating applause of the day:—to incredulous posterity they are distrusted tradition, the extravagant boasting of an elder age prone by its nature to disparage the present by the narrated glories of the past. So has it, even now, befallen the name of Patrick Henry, whom not all his affectionate biographer's learned zeal has rescued from the unbelieving smile of but a second generation. The glory of Cicero lives more conspicuously in his written philosophy than even in his speeches, which, although transmitted by his own elaborate and polished hand, may rather be assigned to his literary than to his forensic fame.

"Mr. Wirt had many inducements to the cultivation of letters. He might have entered upon the field, in this country, almost without a rival. Our nation, young in the career of liberal arts, had but few names to reckon when asked, as she has sometimes been in derision, where were the evidences of her scholarship. Her pride would have pointed to a man like William Wirt with a peculiar complacency. His comprehensive and philosophical mind, acute and clear-sighted, was well adapted to master the truths of science: it was fruitful and imaginative and full of beautiful illustration. He had wit and humor of the highest flavor, combined with a quick and accurate observation of character: his taste, sensitive and refined, delighted in the harmony and truth of nature: his full memory furnished him abundant stores of learning: his style, rich and clear, like a fountain of sparkling waters played along a channel of golden sands and bright crystals and through meads begirt with flowers. Above all, the tendency of his mind was to usefulness: he indited no thought that did not serve to inculcate virtuous sentiments, noble pursuits, love of country, the value of generous and laudable ambition, trust in Heaven, or earnest attachment to duty. He has embellished and vivified the grave experience of age with all the warm enthusiasm of youth, and has taught his countrymen the most severe and self-denying devotion to purposes of good, in lessons of so amiable a tone, as to win many a young champion to virtue by the kindness of his persuasion. His sketches of character are pleasantly graphic, and leave us room to believe that, either, in the drama or in that species of fictitious history which the great enchanter of this age has made so popular a vehicle for profound philosophy, he would have attained to an exalted fame. In short, there are but few amongst us who, in scholarship, learning, observation or facility and beauty of expression, may claim to be ranked with William Wirt."

Our readers must not be denied the pleasure of another quotation in which Mr. Wirt's powers of oratory are sketched with a graphic pencil.

"He was a powerful orator, and had the art to sway courts and juries with a master's spirit. The principal traits of his eloquence were great clearness and force in laying the foundations of an argument, and the steady pursuit of it through the track of logical deduction. He was ingenious in choosing his position, and, that once taken, his hearers were borne to his conclusion upon a tide almost as irresistible as that which wafts the idle skiff upon the Potomac, downward from the mountains to the last cataract that meets the ebb and flood of the sea. In this train of earnest argumentation the attention of his auditory was kept alive by a vivid display of classic allusion, by flashes of wit and merriment, and by the familiar imagery which was called in aid to give point to his demonstrations, or light to what the subject rendered obscure to the common apprehension. He sometimes indulged in satire and invective, and, where the subject called for it, in stern denunciation. Many have felt with what indignant power these weapons have been wielded in his hand. His utterance, in early life, was said to have been confused and ungraceful. Practice had conquered these defects, and no man spoke with a more full, effortless and unobstructed fluency. His diction was scrupulously neat, and might have often deceived an audience into the opinion that his speeches were prepared in the closet. His manner was remarkably impressive. Endowed with a commanding figure, a singularly graceful carriage and with a countenance of manly and thoughtful beauty, that struck an instant sense of respect into all that looked upon him, he was pre-eminent in that most significant trait of an orator, action. We can all remember the rich and flowing music of that voice which was wont to stir the inmost souls of our tribunals and bring down the loud applause of delighted bystanders; the dignity with which we have seen his majestic person dilate itself before the judgment seat; the ineffable grace that beamed upon the broad expanse of his brow, and the kindled transport of his fine face, in those wrapt moments when his mind was all in a blaze with the inspirations of his own eloquence. These were the rare gifts that imparted a charm to his oratory, which often wrought more powerfully for the success of his cause than even the efficacy of 'right words set in order.'"

We shall conclude with one more passage, in which the man who filled so large a space in the public eye—whose eloquence placed him on the highest pedestal of fame, and whose writings have charmed by their richness and beauty so many thousand readers—is exhibited in a light more attractive and enduring than the highest human attainments are able to bestow. Mr. Wirt looked far beyond the narrow bounds of earth for his reward. He saw that neither wealth, nor power, nor fame, could satisfy the immortal cravings of the mind—and he lifted up his thoughtful eye to another and more permanent state of being.

"Lastly, he was a zealous and faithful christian. In such a mind as his, so inquiring, so masterly, so discriminating, religion was the child of his judgment, not the creation of his passion. It was an earnest, abiding sense of truth, and showed itself in daily exercise and constant acknowledgment. With the sublime system of revelation resting ever in his thoughts, the christian law hung like a tablet upon his breast, and duty ever pointed her finger to the sculptured commands that were graven there to serve him as a manual of practice. He loved old forms and old opinions, and, with something like a patriarch's reverence, he headed his little family flock on their Sunday walks to church: morning and evening he gathered them together, and on bended knee, invoked his Father's blessing on his household; and at the daily meal bowed his calm and prophet-like figure over the family repast, to ask that grace of the Deity, on which his heart rested with its liveliest hope, and to express that thankfulness which filled and engrossed his soul. Such was this man in the retirement of his domestic hearth, and thus did his affections, in that little precinct, bloom with the daily increasing virtues of love of family, of friends, of his country and of his God."

We hope that Mr. Kennedy's discourse will be extensively circulated and read. We confess that we rose from its perusal much wiser, better, and happier than before. It not only gave play to the imagination, but it distilled precious dews of thought and feeling, the memory of which is still delightful.

A LETTER TO HIS COUNTRYMEN. By J. Fenimore Cooper.—New York: John Wiley. 1834.

Mr. Cooper's letter is partly private and controversial, and partly political, and therefore any thing like an extended notice or review of it does not fall within the range which has been prescribed for the "Southern Literary Messenger." We cannot but express our regret, however, that Mr. Cooper should have suffered himself to be seduced into the arena of party politics. Upon that theatre he will meet with many distinguished rivals—whereas he had none or few to contend with on his favorite ground of romantic fiction. Is it possible that Mr. Cooper will suffer himself to be driven from the field on which he has earned so many enduring laurels, by the criticisms or even illnature of a few newspaper editors? Why, if we had been fortunate enough to write the "Red Rover," or even the "Bravo," we would have good humoredly defied the whole fraternity from Maine to New Orleans. Mr. Cooper forgets that there are thousands, who form their own opinions of literary works, without ever once thinking to turn over the pages of a daily or semiweekly instructor in order to learn its opinion. What if some of his finest romances have been criticised? Is there any human production which can be said to be perfect? Even Walter Scott acknowledged that his "Monastery" and probably some of his other works were total failures. We hope to spend many a long winter night yet in reading some of Mr. Cooper's new novels.

DIARY OF AN ENNUYEE. Boston: Lilly, Wait, Colman & Holden. 1833.

We opened this book, we confess, with some reluctance. The reading world has been so completely surfeited, especially in late years, by works of the same description,—by the diaries and letters of travellers and tourists,—and many of them have been so obviously designed to encourage the art of book making, rather than to impart solid instruction or intellectual pleasure, that we had almost resolved to proscribe altogether that branch of literature. France, Switzerland and Italy, have, moreover, been so often described, that neither the theatre of Napoleon's glory, nor the sublimities of Alpine scenery—nor the classical antiquities of the "Eternal City"—could impart any longer, it was supposed, the grace or freshness of novelty to the sketches of a new adventurer. Fortunately for us, however, we did not carry our resolution into effect, until we looked into the charming volume whose title is at the head of this article. For rich and powerful thought,—for glowing and beautiful description,—for chaste composition and elegance of taste, we have seldom or never seen it surpassed. It is, too, the production of a lady,—an Englishwoman of rank and fortune, who seems to have visited the sunny clime of Italy in order to restore a constitution wasted by disease, and if possible, alleviate some secret misery which was "feeding on her damask cheek" and withering her heart.—Notwithstanding her efforts to conceal her wretchedness, enough is told to excite the reader's sympathy and impart a melancholy interest to the narrative. She finally fell a victim to her sufferings, and found at the age of twenty-six, a premature grave at Autun, in France, on her return to her native England.

In the course of her pilgrimage she visited Paris, Geneva, Milan, Venice, Florence, Rome, Naples, Genoa, and various other cities. All the wonders of art and glories of nature in Italy's elysian land, seem to have borrowed additional splendor and beauty from the touches of her magic pencil—and in her reflections upon men and manners there is a purity of sentiment which could neither be sullied by the temptations of wealth and fashion, nor by the prevalence of licentious customs in that voluptuous climate.

We cannot deny to our readers the pleasure of a few extracts, which will fully justify the estimate we have placed upon this delightful volume.

The frivolous extravagance which in many things characterises the French people, and especially the Parisian circles, is thus described:

"La mode at Paris is a spell of wondrous power: it is most like what we should call in England a rage, a mania, a torrent sweeping down the bounds between good and evil, sense and nonsense, upon whose surface straws and egg-shells float into notoriety, while the gold and the marble are buried and hidden till its force be spent. The rage for cashmeres and little dogs, has lately given way to a rage for Le Solitaire, a Romance written, I believe, by a certain vicomte d'Arlincourt. Le Solitaire rules the imagination, the taste, the dress of half Paris: if you go to the theatre, it is to see the 'Solitaire,' either as tragedy, opera, or melodrame: the men dress their hair and throw their cloaks about them à la Solitaire; bonnets and caps, flounces and ribbons are all à la Solitaire; the print shops are full of scenes from Le Solitaire; it is on every toilette, on every work table;—ladies carry it about in their reticules to show each other that they are à la mode; and the men—what can they do but humble their understandings and be extasiés, when beautiful eyes sparkle in its defence, and glisten in its praise, and ruby lips pronounce it divine, delicious, 'quelle sublimité dans les descriptions, quelle force dans les caractères! quelle âme! quel feu! quelle chaleur! quelle verve! quelle originalité! quelle passion!' &c.

"'Vous n'avez pas lu le Solitaire?' said Madame M. yesterday; 'eh mon dieu! est-il donc possible! vous? mais, ma chère, vous êtes perdue de reputation, et pour jamais!'

"To retrieve my lost reputation, I sat down to read Le Solitaire, and as I read, my amazement grew, and I did in 'gaping wonderment abound,' to think that fashion, like the insane root of old, had power to drive a whole city mad with nonsense; for such a tissue of abominable absurdities, bombast, and blasphemy, bad taste and bad language, was never surely indited by any madman, in or out of Bedlam: not Maturin himself, that king of fustian,

'—— ever wrote or borrowed,
Any horror half so horrid!'

and this is the book which has turned the brains of half Paris, which has gone through fifteen editions in a few weeks, which not to admire is 'pitoyable,' and not to have read 'quelque chose d'inouie.'"

Again,

"This is the place to live in for the merry poor man, or the melancholy rich one; for those who have too much money, and those who have too little; for those who only wish like the Irishman, 'to live all the days of their life,'—prendre en légère monnoie la somme des plaisirs—but to the thinking, the feeling, the domestic man, who only exists, enjoys, suffers through his affections—

'Who is retired as noontide dew,
Or fountain in a noonday grove—'

to such a one, Paris must be nothing better than a vast frippery shop, an ever varying galanty show, an eternal vanity fair, a vortex of folly, a pandemonium of vice."

At Milan the fair invalid was induced to visit the Scala, where she saw the Didone Abandonnato, a ballet by Vigano. This piece was founded upon the loves of Dido and Eneas, and the celebrated cavern scene in the 4th book of Virgil was copied almost to the life. A noble English family just arrived at Milan, was present at the performance, and the effect upon one of its members is thus described:

"In the front of the box sat a beautiful girl, apparently not fifteen, with laughing lips and dimpled cheeks, the very personification of blooming, innocent, English loveliness. I watched her, (I could not help it, when my interest was once awakened,) through the whole scene. I marked her increased agitation: I saw her cheeks flush, her eyes glisten, her bosom flutter, as if with sighs I could not overhear, till at length, overpowered with emotion, she turned away her head, and covered her eyes with her hand. Mothers!—English mothers! who bring your daughters abroad to finish their education—do ye well to expose them to scenes like these, and force the young bud of early feeling in such a precious hotbed as this?—Can a finer finger on the piano,—a finer taste in painting, or any possible improvement in foreign arts, and foreign graces, compensate for one taint on that moral purity, which has ever been, (and may it ever be!) the boast, the charm of Englishwomen? But what have I to do with all this?—I came here to be amused and to forget:—not to moralize, or to criticise."

The picture of Venice, "throned on her hundred isles," is vivid and beautiful.

"The morning we left Padua was bright, lovely and cloudless. Our drive along the shores of the Brenta crowned with innumerable villas and gay gardens was delightful; and the moment of our arrival at Fusina, where we left our carriages to embark in gondolas, was the most auspicious that could possibly have been chosen. It was about four o'clock: the sun was just declining towards the west; the whole surface of the lagune smooth as a mirror, appeared as if paved with fire;—and Venice with her towers and domes, indistinctly glittering in the distance, rose before us like a gorgeous exhalation from the bosom of the ocean. It is farther from the shore than I expected. As we approached, the splendor faded: but the interest and the wonder grew. I can conceive nothing more beautiful, more singular, more astonishing, than the first appearance of Venice, and sad indeed will be the hour when she sinks, (as the poet prophecies) 'into the slime of her own canals.'

"The moment we had disembarked our luggage at the inn, we hired gondolas and rowed to the Piazza di San Marco. Had I seen the church of St. Mark any where else, I should have exclaimed against the bad taste which every where prevails in it: but Venice is the proper region of the fantastic, and the Church of St. Mark, with its four hundred pillars of every different order, color, and material; its oriental cupolas, and glittering vanes, and gilding and mosaics, assimilates with all around it: and the kind of pleasure it gives is suitable to the place and people.

"After dinner I had a chair placed on the balcony of our inn, and sat for some time contemplating a scene altogether new and delightful. The arch of the Rialto, just gleamed through the deepening twilight; long lines of palaces, at first partially illuminated, faded away at length into gloomy and formless masses of architecture; the gondolas glided to and fro, their glancing lights reflected on the water. There was a stillness all around me, solemn and strange in the heart of a great city. No rattling carriages shook the streets, no trampling of horses echoed along the pavement:—the silence was broken only by the melancholy cry of the gondoliers, and the dash of their oars; by the low murmur of human voices, by the chime of the vesper bells, borne over the water, and the sounds of music raised at intervals along the canals. The poetry, the romance of the scene stole upon me unawares. I fell into a reverie, in which visionary forms and recollections gave way to dearer and sadder realities, and my mind seemed no longer in my own power. I called upon the lost, the absent, to share the present with me—I called upon past feelings to enhance that moment's delight. I did wrong—and memory avenged herself as usual. I quitted my seat on the balcony, with despair at my heart, and drawing to the table took out my books and work. So passed our first evening at Venice."

At Florence she met with the poet Rogers, who seems to have been a familiar acquaintance:

"Samuel Rogers paid us a long visit this morning. He does not look as if the suns of Italy had revivified him—but he is as amiable and amusing as ever. He talked long, et avec beaucoup d'onction, of ortolans and figs; till methought it was the very poetry of epicurism; and put me in mind of his own suppers—

'Where blushing fruits through scatter'd leaves invite,
Still clad in bloom and veil'd in azure light.
The wine as rich in years as Horace sings;'

and the rest of his description worthy of a poetical Apicius.

"Rogers may be seen every day about eleven or twelve, in the Tribune, seated opposite to the Venus, which appears to be the exclusive object of his adoration; and gazing, as if he hoped, like another Pygmalion, to animate the statue: or rather, perhaps, that the statue might animate him. A young Englishman of fashion, with as much talent as espiéglerie, placed an epistle in verse between the fingers of the statue, addressed to Rogers; in which the Goddess entreats him not to come there ogling her every day;—for though 'partial friends might deem him still alive,' she knew by his looks he had come from the other side of the Styx; and retained her antique abhorrence of the spectral dead, &c. &c. She concluded by beseeching him, if he could not desist from haunting her with his ghostly presence, at least to spare her the added misfortune of being be-rhymed by his Muse.

"Rogers with equal good nature and good sense, neither noticed these lines, nor withdrew his friendship and intimacy from the writer."

The fine arts which are cultivated with so much distinction in the "Etrurian Athens," attracted the particular attention of our accomplished traveller. Referring to the Dutch school and the Salle des Portraits,—she says,

"The Dutch and Flemish painters (in spite of their exquisite pots and pans, and cabbages and carrots, their birch brooms, in which you can count every twig, and their carpets in which you can reckon every thread) do not interest me; their landscapes too, however natural, are mere Dutch nature (with some brilliant exceptions,) fat cattle, clipped trees, boors and wind-mills. Of course I am not speaking of Vandyke, nor of Rubens, he that 'in the colors of the rainbow lived,' nor of Rembrandt, that king of clouds and shadows; but for mine own part, I would give up all that Mieris, Netscher, Teniers and Gerard Duow ever produced, for one of Claude's Eden-like creations, or one of Guido's lovely heads—or merely for the pleasure of looking at Titian's Flora once a day, I would give a whole gallery of Dutchmen, if I had them."

The following coup-d'oeil of Florence is distinct and impressive:

"We then ascended the Campanile or Belfry Tower to see the view from its summit. Florence lay at our feet, diminished to a model of itself, with its walls and gates, its streets and bridges, palaces and churches, all and each distinctly visible; and beyond, the Val d'Arno with its amphitheatre of hills, villas, and its vineyards—classical Fiesole, with its ruined castle, and Monte Ulivetto, with its diadem of cypresses; luxuriant nature and graceful art, blending into one glorious picture, which no smoky vapors, no damp exhalations, blotted and discolored; but all was serenely bright and fair, gay with moving life, and rich with redundant fertility."

But it was in Rome, "the city of the soul," that the spirit of the authoress revelled amidst the magnificent trophies of art, and was refreshed in spite of pain and despondency, by the reviving beauties of nature.

"The weather is cold here during the prevalence of the tramontana: but I enjoy the brilliant skies, and the delicious purity of the air, which leaves the eye free to wander over a vast extent of space. Looking from the gallery of the Belvedere at sun-set this evening, I clearly saw Tivoli, Albano, and Frascati, although all Rome, and part of the Campagna lay between me and those towns. The outlines of every building, ruin, hill and wood, were so distinctly marked, and stood out so brightly to the eye! and the full round moon, magnified through the purple vapor which floated over the Appenines, rose just over Tivoli, adding to the beauty of the scene. O Italy! How I wish I could transport hither all I love! how I wish I were well enough, happy enough to enjoy all the lovely things I see! but pain is mingled with all I behold, all I feel: a cloud seems for ever before my eyes, a weight for ever presses down my heart. I know it is wrong to repine; and that I ought rather to be thankful for the pleasurable sensations yet spared to me, than lament that they are so few. When I take up my pen to record the impressions of the day, I sometimes turn within myself, and wonder how it is possible, that amid the strife of feelings not all subdued, and the desponding of the heart, the mind should still retain its faculties unobscured, and the imagination all its vivacity, and its susceptibility to pleasure,—like the beautiful sun-bow I saw at the falls of Terni, bending so bright and so calm over the verge of the abyss, which toiled and raged below."

Having visited and examined in detail, with the feelings of an amateur, almost every thing worthy of note in the ancient city—the sublime architecture of St. Peter's—the treasures of the Vatican and the Capitol—the numberless galleries of painting and sculpture—and having loitered with the spirit of an antiquary amidst the ruins of tombs and temples, our fair tourist describes the rapid survey which she made with a view to generalize the whole.

"For this purpose, making the Capitol a central point, I drove first slowly through the Forum, and made the circuit of the Palatine hill, then by the arch of Janus (which by a late decision of the antiquarians has no more to do with Janus than with Jupiter,) and the temple of Vesta, back again over the site of the Circus Maximus, between the Palatine and the Aventine (the scene of the Rape of the Sabines,) to the baths of Caracalla, where I spent an hour, musing, sketching, and poetizing; thence to the Church of San Stefano Rotundo, once a temple dedicated to Claudius by Agrippina; over the Celian hill, covered with masses of ruins, to the Church of St. John and St. Paul, a small but beautiful edifice: then to the neighboring church of San Gregorio, from the steps of which there is such a noble view. Thence I returned by the arch of Constantine, and the Coliseum, which frowned on me in black masses through the soft and deepening twilight, through the street now called the Suburra, but formerly the Via Scelerata, where Tullia trampled over the dead body of her father, and so over the Quirinal, home.

"My excursion was altogether delightful, and gave me the most magnificent, and I had almost said, the most bewildering ideas of the grandeur and extent of ancient Rome: every step was classic ground; illustrious names, and splendid recollections crowded upon the fancy—

'And trailing clouds of glory did they come.'

On the Palatine Hill were the houses of Cicero and the Gracchi: Horace, Virgil, and Ovid resided on the Aventine; and Mecænas and Pliny on the Æsquiline. If one little fragment of a wall remained, which could with any shadow of probability be pointed out as belonging to the residence of Cicero, Horace, or Virgil, how much dearer, how much more sanctified to memory would it be than all the magnificent ruins of the fabrics of the Cæsars! But no—all has passed away. I have heard the remains of Rome coarsely ridiculed, because after the researches of centuries, so little is comparatively known, because of the endless disputes of antiquarians, and the night and ignorance in which all is involved. But to the imagination there is something singularly striking in this mysterious veil which hangs like a cloud upon the objects around us. I trod to-day over shapeless masses of building, extending in every direction as far as the eye could reach. Who had inhabited the edifices I trampled under my feet? What hearts had burned—what heads had thought—what spirits had kindled there, where nothing was seen but a wilderness and waste, and heaps of ruins, to which antiquaries—even Nibby himself, dare not give a name? All swept away—buried beneath an ocean of oblivion, above which rise a few great and glorious names, like rocks, over which the billows of time break in vain."

Her journey from Rome to Naples was short and delightful. The following is one among innumerable descriptive passages in her diary:

"In some of the scenes of to-day—at Terracina particularly, there was a beauty beyond what I ever beheld or imagined: the scenery of Switzerland is of a different character, and on a different scale; it is beyond comparison grander, more gigantic, more overpowering, but it is not so poetical. Switzerland is not Italy—is not the enchanting south. This soft balmy air, these myrtles, orange groves, palm trees; these cloudless skies, this bright blue sea, and sunny hills, all breathe of an enchanted land; 'a land of Faery.'"

At Naples our traveller was fortunate enough to witness a brilliant eruption of Mount Vesuvius—and overcoming the natural timidity of her sex, she resolved to ascend the mountain at midnight attended by chosen guides and companions. Her account of the terrible spectacle is too graphic to withhold from our readers.

"Before eleven o'clock we reached the Hermitage, situated between Vesuvius and the Somma, and the highest habitation on the mountain. A great number of men were assembled within, and guides, lazzaroni, servants, and soldiers were lounging round. I alighted, for I was benumbed and tired, but did not like to venture among those people, and it was proposed that we should wait for the rest of our party a little farther on. We accordingly left our donkeys and walked forward upon a kind of high ridge, which serves to fortify the Hermitage and its environs, against the lava. From this path as we slowly ascended, we had a glorious view of the eruption, and the whole scene around us, in its romantic interest and terrible magnificence, mocked all power of description. There were, at this time, five distinct torrents of lava rolling down like streams of molten lead; one of which extended above two miles below us, and was flowing towards Portici. The showers of red hot stones flew up like thousands of sky rockets; many of them being shot up perpendicularly, fell back into the crater, others falling on the outside, bounded down the side of the mountain, with a velocity which would have distanced a horse at full speed: these stones were of every size, from two to ten or twelve feet in diameter.

"My ears were by this time wearied and stunned by the unceasing roaring and hissing of the flames, while my eyes were dazzled by the glare of the red, fierce light: now and then I turned them for relief, to other features of the picture, to the black shadowy masses of the landscape stretched beneath us, and speckled with little shining lights, which showed how many were up and watching that night; and often to the calm vaulted sky above our heads, where thousands of stars (not twinkling, as through our hazy or frosty atmosphere, but shining out of 'heaven's profoundest azure,' with that soft steady brilliance, peculiar to a highly rarified medium) looked down upon this frightful turmoil, in all their bright and placid loveliness. Nor should I forget one other feature of a scene, on which I looked with a painter's eye. Great numbers of the Austrian forces, now occupying Naples, were on the mountain, assembled in groups, some standing, some sitting, some stretched on the ground and wrapped in their cloaks, in various attitudes of amazement and admiration; and as the shadowy glare fell on their tall martial figures and glittering accoutrements, I thought I had never beheld any thing so wildly picturesque."

After spending the day with a select party of friends amidst the ruins of Pompeii, she draws the following picture of the celebrated environs of Naples.

"Of all the heavenly days we have had since we came to Naples, this has been the most heavenly; and of all the lovely scenes I have beheld in Italy, what I saw to-day has most enchanted my senses and imagination. The view from the eminence on which the old temple stood, and which was anciently the public promenade, was splendidly beautiful: the whole landscape was at one time overflowed with light and sunshine; and appeared as if seen through an impalpable but dazzling veil. Towards evening, the outlines became more distinct: the little white towns perched upon the hills, the gentle sea, the fairy island of Rivegliano with its old tower, the smoking crater of Vesuvius, the bold forms of Mount Lactarius and Cape Minerva, stood out full and clear under the cloudless sky; and as we returned, I saw the sun sink behind Capri, which appeared by some optical illusion, like a glorious crimson transparency suspended above the horizon: the sky, the earth, the sea, were flushed with the richest rose color, which gradually softened and darkened into purple: the short twilight faded away, and the full moon, rising over Vesuvius, lighted up the scenery with a softer radiance."

We intended to have quoted other passages, in which our fair authoress sketches with striking eloquence, the exhibitions of Sestine, one of that extraordinary race called Improvvisatori—a race which seems to be almost peculiar to Italy; and which, far from being extinct, are still to be found in almost every town from Florence to Naples. Her description too of a splendid illumination at St. Peter's, and her just observations upon the works of the great masters, particularly of the Divine Raffaelle, are worthy of particular designation; but it would be an almost endless task to select passages from a work, which from beginning to end, and through almost every page, is a volume of thrilling interest. We shall content ourselves with one or two beautiful extracts distinguished for their deep moral tone, and somewhat connected, as we suppose, with that all-engrossing and mysterious source of melancholy which seems to have imbittered the peace and hastened the dissolution of this interesting female.

"It is sorrow which makes our experience; it is sorrow which teaches us to feel properly for ourselves and for others. We must feel deeply before we can think rightly. It is not in the tempest and storm of passions, we can reflect—but afterwards, when the waters have gone over our soul; and like the precious gems and the rich merchandise which the wild wave casts on the shore out of the wreck it has made—such are the thoughts left by retiring passions."

Again; what can be more affecting than her final adieu to Naples.

"When we turned into the Strada Chiaja, and I gave a last glance at the magnificent bay and the shores all resplendent with golden light; I could almost have exclaimed like Eve, 'must I then leave thee, Paradise!' and dropt a few natural tears—tears of weakness, rather than of grief: for what do I leave behind me worthy one emotion of regret? Even at Naples, even in this all-lovely land, 'fit haunt for gods,' has it not been with me as it has been elsewhere? as long as the excitement of change and novelty lasts, my heart can turn from itself 'to luxuriate with indifferent things:' but it cannot last long; and when it is over, I suffer, I am ill: the past returns with tenfold gloom; interposing like a dark shade between me and every object: an evil power seems to reside in every thing I see, to torment me with painful associations, to perplex my faculties, to irritate and mock me with the perception of what is lost to me: the very sunshine sickens me, and I am forced to confess myself weak and miserable as ever. O time! how slowly you move! how little you can do for me! and how bitter is that sorrow which has no relief to hope but from time alone!"

We shall quote only one of the many interesting specimens of poetry with which the volume is interspersed. It is an extempore translation of a beautiful sonnet of Zappi, an Italian poet.

"Love, by my fair one's side is ever seen,
He hovers round her steps, where'er she strays,
Breathes in her voice, and in her silence speaks,
Around her lives and lends her all his arms.

"Love is in every glance—Love taught her song;
And if she weep, or scorn contract her brow,
Still Love departs not from her, but is seen
Even in her lovely anger and her tears.

"When, in the mazy dance she glides along,
Still Love is near to poise each graceful step:
So breathes the zephyr o'er the yielding flower.

"Love in her brow is throned, plays in her hair,
Darts from her eye and glows upon her lip,
But oh! he never yet approached her heart!"

Upon the whole we earnestly recommend this book to the attention of the public, and especially to our fair countrywomen, whose pride and curiosity will be gratified in so rich an example of the taste and intellectual power of their own sex.

THE MAGDALEN AND OTHER TALES. By Jas. Sheridan Knowles, author of Virginius, The Hunchback, The Wife, &c. Philadelphia: Carey, Lea & Blanchard, 1833.

SKETCHES, by Mrs. Sigourney. Philadelphia: Key & Biddle. 1834.

Both these volumes are by writers of distinction; the first a gentleman well known to the British public, and the last an American lady who devotes her delightful seclusion, near Hartford, Connecticut, to the cultivation of the muses and to the moral improvement of society. Though both are excellent in their way, each is adapted to a distinct class of readers. Mr. Knowles will be particularly acceptable to those who think that the happiness of reading consists in amusement. He depicts with a graphic pencil, and his pictures will be highly attractive to the young, the ardent and romantic. Mrs. Sigourney takes a loftier aim. Though highly gifted with the powers of imagination, and of course capable of exciting that faculty in others, her object seems to be rather to touch the springs of the heart and awaken the moral feelings of our nature. Her spirit is not only imbued with poetry but religion. In all her productions that we have seen, there is a direct tendency to improve as well as to delight. She is an example altogether worthy of imitation among the professors of literature, in enlisting all its allurements in the great cause of human virtue.

Mr. Knowles' book consists of various interesting tales, one of which, "Love and Authorship," we have selected for publication as a fair specimen of the rest. It is a genuine love story, and of course will have its admirers. From Mrs. Sigourney's volume, we have transferred to our own pages the story of the "Patriarch," in which the fair authoress personates, in the narrator of the tale, a minister of the gospel. The scene is laid in the state of North Carolina; and the few remarks in allusion to Bishop Ravenscroft will strike many of our readers as faithful notices of the eloquence and piety of that distinguished and lamented champion of the cross.