The Southern Literary Messenger, Volume I., 1834-35

Original Literary Notices.

VATHEK—An Oriental Tale, by Mr. Beckford, author of Italy, &c. Philadelphia: Carey, Lea & Blanchard. 1834.

The publishers of this fashionable romance, by way of smoothing its path to general reception and favor, have attached to the title page various opinions expressed by English journalists,—to wit: The Quarterly Review says, "a very remarkable performance. It continues in possession of all the celebrity it once commanded." The "Printing Machine" (a paper we presume of that name) says, "As an Eastern story, we know nothing produced by an European imagination that can stand a comparison with this work." The Morning Post exclaims, "The finest Oriental tale extant!" and the "Gentleman's Magazine," pronounces it "a creation of genius that would immortalize its author at any time, and under any taste." These are very imposing authorities, and superadded to them all, it is said that Mr. Beckford is now living, is one of the richest men in England, and occupies so high a rank in social life, that royalty itself has been known to court his society. Nor is this all. Lord Byron pronounced "Vathek" to be a most surpassing production—far superior as an Eastern tale, to the "Rassalais" of Johnson,—and whatever has been said by Lord Byron, especially in matters of taste, will pass with some persons as incontrovertible orthodoxy. We have not examined particularly to ascertain what our own critics have said on the subject; but we believe that some of them at least, have echoed the plaudits of the British periodicals. Be this as it may, we happen to have an honest opinion of our own, and we must say, in our poor judgment, that a more impure, disgusting, and execrable production, than this same "Vathek," never issued from the English or American press. That the author was a youth of extraordinary genius, is acknowledged; (he wrote before twenty years of age)—but it was genius totally perverted and poisoned at its source. The work could have been written by no one whose heart was not polluted at its very core. Obscene and blasphemous in the highest degree, its shocking pictures are in no wise redeemed by the beauty and simplicity of Oriental fiction. We should pronounce it, without knowing any thing of Mr. Beckford's character, to be the production of a sensualist and an infidel—one who could riot in the most abhorred and depraved conceptions—and whose prolific fancy preferred as its repast all that was diabolical and monstrous, rather than what was beautiful and good. We shall not even attempt a detailed account of this volume—but when such works are recommended to public favor, we think it is time that criticism should brandish its rod, and that the genius of morality—if there be such a spirit in our land—should frown down the effort.

LEISURE HOURS, or the American Popular Library; conducted by an Association of Gentlemen. Boston: John Allen & Co. 1835.

Here is another contribution to the constantly increasing store of popular literature. If the present generation does not surpass all its predecessors in the acquisition of knowledge in its various forms, it will not be from any deficiency of intellectual food. In England, the Family Library, the Libraries of Useful and Entertaining Knowledge, the Penny Magazine, and innumerable other productions of the same class, are employed to diffuse through every portion of society, sound and valuable instruction; and many of these excellent publications are not only reprinted in the United States, but the time is not distant when we may justly boast of others of entirely domestic origin. The work before us seems to have been commenced under favorable auspices, and with laudable objects. The editors in their advertisement, which we quote at length for the benefit of our readers,

"propose to publish, at convenient intervals, a series of volumes of standard merit, calculated to interest and instruct every class of the community. Although they have chosen for the title of the series, the name of the American Popular Library, it is not to be understood that it is to consist wholly, or even principally, of American works. Nor, on the other hand, will any work, however popular, be introduced into the series, unless, in the opinion of the editors, it shall possess such a character as will secure to it a continued reputation, after it shall have ceased to interest by its novelty. In their selections they do not propose to be limited to any one class of works, but to include such books in each department, as shall appear to them to be most deserving of a place in the library of an enlightened christian family.

"It seems to them important, that the attention of our reading community should be turned to works of more permanent value, than belongs to most of the periodical literature of the day, or at least that it should not be confined exclusively to works of only a temporary interest. The spirit of the times appears also to demand, that the separation, which has too often been made between elegant literature and pure christianity, should cease to exist, and that a christian literature should take the place of that, which has, in many cases, begun and ended in infidelity. It is the design of the editors of this publication to promote, so far as shall be in their power, the union of polite literature, sound learning and christian morals. Beyond this they do not suppose it necessary that they should pledge themselves to the public. A sufficient security for their patrons seems to be provided, in leaving it optional with the purchaser to take only such part of the series as he may choose.

"It is intended that a volume of nearly uniform size shall be issued every two or three months, or in such a manner that four or five volumes shall appear annually."

As a specimen of the work, we select at random the following story of

My Two Aunts.

Philosophers tell us that we know nothing but from its opposite; then I certainly know my two aunts very perfectly, for greater opposites were never made since the formation of light and darkness; but they were both good creatures—so are light and darkness both good things in their place. My two aunts, however, were not so appropriately to be compared to light and darkness as to crumb and crust—the crumb and crust of a new loaf; the crumb of which is marvellously soft, and the crust of which is exceedingly crisp, dry and snappish. The one was my father's sister, and the other was my mother's; and very curiously it happened that they were both named Bridget. To distinguish between them, we young folks used to call the quiet and easy one aunt Bridget, and the bustling, worrying one, aunt Fidget. You never, in the whole course of your life, saw such a quiet, easy, comfortable creature as aunt Bridget—she was not immoderately large, but prodigiously fat. Her weight did not exceed twenty stone, or two-and-twenty at the utmost—but she might be called prodigiously fat, because she was all fat; I don't think there was an ounce of lean in her whole composition. She was so imperturbably good natured, that I really do not believe that she was ever in a passion in the whole course of her life. I have no doubt that she had her troubles: we all have troubles, more or less; but aunt Bridget did not like to trouble herself to complain. The greatest trouble that she endured, was the alternation of day and night: it was a trouble to her to go up stairs to bed, and it was a trouble to her to come down stairs to breakfast; but, when she was once in bed, she could sleep ten hours without dreaming; and when she was once up, and seated in her comfortable arm-chair, by the fireside, with her knitting apparatus in order, and a nice, fat, flat, comfortable quarto volume on a small table at her side, the leaves of which volume she could turn over with her knitting needle, she was happy for the day: the grief of getting up was forgotten, and the trouble of getting to bed was not anticipated. Knowing her aversion to moving, I was once saucy enough to recommend her to make two days into one, that she might not have the trouble of going up and down stairs so often. Any body but aunt Bridget would have boxed my ears for my impertinence, and would, in so doing, have served me rightly; but she, good creature, took it all in good part, and said, "Yes, my dear, it would save trouble, but I am afraid it would not be good for my health—I should not have exercise enough." Aunt Bridget loved quiet, and she lived in the quietest place in the world. There is not a spot in the deserts of Arabia, or in the Frozen Ocean, to be for a moment compared for quietness with Hans-place—

"The very houses seem asleep;"

and when the bawlers of milk, mackerel, dabs, and flounders, enter the placid precincts of that place, they scream with a subdued violence, like the hautboy played with a piece of cotton in the bell. You might almost fancy that oval of building to be some mysterious egg, on which the genius of silence had sat brooding ever since the creation of the world, or even before Chaos had combed its head and washed its face. There is in that place a silence that may be heard, a delicious stillness which the ear drinks in as greedily as the late Mr. Dando used to gulp oysters. It is said that, when the inhabitants are all asleep, they can hear one another snore. Here dwelt my aunt Bridget—kindest of the kind, and quietest of the quiet. But good nature is terribly imposed upon in this wicked world of ours; and so it was with aunt Bridget. Her poulterer, I am sure, used to charge her at least ten per cent. more than any of the rest of his customers, because she never found fault. She was particularly fond of ducks, very likely from a sympathy with their quiet style of locomotion; but she disliked haggling about the price, and she abhorred the trouble of choosing them; so she left it to the man's conscience to send what he pleased, and to charge what he pleased. I declare that I have seen upon her table such withered, wizened, toad-like villains of half-starved ducks, that they looked as if they had died of the whooping-cough. And if ever I happened to say any thing approaching to reproach of the poulterer, aunt would always make the same reply,—"I don't like to be always finding fault." It was the same with her wine as it was with her poultry: she used to fancy that she had Port and Sherry; but she never had any thing better than Pontac and Cape Madeira. There was one luxury of female life which my aunt never enjoyed—she never had the pleasure of scolding the maids. She once made the attempt, but it did not succeed. She had a splendid set of Sunday crockery, done in blue and gold; and, by the carelessness of one of her maids, the whole service was smashed at one fell swoop. "Now, that is too bad," said my aunt; "I really will tell her of it." So I was in hopes of seeing aunt Bridget in a passion, which would have been as rare a sight as an American aloe in blossom. She rang the bell with most heroic vigor, and with an expression of almost a determination to say something very severe to Betty, when she should make her appearance. Indeed, if the bell-pull had been Betty, she might have heard half the first sentence of a terrible scolding; but before Betty could answer the summons of the bell, my aunt was as cool as a turbot at a tavern dinner. "Betty," said she, "are they all broke?" "Yes, ma'am," said Betty. "How came you to break them?" said my aunt. "They slipped off the tray, ma'am," replied Betty. "Well, then, be more careful another time," said my aunt. "Yes, ma'am," said Betty.

Next morning, another set was ordered. This was not the first, second, or third time that my aunt's crockery had come to an untimely end. My aunt's maids had a rare place in her service. They had high life below stairs in perfection; people used to wonder that she did not see how she was imposed upon: bless her old heart! she never liked to see what she did not like to see—and so long as she could be quiet she was happy. She was a living emblem of the Pacific Ocean.

But my aunt Fidget was quite another thing. She only resembled my aunt Bridget in one particular; that is, she had not an ounce of lean about her; but then she had no fat neither—she was all skin and bone; I cannot say for a certainty, but I really believe, that she had no marrow in her bones: she was as light as a feather, as dry as a stick, and, had it not been for her pattens, she must have been blown away in windy weather. As for quiet, she knew not the meaning of the word: she was flying about from morning till night, like a fagot in fits, and finding fault with every body and every thing. Her tongue and her toes had no sinecures. Had she weighed as many pounds as my aunt Bridget weighed stones, she would have worn out half-a-dozen pair of shoes in a week. I don't believe that aunt Bridget ever saw the inside of her kitchen, or that she knew exactly where it was; but aunt Fidget was in all parts of the house at once—she saw every thing, heard every thing, remembered every thing, and scolded about every thing. She was not to be imposed upon, either by servants or trades-people. She kept a sharp look out upon them all. She knew when and where to go to market. Keen was her eye for the turn of the scale, and she took pretty good care that the butcher should not dab his mutton chops too hastily in the scale, making momentum tell for weight. I cannot think what she wanted with meat, for she looked as if she ate nothing but raspings, and drank nothing but vinegar. Her love of justice in the matter of purchasing was so great, that when her fishmonger sent her home a pennyworth of sprats, she sent one back to be changed because it had but one eye.

She had such a strict inventory of all her goods and chattels, that, if any one plundered her of a pin, she was sure to find it out. She would miss a pea out of a peck; and she once kept her establishment up half the night to hunt for a bit of cheese that was missing—it was at last found in the mouse-trap. "You extravagant minx," said she to the maid, "here is cheese enough to bait three mouse-traps;" and she nearly had her fingers snapped off in her haste to rescue the cheese from its prison. I used not to dine with my aunt Fidget so often as with my aunt Bridget, for my aunt Fidget worried my very life out with the history of every article that was brought to table. She made me undergo the narration of all that she had said, and all that the butcher or poulterer had said, concerning the purchase of the provision; and she used always to tell me what was the price of mutton when her mother was a girl—two pence a pound for the common pieces, and twopence-halfpenny for the prime pieces. Moreover, she always entertained me with an account of all her troubles, and with the sins and iniquities of her abominable servants, whom she generally changed once a month. Indeed, had I been inclined to indulge her with more of my company, I could not always manage to find her residence; for she was moving about from place to place, so that it was like playing a game of hunt the slipper to endeavor to find her. She once actually threatened to leave London altogether, if she could not find some more agreeable residence than hitherto it had been her lot to meet with. But there was one evil in my aunt Fidget's behavior, which disturbed me more than any thing else; she was always expecting that I should join her in abusing my placid aunt Bridget. Aunt Bridget's style of house-keeping was not, perhaps, quite the pink of perfection, but it was not for me to find fault with it; and if she did sit still all day, she never found fault with those who did not; she never said any thing evil of any of her neighbors. Aunt Fidget might be flying about all day like a witch upon a broomstick; but aunt Bridget made no remarks on it; she let her fly. The very sight of aunt Fidget was enough to put one out of breath—she whisked about from place to place at such a rapid rate, always talking at the rate of nineteen to the dozen. We boys used to say of her that she never sat long enough in a chair to warm the cover. But she is gone—requiescat in pace;¹ and that is more than ever she did in her life-time.

¹ May she rest in peace.