The Burning of Rome, A.D. 54
None of the stereotyped falsities of history have been reiterated with more persistence than that which represents the Emperor Nero on the summit of the tower of Mæcenas fiendishly fiddling and singing his verses while Rome was burning. Aside from the anachronism as to fiddling—the violin only dates from the middle of the sixteenth century—and admitting that the classic lyre of antiquity was meant, we have the authoritative statement of Tacitus that at the time of the fire Nero was at his villa at Antium, fifty miles from Rome. There is little doubt that Nero was the most depraved representative of pagan sensuality, but on the occasion of a conflagration which was planned and prompted by him for a wise purpose, he exhibited qualities greatly to his credit. Lanciani says that Nero conceived the gigantic plan of renewing and rebuilding the city, and as it was “crowded at every corner with shrines and altars and small temples which religious superstition made absolutely inviolable, and as the work of improvement was fiercely opposed by private owners of property, and gave occasion to an endless amount of lawsuits, and appraisals, and fights among the experts, he rid himself of all these difficulties in the simplest and easiest way.” Of the fourteen regions or wards into which Rome had been divided by Augustus, three were completely destroyed, and seven for the greater part, without any loss of life. In the work of reconstruction, the architects, Severus and Celer, were ordered to draw their plans in accordance with the best principles of hygiene and comfort. In anticipation of the lengthy period that would be required for clearing and rebuilding, Nero caused an enormous number of tents and wooden booths to be secretly prepared for the houseless multitude, and ordered fleets of grain-laden Mediterranean vessels from Sardinia, Sicily, Numidia, and Egypt to be conveniently near to prevent famine. This comprehensive provision for material improvement was made by a broad-minded, public-spirited man, who was in advance of his age, and who transformed narrow lanes into broad avenues, filthy slums into shaded squares and fountains, and shabby houses into magnificent public and private buildings.