A Villainous Trick
When it becomes necessary for an actor to write a letter during the performance of a play, it is a custom to read the words aloud as he writes them. It is necessary to do this in order that the audience may be apprised of its contents, otherwise the clearness of the plot might be obscured. The writing of a letter upon the stage, therefore, generally has an important bearing upon the situation being presented, and of course the writer is forced to read aloud what he writes for the benefit of the audience. During the production of “Monbars” in Houston some days ago, the gentleman who assumed the character of the heavy villain took advantage of a situation of this description in a most cowardly manner.
In the last act, Mantell, as Monbars, writes a letter of vital importance, and, as customary, reads the lines aloud as he writes them. The villain hides behind the curtains of a couch and listens in fiendish glee to the contents of the letter as imparted by Mr. Mantell in strict confidence to the audience. He then uses the information obtained in this underhanded manner to further his own devilish designs.
Mr. Mantell ought not to allow this. A man who is a member of his own company, and who, no doubt is drawing a good salary, should be above taking a mean advantage of a mere stage technicality.
The young man is a-walking with his girl
Hear him swear
That he loves her and adores her.
And he woos her, and, of course, her
Little foolish heart doth force her;
She’s half crazy and her thoughts are in a whirl.
The young man is a-walking with his girl.
(Hear him swear.)
She is two months old and screaming,
While around the room he’s steaming,
And her ma is in bed dreaming;
He’s half crazy and his thoughts are in a whirl.