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The Lighter Classics in Music

by David Ewen

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César Cui

César Cui was born in Vilna, Russia, on January 18, 1835. He was graduated as an engineer from the St. Petersburg Engineering Academy in 1857; following that he served for many years as a topographer, as an authority on fortifications, and as an engineering professor. All the while his principal avocation was music, which he had studied from childhood on. Between 1864 and 1900 he was active as music critic for various Russian newspapers and journals. As a composer, he belonged to the nationalist group known as the “Russian Five” or “Mighty Five,” but unlike his distinguished colleagues (Balakirev, Rimsky-Korsakov, Mussorgsky and Borodin) his influence proved far greater than his music. He wrote many operas and large orchestral works, but none have remained alive in the repertory. He was probably at his best in miniature for the piano, and in his songs. He died in St. Petersburg on March 24, 1918.

It is with one of his miniatures that his name is still remembered. This piece is the Orientale, a composition originally for violin and piano, the ninth number in a suite of twenty-four pieces collectively entitled Kaleidoscope, op. 50. The principal melody is in oriental style, introduced and then accompanied by a persistent rhythm (which in the original version is produced by plucked strings, while the melody itself is first given by the piano. This melody is soon taken over by the violin.) Transcriptions for orchestra have made this a salon favorite.

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