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The Lighter Classics in Music

by David Ewen

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Anatol Liadov

Anatol Liadov was born in St. Petersburg, Russia, on May 10, 1855, the son and grandson of eminent Russian conductors. He was a pupil of Rimsky-Korsakov at the St. Petersburg Conservatory, but was so derelict about attending classes that in 1876 he was expelled. Reinstated two years later he now became fired with both ambition and industry, proved a brilliant student, and was graduated with highest honors. He was then appointed teacher of theory there, eventually becoming a renowned professor, a post he retained until the end of his life. He died in Novgorod, Russia, on August 28, 1914.

Liadov was at his best in his fairy tales for orchestra (The Enchanted Lake, Baba Yaga and Kikimora); in songs; and in smaller pieces for the piano. He was a student of Russian folk music of which he made numerous adaptations, and whose styles and idioms percolated into many of his compositions.

The Eight Russian Folksongs, a suite for orchestra, op. 58 (1906) is one of Liadov’s adaptations. There are eight movements. In the first, “Religious Chant,” the main song is that chanted by children in religious processions; it is heard in English horn and bassoons. This is followed by “Christmas Carol,” its main theme presented by oboes and clarinets. “Plaintive Melody” is a village song, and “I Danced With a Mosquito,” a humorous scherzo in which muted strings simulated buzzing mosquitoes. The fifth movement is “Legend of the Birds” where the bird song is presented by the woodwind. “Cradle Song” is a tender melody for strings. This is followed by a lively rhythmic section, “Round Dance.” The suite ends with the “Village Dance Song,” music that usually accompanies the crowning of the May Queen.

Liadov is also the composer of a delightful trifle called The Music Box in which the delicate little tune is the kind that lends itself gratefully to the tinkle of a music box. Liadov wrote this piece for the piano, op. 32, but it is better known in orchestral transcriptions.

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