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The Lighter Classics in Music

by David Ewen

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Ralph Benatzky

Ralph Benatzky was born in Moravské-Budejovice, Bohemia, on June 5, 1884. He acquired his musical training in Prague and with Felix Mottl in Munich, after which he devoted himself to light music by composing operettas. While residing at different periods in Vienna, Berlin, and Switzerland, he wrote the scores for over ninety operettas and 250 motion pictures, besides producing about five thousand songs. His most successful operettas were The Laughing Triple Alliance, My Sister and I, Love in the Snow, Axel at the Gates of Heaven, and The White Horse Inn. He came to live in the United States in 1940, but after World War II returned to Europe. He died in Zurich on October 17, 1957.

The White Horse Inn (Im weissen Roess’l) is not only Benatzky’s most celebrated operetta, but also one of the most successful produced in Europe between the two world wars, and possibly the last of the great European operettas. It was first performed in Berlin in 1930, after which it enjoyed over a thousand performances in Europe. Its première in America in 1936 (the book was adapted by David Freedman, lyrics were by Irving Caesar, William Gaxton and Kitty Carlisle starred) was only a moderate success. The operetta book of the original—freely adapted by Erik Charell and Hans Mueller, from a play by Blumenthal and Kadelburg—is set in the delightful resort of St. Wolfgang on Wolfgangsee in Austria, in the era just before World War I. Leopold, headwaiter of The White Horse Inn, is in love with its owner, Frau Josepha, who favors the lawyer, Siedler. In a fit of temper she fires Leopold, but upon learning that Emperor Franz Josef is about to pay the inn a visit, she prevails upon him to stay on. Leopold makes a welcoming speech to the Emperor, during which his bitter resentment against Frau Josepha gets the upper hand. Later on, when Frau Josepha confides to the Emperor that she is in love with Siedler, he urges her to consider Leopold for a husband. Leopold then comes to Josepha with a letter of resignation, which she accepts, but only because she is now ready to give him a new position, as her husband.

Selections from this tuneful operetta include the main love song, “Es muss ein wunderbares sein,” the ditty “Zuschau’n kann ich nicht,” and the lively waltz, “Im weissen Roess’l am Wolfgangsee.”

It is mainly the worldwide popularity of this operetta (even more than the natural beauty of Wolfgangsee) that brings tourists each year to the White Horse Inn at St. Wolfgang, for a sight of the operetta’s setting, and to partake of refreshments on the attractive veranda overlooking Wolfgangsee. The inn is now generously decorated with pictures in which the two main songs of the operetta are quoted, supplemented by a portrait of Benatzky. Souvenir ashtrays also carry musical quotations from the operetta.

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