Combining Different Touches
"As I have intimated, if the fingers are used exclusively a terribly dry tone must result. The full-arm touch, in which I experience a complete relaxation of the arm from the shoulder to the finger tips, is the condition I employ at most times. But the touches I use are combinations of the different finger, hand and arm touches. These lead to myriads of results, and only the experienced performer can judge where they should be applied to produce desired effects.
"You will observe by placing your hand upon my shoulder that even with the movement of the single finger a muscular activity may be detected at the shoulder. This shows how completely relaxed I keep my entire arm during performance. It is only in this way that I can produce the right kind of singing tone in cantabile passages. Sometimes I use one touch in one voice and an entirely different touch in another voice. The combinations are kaleidoscopic in their multiplicity.