Phrasing and Breathing
"It would take a book, and by no means a small one, to go into this matter of phrasing which I am now discussing. Even in such a book there would doubtless be many points which would be open to assaults for sticklers in psychological technology. I am not issuing a propaganda or writing a thesis for the purpose of having something to defend, but merely giving a few offhand facts that have benefited me in my work. However, it is my conviction that it is the duty of the pianist to try to understand the analogy to the physical limitations which surround the more natural mediums of musical expression—the voice and the violin—and to apply the result of his observations to his piano playing.