Tale XXIII
1. “The five colours,” see note 5, Tale IV.
“The seven precious things,” are variously stated. Sometimes they are gold, silver, lapis lazuli, crystal, red pearls, diamond and coral. Sometimes gold and silver are left out of the reckoning, and rubies and emeralds substituted. See Köppen, i. 540 et seq. The extravagant and incongruous description in the text is not artistic.
2. The month Pushja. Before the time of Vikramâditja astronomy was not studied in India as a science; the course of the heavenly bodies was observed, but only for the sake of determining the times and seasons of feasts and sacrifices. The moon was the chief subject of observation and of the more correct results of the same. Her path was divided into twenty-eight “houses” or “mansions” called naxatra. This division was invented by the Chinese, and India received it from them about 1100 B.C. The naxatravidjâ or the knowledge of the moon-mansions, is set down in one of the oldest Upanishad as a special kind of knowledge. In the oldest enumeration extant of the moon-mansions only twenty-seven are mentioned, and the first of them is called Krittikâ, and Abhigit, which is the 20th, according to the latest enumeration, is wanting; other lists have other discrepancies. It is worthy of notice that Kandramas, the earliest name by which the moon is invoked in the Vêda, is composed of kandra, “shining,” and mas, “to measure,” because the moon measured time, and the various names of the moon in all the so-called Indo-European languages are supposed to come from this last word. There were also four moon-divinities invoked, as Kuhû, Sinivali, Râkâ, and Anumati, in the Rig Vêda hymns; these are all feminine deities. Soma, the later moon-divinity, however, was masculine, and had twenty-seven of the fifty daughters of Daxa for his wives. Kandramas was also a male divinity. The worship of the four goddesses I have named was afterwards superseded by four (also feminine) deifications of the phases of the moon. There seems a little difficulty, however, about fitting their names to them. Pushja, with which we are more particularly concerned, would properly imply “waxing,” but she presided nevertheless over the last quarter; Krita, meaning the “finished” course, over the new moon; the appellations of the others fit better. Drapura (derived from dva, two) designated the second quarter, and Khârvâ, “the beginning to wane,” the full moon. In the list given by Amarasinha of the moon-mansions, Pushja is the name of the eighth, in the Mahâ Bhârata it stands for the sixth.
The month Pauscha answers to our December. (Lassen, iii. 819.)
3. We have many early proofs that India possessed an indigenous breed of hunting-dogs of noble and somewhat fierce character. They were much esteemed as hunting-dogs by the Persians, and formed an important article of commerce. Herodotus (i. 192) mentions their being imported into Babylon; whether the mighty hunter Nimrod had a high opinion of them, there is perhaps no means of ascertaining. Strabo (xv. i. § 31) says they were not afraid to hunt lions. In the Ramajana, (ii. 70, 21) Ashvapati gives Rama a present of “swift asses and dogs bred in the palace, large in stature, with the strength of tigers, and teeth meet to fight withal.” Alexander found them sufficiently superior to his own to take with him a present of them offered him by Sopeithes. Aristobulos, Megasthenes, and Ælianus mention their qualities with admiration. Their strength and courage led to the erroneous tradition that they were suckled by tigers (see Pliny, viii. 65, I). Plutarch (De Soc. Anim. x. 4) quotes a passage from an earlier Greek writer, saying they were so noble, that though when they caught a hare they gladly sucked his blood, yet that if one lay down exhausted with the course, they would not kill it, but stood round it in a circle, wagging their tails to show their enjoyment was not in the blood, but in the victory.
The house-dog and herd-dog, however, was rather looked down upon; it and the ass were the only animals the Kandala or lowest caste were allowed to possess (Manu, x. 51), and it is still called Paria-dog (Bp Heber’s “Journey,” i. 490).
4. A functionary invented by the Mongolian tale-repeater. The idea evidently borrowed from his knowledge of the paramount authority of the Talé Lama of Tibet, leading him to suppose there must exist a corresponding dignity in India.
5. Barin Tschidaktschi Erdekctu, “The mighty one at taking distant aim.” (Jülg.)
6. Gesser Khan, the great hero of Mongolian tales; called also “The mighty Destroyer of the root of the seven evils in the seven places of the earth.” (Jülg.)
7. Tschin-tâmani, Sanskrit, “Thought-jewel,” is a jewel possessing the magic power of producing whatever object the possessor of it sets his heart upon. (Böhtlingk and Roth, Sanskrit Dict.) See infra, note 2, to “The False Friend,” and note 8 to “Vikramâditja’s Youth.”
8. Barss-Irbiss, “leopard-tiger.” (Jülg.)
Historical Notice of Vikramâditja
1. Professor Wilson.
2. Reinaud, Fragments relatifs à l’Inde.
3. See a most extraordinary instance of this noticed in note 11 of the Tale in this volume entitled “Vikramâditja makes the Silent Speak.”
4. Thus Reinaud (Mémoire Géographique sur l’Inde, p. 80) speaks of a king of this name who governed Cashmere A.D. 517, as if he were the original Vikramâditja.
5. The honour of being the first to work this mine of information belongs to H. Todd; see his “Account of Indian Medals,” in Trans. of As. Soc.
6. The art of coining at all was, in all probability, introduced by the Greeks.—Wilson, Ariana Antiqua, p. 403; also Prinsep, in Journ. of As. Soc. i. 394.
7. In the list of kings given by Lassen, iv. 969, 970, there are eight kings called Vikramâditja, either as a name or a surname, between A.D. 500 and 1000.
8. The kingdom of Malâva answers to the present province of Malwa, comprising the table-land enclosed between the Vindhja and Haravatî ranges. The amenity of its climate made it the favourite residence of the rulers of this part of India, and we find in it a number of former capitals of great empires. It lay near the commercial coast of Guzerat, and through it were highways from Northern India over the Vindhja range into the Dekhan. It is also well watered; its chief river, the Kharmanvati (now Kumbal), rises in the Vindhja mountains, and falls into the Jumna. At its confluence with the Siprâ, a little tributary, was situated Uggajini = “the Victorious,” now called Uggeni, Ozene, and Oojein, and still the first meridian of Indian astronomers. It also bore the name of Avantî = “the Protecting,” from the circumstance of its having given refuge to this Vikramâditja in his infancy.
9. This length of reign is actually ascribed to him in the Chronological Table out of the Kalijuga-Râgakaritra, given in Journ. of the As. Soc. p. 496.
10. This resolution was quite in conformity with the prevailing religious teaching. In the collection of laws and precepts called the Manû, many rules are laid down for this kind of life, and were followed to a prodigious extent both by solitaries and communities; e.g. “When the grihastha = ‘father of the house,’ finds wrinkles and grey hairs coming, and when children’s children are begotten to him, then it is time for him to forsake inhabited places for the jungle.” It is further prescribed that he should expose himself there to all kinds of perils, privations, and hardships. He is not to shrink from encounters with inimical tribes; he is to live on wild fruits, roots, and water. In summer he is to expose himself to the heat of fierce fires, and in the rainy season to the wet, without seeking shelter; in the coldest winter he is to go clothed in damp raiment. By these, and such means, he was to acquire indifference to all corporeal considerations, and reach after union with the Highest Being. Manû, v. 29; vii. 1–30; viii. 28; x. 5; xi. 48, 53; xvii. 5, 7, 24; xviii. 3–5, &c., &c. It is impossible not to be struck, in studying such passages as these, with a reflection of the inferiority which every other religious system, even in its sublimest aims, presents to Christianity. If, indeed, there were a first uniform limit appointed to the hand of death at the age of threescore years and ten, then it might be a clever rule to fix the appearance of wrinkles, grey hairs, and children’s children as the period for beginning to contemplate what is to come after it; but, as the number of those who are summoned to actual acquaintance with that futurity before that age is pretty nearly as great as that of those who surpass it, the maxim carries on the face of it that it is dictated by a very fallible, however well-intentioned, guide. Christianity knows no such limit, but opens its perfect teaching to the contemplation of “babes;” while, practically, experience shows that those who are called early to a life of religion are far more numerous than those in advanced years.
11. Given in W. Taylor’s Orient. Hist. MSS., i. 199.
12. “The Indians have no actual history written by themselves.” (Lassen, Indische Alterthumskunde, i. 357, note 1.)
13. Klaproth, Würdigung der Asiatischen Geschichtschreiber.
14. Indien, p. 17.
15. Examen Critique, p. 347.
16. But only committed to memory. See supra, p. 333.
17. Burnouf, Introduction à l’Hist. du Buddh., vol i.
18. Concerning the late introduction of this idea, see supra, pp. 337–8.
19. Indische Alterthumskunde, i. 839.
20. Lassen, iii., p. 44.
21. Mommsen (History of Rome, book iv., ch. viii.), writing of Mithridates Eupator, who died within a few years of the date ascribed to Vikramâditja’s birth, says, “Although our accounts regarding him are, in substance, traceable to written records of contemporaries, yet the legendary tradition, which is generated with lightning expedition in the East, early adorned the mighty king with many superhuman traits. These traits, however, belong to his character just as the crown of clouds belongs to the character of the highest mountain peaks; the outline of the figure appears in both cases, only more coloured and fantastic, not disturbed or essentially altered.”
22. The legend from which the following is gathered has been given by Wilford, in a paper entitled “Vikramâditja and Salivâhâna, their respective eras.”
23. See Lassen, Indische Alterthumskunde, ii. 49–56.
24. Wilson, in Mackenzie Collection, p. 343.
25. A vetâla is a kind of sprite, not always bad-natured, usually carrying on a kind of weird existence in burial-places. “They can possess themselves of the forms of those who die by the hand of justice, and assume them. By the power of magic men can make them obedient, and use them for all manner of difficult tasks above their own strength and sufficiency.” Brockhaus’ Report of the R. Saxon Scientific Soc. Philologico-historical Class, 1863, p. 181. “The Vetâlas were a late introduction among the gods of popular veneration.” (Lassen, iv. 570.) “They came also to be regarded as incarnations of both Vishnu and Shiva.” (Lassen, iv. 159.)
26. Two interesting instances of the way in which traditionary legends become attached to various persons as they float along the current of time, have been brought to my notice while preparing these sheets for the press. I cannot now recall where I picked up the story of “The Balladmaker and the Bootmaker,” which I have given in “Patrañas,” but I am sure it was told of a wandering minstrel, and as occurring on Spanish soil, as I have given it. I have since met it in “The Hundred Novels” of Sacchetti (written little after the time of Boccacio) as an episode in a no less celebrated life than that of Dante, thus: “... Going out and passing by Porta S. Piero (Florence), he (Dante) heard a blacksmith beating on his anvil, and singing ‘Dante’ just as one sings a common ballad; mutilating here, and mixing in verses of his own there; by which means Dante perceived that he sustained great injury. He said nothing, however, but went into the workshop, to where were laid ready many tools for use in the trade. Dante first took up the hammer and flung it into the road; took up the pincers and flung them into the road; took up the scales and flung them out into the road. When he had thus flung many tools into the road, the blacksmith turned round with a brutal air, crying out, ‘Che diavol’ fate voi? Are you mad?’ But Dante said, ‘And thou; what hast thou done?’ ‘I am busied about my craft,’ said the blacksmith; ‘and you are spoiling my gear, throwing it out into the road like that.’ Said Dante, ‘If you don’t want me to spoil your things, don’t you spoil mine.’ Said the smith. ‘What have I spoilt of yours?’ Said Dante, ‘You sing my book, and you say it not as I made it; poem-making is my trade, and you have spoilt it.’ Then the blacksmith was full of fury, but he had nothing to say; so he went out and picked up his tools, and went on with his work, And the next time he felt inclined to sing, he sang Tristano and Lancellotte, and left Dante alone.” “... Another day Dante was walking along, wearing the gorget and the bracciaiuola, according to the custom of the time, when he met a man driving an ass having a load of street sweepings, who, as he walked behind his ass, ever and anon sang Dante’s book, and when he had sung a line or two, gave the donkey a hit, and cried ‘Arrri!’ Dante, coming up with him, gave him a blow on his shoulder with his armlet (’con la bracciaiuola gli diede una grande batacchiata,’ literally ’bastonnade:’ bracciaiuola stands for both the armour covering the arm, and for the tolerably formidable wooden instrument, fixed to the arm, with which pallone-players strike the ball), saying, as he did so, ‘That “arrri” was never put in by me.’ As soon as the ass-driver had got out of his way, he turned and made faces at Dante, saying, ‘Take that!’ But Dante, without suffering himself to be led into an altercation with such a man, replied, amid the applause of all, ‘I would not give one of mine for a hundred of thine!’” (2.) It was lately mentioned to me that there is a narrow mountain-pass in the Lechthal, in Tirol, which is sometimes called Mangtritt (or St. Magnus’ step), and sometimes Jusalte (Saltus Julii, the leap of Julius), because one tradition says Julius Cæsar leapt through it on horseback, and another that it opened to let St. Magnus pass through when escaping from a heathen horde.
27. Quoted by W. Taylor, in Journ. of As. Soc. vii. p. 391.
28. Quoted by Wilford, as above.
29. Quoted in Wilford’s “Sacred Isles of the West.”
30. Lassen.
31. Roth, Extrait du Vikrama-Charitram, p. 279.
32. Lassen, ii. p. 1154.
33. Lassen, ii. 1122–1129.
34. Abbé Huc narrates how enthusiastically the young Mongol toolholos, or bard, sang to him the Invocation of Timour, of which he gives the refrain as follows:—“We have burned the sweet-smelling wood at the feet of the divine Timour. Our foreheads bent to the earth, we have offered to him the green leaf of tea, and the milk of our herds. We are ready: the Mongols are on foot, O Timour!
“O Divine Timour, when will thy great soul revive?
Return! Return! We await thee, O Timour!”
35. See Note 11 to “Vikramâditja makes the Silent Speak.”
The Boy-King
1. Ardschi-Bordschi is a Mongolian corruption of King Bhoga. (Jülg.)
The name of Bhoga (also written Noe, Nauge, and Noza; the N having entered from a careless following of the Persian historian Abulfazl, n and b being only distinguished by a point in Persian writing; and the z through the Portuguese, who habitually rendered the Indian g thus) seems to have been almost as favourite an appellation as that of Vikramâditja itself, and pretty equally surrounded with confusion of fabulous incident.
The Bhoga were one of the mightiest dynasties of ancient India, and the name was given to the family on account of their unbounded prosperity; being derived from bhug = enjoyment. The most celebrated king of the race bore a name which in our own day has become associated with prosperous rule, Bhoga Bismarka, or Bhismarka, is celebrated in ancient Sagas for his resistless might in the field, and was also accounted the type of a prudent and far-sighted sovereign. Many glories are fabled of him which I have not space to narrate, and even he only reigned over a fourth part of the Bhoga.
The individual Bhoga, however, who is probably the subject of the present story, and the details of whose virtues and wisdom present particular analogies with the life of Vikramâditja is, comparatively speaking, modern, as he reigned from A.D. 1037 to 1093 according to some, or from 997 to 1053 according to others. He was likewise originally King of Maláva or Malwa, and fabulous conquests and extensions of dominion are likewise ascribed to him.
He was the greatest king of the Prâmâra dynasty, one of the four so-called Agnikula, or “from-the-god-Agni-descended,” or “fire-born” tribes, and traced up his pedigree to a certain Paramâra, “The destroyer of adversaries,” born at the prayer of the Hermit Rishi Vasichta on the lofty mountain of Arbuda (Arboo).
The story of this Bhoga is contained in two somewhat legendary accounts, called (1) the Bhogaprabandha, or poetical narrative concerning Bhoga; and (2) the Bhogakaritra, or the deeds of Bhoga. The first was written or collected by the Pandit Vallabha about 1340. The first part relates the circumstances concerning Bhoga’s mounting the throne, and the second part is a history of the poets and learned men who flocked from all parts of India to his court. It tells an intricate fable about his having been persecuted in youth by a treacherous uncle who preceded him on the throne, but who afterwards came to repentance, while a supernatural interposition delivered Bhoga from all his machinations and made him master of Gauda or Bengal, and many other parts of India. Other legends mention his discovery of the throne of Vikramâditja, and make the figures on the steps Apsarasas, or nymphs, who were delivered and set free by him when he took possession of it and removed it to Dhara, whither he had transferred his capital from Uggajini. An Inscription (given at length, viii. 5, 6, in Journ. of As. Soc. of Bengal, v. p. 376) speaks thus of him:—“The most prosperous king Bhogadeva was the most illustrious of the whole generation of the Prâmâra. He attained to glory as great as that of the destroyer (Crishna) and traversed the universe to its utmost boundaries. His fame rose like the moonbeams over the mountains and rivers of the regions of the earth, and before it the renown of the inimical rulers faded away as the pale lotus-blossom is closed up.” The Persian historian Abulfazl testifies in somewhat more sober language, that he greatly extended the frontiers of his kingdom.
His career was not one of unchecked prosperity however. According to an Inscription he was at last subdued by his enemy, and it thus gently tells the tale of his reverse:—“After he had attained to equality with Vâsava (Indra) and the land was well watered with streams, his relation Udajâditja became Ruler of the earth.” His adversary being a relation, and a Prâmâra like himself, the feud between them was considered a scandal, and the inscription avoids perpetuating the details of it. A legend in the Bhogakaritra supplies some. A hermit had been rather severely judged by King Bhoga for a misdemeanour, and condemned to ride through the streets of the capital on an ass. To punish the king for this scandal he went into Cashmere till he had acquired the power of making the soul of a man pass into another body. Then he came back and constrained the soul of the king to pass into the body of a parrot while he made his own soul pass into the king’s body; then he issued a decree commanding the slaughter of all the parrots in the kingdom. The royal parrot, however, who was the object of the decree, effected his escape and came to the court of Kandrasena, where he became the pet bird of the princess his daughter; to her he revealed the story of his transformation. At her instigation the hermit-king was persuaded to come to Kandrasena’s court to sue for her hand, and there, by means of an intrigue of hers he was put to death. Bhoga thus regained his original form and his kingdom.
Abulfazl celebrates his moderation and uprightness, as well as his liberality and the encouragement he gave to men of learning, of whom he had not less than five hundred at one time lodged in his palace. This similarity of pursuits helped so to foster the tendency of which I have already spoken, to confuse the deeds of one hero with another, that one poet at least (Vararuki by name), who flourished under Bhoga, is reckoned among the nine “jewels” of Vikramâditja’s court! Kalidasa, who was not very much, if at all later, is also put among the protégés of Bhoga in the Bhogaprabandha. The actual writers of any note belonging to Bhoga’s age, whose names and works have come down to us are chiefly Subandhu and Vâna, authors of two poems entitled respectively Vâsavadattâ and Kâdambarî, of which a reprint was issued at Calcutta in 1850. Dandi, who wrote a celebrated drama called Dashakumârakaritra, affording a useful picture of the manners prevailing in Hindustan and the Dekhan in his time; he also left a treatise on the art of poetry, called Kâvjadarshâ. Another poet of this date, named Shankara, has often been confounded with a philosophical writer of the same name in the eighth century. The Harivansha, a mythological poem in continuation of the Mâha Bhârata, also belongs to this reign. Among numerous other works ascribed to it, many of which have not yet been examined into by Europeans, are several treatises of mathematics and astronomy. Bhoga himself is entered in a list of the astronomers of his time, and he was said to be the author of a treatise on medicine, called Vriddha Bhoga, and of one on jurisprudence, called Smritishâstra.
2. Boddhisattva. See p. 342 and p. 365.
The False Friend
1. Compare this story with that given Nights 589–593 of Arabian Nights. (Jülg.)
2. That the jewel-merchant had no written proof of the trust he had committed to his friend would appear quite in conformity with actual custom, at least in primitive times. Megasthenes has left testimony (Strabo xv. i. 53, p. 709), quoted by Schwanbeck (Megas. Ind. p. 113), in favour of the general uprightness of the Indians and their little inclination to litigation, which he bases on the fact that it was the custom to take no acknowledgment under seal or writing of money or jewels entrusted to another, or even to call witnesses to the fact; that the word of the man who had entrusted another with such sufficed; also Ælianus, V. H. iv. i. This, notwithstanding that the Manu (dh. c. viii. 180) contains provisions for regulating such transactions in due form and order; the man accordingly does not think of denying that he received the jewel, which would seem the easier way of concealing his fraud, because he knew the word of the jewel-merchant would be taken against his.
3. Stupa, a shrine; often a natural cave; often one artificially hewn; containing relics, or commemorating some incident considered sacred in the life of a noted Buddhist teacher. We read of stupas instituted at a spot where there was a tradition Shâkjamuni had left a foot-print; and another at Kapilvastu, his native place, over the spot where, as we saw in his life, he was led to devote himself to serious contemplations by meeting a sick man, &c. When of imposing proportion it was called a mâhastûpa. When such monuments on the other hand were put together with stones (usually pyramidal in form) they were called dhâtugopa, whence Europeans give them the name of Dagobas. The word Pagoda, with which we are familiar, is probably derived from the Sanskrit bhâgavata = “Worthy to be venerated.” The syllable ava was transformed in Prakrit into o, and the ta into da. The Portuguese took the word as applied to religious edifices as distinguished from the kaitja66, or rock-hewn temples. The word pagoda, however, is usually reserved for Brahmanical temples. The word stupa has now become corrupted into tope, by which word you will find it designated by modern writers on India. The etymology of the word makes it mean much the same as tumulus, but kaitja conveys further the meaning that it was a sacred place.
4. The notion of jewels being endowed with talismanic properties is common in Eastern story. Ktesias (Fragm. lvii. 2, p. 79) mentions a celebrated Indian magic jewelled seal-ring called Pantarba, which had the property when thrown into the water of attracting to it other jewels, and that a merchant once drew out one hundred and seventy-seven other jewels and seals by its means.
The Pretended Son
1. Schimnu. See supra, note 2, Tale III.
2. Diamond, Sanskrit, vadschra, originally the thunderbolt, Indra’s sceptre; then the praying-sceptre of the priests; the symbol of durability, immovability, and indestructibility. (Köppen i. 251, and ii. 271, quoted by Jülg.) It was permitted to none but kings to possess them. (Lassen, iii. 18.) See also note 1, Tale XV.
Ardschi-Bordschi Discovers Vikramâditja’s Throne
1. We read of a silver statue in one of the many temples founded by Lalitâditja, King of Cashmere, whose bright golden cuirass “gave forth a stream of light like a river of milk.” Mentioned in Lassen, iii. p. 1000, and iv. 575.
2. It will be perceived the story is not without a certain meaning. It inculcates regard for the example and experience of the ancient and wise—the wisdom of the hero Vikramâditja (typified by his throne) was to be the model and guide of other kings and dynasties.
3. Sounding of trumpet-shells. The shankha or concha seems to have been the earliest form of trumpet used in war. It often finds mention in the heroic poems. Crishna used one in his warrior character; and Vishnu, from bearing one, had the appellation shankha and shankhin. To the present day it is used in announcing festivals in Mongolia.
4. Sûta, bard. To this order it is that we are indebted for the preservation of so many myths and heroic tales. He was also the charioteer of the kings.
5. The six classes, states, or stages of living beings, by passing through which Buddhahood was to be attained—(1) Pure spirit or the devas gods (Skr. Surâs; Mongolian, Tegri; Kalm. Tenggeri); (2) the unclean spirits, enemies of the gods (Skr. Asurâs); (3) men; (4) beasts; (5) Pretâs, monsters surrounding the entrance of hell; (6) the hell-gods. (Köppen, i. 238, et seq., quoted by Jülg.)
Vikramâditja’s Birth
1. Udsesskülengtu-Gôa-Chatun, a heaping up of synonyms of which we had an example, note 2, Tale XVII. Both words mean “beautiful,” “charming.” Goâ is a Mongolian expression by which royal women are called (as also chatun). Thus we sometimes meet with Udsessküleng, sometimes Udsesskülengtu (the adjunct tu forming the adjective use of the word); Udsesskülengtu-Goa, Udsesskülengtu-Chatun, or Udessküleng-Gôa-Chatun. (Jülg.)
2. Kaitja or Chaitga is a sacred grotto where relics were preserved, or marking a spot where some remarkable event of ancient date had taken place. We are told that King Ashokja (246 B.C.) caused kaitjas to be built, or rather hewn, in every spot in his dominions rendered sacred by any act of Shâkjamuni’s life67; as also over the relics of many of the first teachers (p. 390). The number of these is fabled in the Mahâvansha (v. p. 26) to have been not less than 84,000! He opened seven of the shrines in which the relics of Shâkjamuni were originally placed, and divided them into so many caskets of gold, silver, crystal, and lapis lazuli, endowing every town of his dominion with one, and building a kaitja over it. These were all completed by one given day at one and the same time, and the authority of the Dharma (law) of Buddha was proclaimed in all. In process of time great labour came to be spent on their decoration, till whole temples were hewn out of the living stone, forming almost imperishable records of the earliest architecture of the country, and to some extent of its history and religion too. The most astonishing remains are to be seen of works of this kind, with files of columns and elaborate bas-reliefs sculptured out of the solid rock.
3. Abbé Huc tells us that the Mongolians prepare their tea quite differently from the Chinese. The leaves, instead of being carefully picked as in China, are pressed all together along with the smaller tendrils and stalks into a mould resembling an ordinary brick. When required for use a piece of the brick is broken off, pulverized, and boiled in a kettle until the water receives a reddish hue, some salt is then thrown in, and when it has become almost black milk is added. It is a great Tartar luxury, and also an article of commerce with Russia; but the Chinese never touch it.
4. An accepted token of veneration and homage. (Jülg.)
5. Sesame-oil. See note 2, Tale V.
6. Kalavinka = Sanskrit, Sperling, belongs to the sacred order of birds and scenes, in this place to be intended for the Kokila. (Jülg.)
The Kokila, or India cuckoo, is as favourite a bird with Indians as the nightingale is with us. For a description of it see “A Monograph of Indian and Malayan Species of Cuculidæ,” in Journal of As. Soc. of Bengal, xi. 908, by Edward Blyth.
7. You are not to imagine that by “four parts of the universe” is meant any thing like what we have been used to call “the four quarters of the globe.” The division of the Indian cosmogony was very different and refers to the distribution of the (supposed) known universe between gods of various orders and men, to the latter being assigned the fourth and lowest called Gambudvîpa68.
8. Concerning such religious gatherings, see Köppen, i. 396, 579–583; ii. 115, 311.
At such a festival held by Aravâla, King of Cashmere, on occasion of celebrating the acceptance of the teaching of Shâkjamuni as the religion of his dominion, it is said in a legend that there were present 84,000 of each order of the demigods, 100,000 priests, and 800,000 people.
9. The parrot naturally takes a prominent place in Indian fable, both on account of his sagacity, his companionable nature, and his extraordinary length of days. He did not fail to attract much notice on the part of the Greek writers on India; and Ktesias, who wrote about 370 B.C., seems to have caught some of the peculiar Indian regard for his powers, when he wrote that though he ordinarily spoke the Indian’s language, he could talk Greek if taught it. Ælianus says they were esteemed by the Brahmans above all other birds, and that the princes kept many of them in their gardens and houses.
10. Bodhisattva. See p. 346 and note 1, Tale XI.
11. Concerning the serpent-gods, see supra, note 1 to Tale II.; and note 4, Tale XXII.
12. A legend containing curiously similar details is told in the Mahâvansha of Shishunâga, founder of an early dynasty of Magadha (Behar). The king had married his chief dancer, and afterwards sent her away. Partly out of distress and partly as a reproach she left her infant son exposed on the dunghill of the royal dwelling. A serpent-god, who was the tutelar genius of the place, took pity on the child, and was found winding its body round the basket in which it was cradled, holding its head raised over the same and spreading out its hood (it was the Cobra di capello species of serpent, which was the object of divine honours) to protect him from the sun. The people drove away the serpent-god (Nâga) with the cry of Shu! Shu! whence they gave the name of Shishunâga to the child, who, on opening the basket, was found to be endowed with qualities promising his future greatness. In this case, however, the serpent-god seems to have borne his serpent-shape, and in that of Vikramâditja, the eight are spoken of as in human form.
Vikramâditja’s Youth
1. Nirvâna. See supra, p. 330, note, p. 334, and p. 343. The word is sometimes used however poetically, simply as an equivalent for death.
2. Kütschun Tschindaktschi = “One provided with might.” (Jülg.)
3. “The custom of requiring women to go abroad veiled was only introduced after the Mussulman invasion, and was nearly the only important circumstance in which Muhammedan influenced Indian manners.” See Lassen, Indische Alterthumskunde, iii. p. 1157. In Mongolia, however, Abbé Huc found that women have completely preserved their independence. “Far from being kept down as among other Asiatic nations they come and go at pleasure, ride out on horseback, and pay visits to each other from tent to tent. In place of the soft languishing physiognomy of the Chinese women, they present in their bearing and manners a sense of power and free will in accordance with their active life and nomad habits. Their attire augments the effect of their masculine haughty mien.”
In chapter v. of vol. ii., however, he tells of a custom prevailing in part of Tibet of a much more objectionable nature than the use of a veil:—“Nearly 200 years ago the Nome-Khan, who ruled over Hither-Tibet, was a man of rigid manners.... To meet the libertinism prevailing at his day he published an edict prohibiting women from appearing in public otherwise than with their faces bedaubed with a hideous black varnish.... The most extraordinary circumstance connected with it is that the women are perfectly resigned to it.... The women who bedaub their faces most disgustingly are deemed the most pious.... In country places the edict is still observed with exactitude, but at Lha-Ssa it is not unusual to meet women who set it at defiance,... they are, however, unfavourably regarded. In other respects they enjoy great liberty. Instead of vegetating prisoners in the depths of their houses they lead an active and laborious life.... Besides household duties, they concentrate in their own hands all the retail trade of the country, and in rural districts perform most of the labours of agriculture.”
4. Schalû. In another version of the legend he is called Sakori, the soothsayer, because he made these predictions. (Journal of As. Soc. of Bengal, vi. 350, in a paper by Lieut. W. Postans.)
5. The wolf-nurtured prince has a prominent place in Mongolian chronicles. Their dynasty was founded by Bürte-Tschinoa = the Wolf in winter-clothing. See I. J. Schmidt’s Die Völker Mittel-Asiens, vorzüglich die Mongolen und Tibeter, St. Petersburg, 1824, pp. 11–18, 33 et seq.; 70–75; and sSanang sSetsen, 56 and 372.
6. I cannot forbear reference to notices of such sudden storms and inundations in Mongolia made from personal experience by Abbé Huc “Travels in China and Tartary,” chapters vi. and vii.
7. The persistent removal of the child after such tender entreaties and such faithful unrequited service carries an idea of heartlessness, but in extenuation it should be mentioned that while the Indians honoured every kind of animal by reason of their doctrine of metempsychosis, the wolf was just the only beast with which they seem to have had no sympathy, and they reckoned the sight of one brought ill-luck, a prejudice probably derived from the days of their pastoral existence when their approach was fraught with so much danger to their flocks. In Mongolia, where the pastoral mode of life still continues in vogue, the dread of the wolf was not likely to have diminished. Thus Abbé Huc says, “Although the want of population might seem to abandon the interminable deserts of Tartary to wild beasts, wolves are rarely met, owing to the incessant and vindictive warfare the Mongolians wage against them. They pursue them every where to the death, regarding them as their capital enemy on account of the great damage they may inflict upon their flocks. The announcement that a wolf has been seen is a signal for every one to mount his horse... the wolf in vain attempts to flee in every direction; it meets horsemen from every side. There is no mountain so rugged that the Tartar horses, agile as goats, cannot pursue it. The horseman who has caught it with his lasso gallops off, dragging it behind, to the nearest tent; there they strongly bind its muzzle, so that they may torture it securely, and by way of finale skin it alive. In summer the wretched brute will live in this condition several days; in winter it soon dies frozen.” The wolf seems fully to return the antipathy, for (chapter xi.) he says, “It is remarkable wolves in Mongolia attack men rather than animals. They may be seen sometimes passing at full gallop through a flock of sheep in order to attack the shepherd.”
8. Tschin-tâmani, Sanskrit, “thought-jewel,” a jewel having the magic power of supplying all the possessor wishes for. Indian fable writers revel in the idea of the possession of a talisman which can satisfy all desire. The grandest and perhaps earliest remaining example of it occurs in the Ramajana, where King Visvamitra = the universal friend, who from a Xatrija (warrior caste) merited to become a Brahman, visits Vasichtha, the chief of hermits, and finds him in possession of Sabala, a beautiful cow, which has the quality of providing Vasichtha with every thing whatever he may wish for. He wants to provide a banquet for Visvamitra, and he has only to tell Sabala to lay the board with worthy food, with food according to the six kinds of taste and drinks worthy of a king of the world. She immediately provides sugar, and honey, and rice, maireja or nectar, and wine, besides all manner of other drinks and various kinds of food heaped up like mountains; sweet fruits, and cakes, and jars of milk; all these things Sabala showered down for the use of the hosts who accompanied Visvamitra. Visvamitra covets the precious cow, and offers a hundred thousand cows of earth in barter for her. But Vasichtha refuses to part with her for a hundred million other cows or for fulness of silver. The king offers him next all manner of ornaments of gold, fourteen thousand elephants, gold chariots with four white steeds and eight hundred bells to them, eleven thousand horses of noble race, full of courage, and a million cows. The seer still remaining deaf to his offers the king carries her off by force.
The heavenly cow, however, in virtue of her extraordinary qualities, helps herself out of the difficulty. It is her part to fulfil her master’s wishes, and as it is his wish to have her by him she gallops back to him, knocking over the soldiers of the earthly king by hundreds in her career. Returned to her master, the Brahman hermit, she reproaches him tenderly for letting her be removed by the earthly king. He answers her with equal affection, explaining that the earthly king has so much earthly strength that it is vain for him to resist him. At this Sabala is fired with holy indignation. She declares it must not be said that earthly power should triumph over spiritual strength. She reminds him that the power of Brahma, whom he represents, is unfailing in might, and begs him only to desire of her that she should destroy the Xatrija’s host. He desires it, and she forthwith furnishes a terrible army, and another, and another, till Visvamitra is quite undone, all his hosts, and allies, and children killed in the fray. Then he goes into the wilderness and prays to Mahâdeva, the great god, to come to his aid and give him divine weapons, spending a hundred years standing on the tips of his feet, and living on air like the serpent. Mahâdeva at last brings him weapons from heaven, at sight of which he is so elated that “his heroic courage rises like the tide of the ocean when the moon is at the full.” With these burning arrows he devastates the whole of the beautiful garden surrounding Vasichta’s dwelling. Vasichta, in high indignation at this wanton cruelty, raises his vadschra, the Brahma sceptre or staff, and all Visvamitra’s weapons serve him no more. Then owning the fault he has committed in fighting against Brahma he goes into the wilderness and lives a life of penance a thousand years or two, after which he is permitted to become a Brahman.
9. Those who can see one and the same hero in the Sagas of Wodin, the Wild Huntsman, and William Tell69, might well trace a connexion between such a legend as this and the working of the modern law of conscription. There is no country exposed to its action where such scenes as that described in the text might not be found. There have been plenty such brought under my own notice in Rome since this “tribute of blood,” as the Romans bitterly call it, was first established there last year.
10. I have spoken elsewhere in these pages of the question of rebirth in the Buddhist system. Though not holding so cardinal a place as in Brahmanism the necessity for it remained to a certain extent. All virtues were recommended in the one case as a means to obtaining a higher degree at the next re-birth, and in the other the same, but less as an end, than as a means to earlier attaining to Nirvâna. Of all virtues the most serviceable for this purpose was the sacrifice of self for the good of the species.
11. Sinhâsana, lit. Lion-throne; a throne resting on lions, as before described in the text.
12. At the exercise of such heaven-given powers nature was supposed to testify her astonishment, and thus we are told of sacrifices and incense offered for the pacification of the same. (Jülg.)
Vikramâditja Acquires Another Kingdom
1. Concerning such sacrifices, see Köppen, i. 246 and 560, and Trans. of sSanang sSetzen, p. 352.
Vikramâditja Makes the Silent Speak
1. The Kalmucks make the 8th, 15th, and 30th of every month fast-days; the Mongolians, the 13th, 14th, and 15th. (Köppen, i. 564–566; ii. 307–316, quoted by Jülg.)
2. Dakini. See note 2, Tale XIV., infra.
3. Dakini Tegrijin Naran = the Dakini sun of the gods. (Jülg.)
4. Aramâlâ, a string of beads used by Buddhists in their devotions.
5. Abbé Huc mentions frequently meeting with such wayside shrines, furnished just as here described.
6. Chatun. See note 1 to “Vikramâditja’s Birth.”
7. This beautiful story, which does not profess to be original, but a reproduction of one of the sagas of old, is to be found under various versions in many Indian collections of myths.
8. Compare note 3, Tale VII.
9. This story also holds a certain place among Indian legends, but is not so popular as the last.
10. Cup. No one travels or indeed goes about at all in Tibet and Mongolia without a wooden cup stuck in his breast or in his girdle. At every visit the guest holds out his cup and the host fills it with tea. Abbé Huc supplies many details concerning their use. They are so indispensable that they form a staple article of industry; their value varies from a few pence up to as much as 40l.
11. Tai-tsing = the all-purest, the name of the Mandschu or Mantschou dynasty (or Mangu, according to the spelling of Lassen, iv. 742), who, from being called in by the last emperor of the Ming dynasty to help in suppressing a rebellion, subsequently seized the throne (1644). This dynasty has reigned in China ever since, while the Mantchou nationality has become actually forced on the Chinese.
Previously, however, the Mantchous were a tribe of Eastern Tartars long formidable to the Chinese. The introduction of a king of the Mantchous, therefore, as identical with Vikramâditja, presents the most remarkable instance that could be met with of what may be called the confusion of heroes, in the migration of myths.
12. Tsetsen Budschiktschi = the clever dancer. (Jülg.)