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Aesthetic as Science of Expression and General Linguistic

by Benedetto Croce

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  1. 1Dedication — Extract From Introduction to the First English Edition…
  2. 2Note by the Translator
  3. 3Author’s Preface
  4. 4I — Theory of Æsthetic
  5. 5II — Intuition and Art
  6. 6III — Art and Philosophy
  7. 7IV — Historicism and Intellectualism in Æsthetic
  8. 8V — Analogous Errors in the Theory of History and in Logic
  9. 9VI — The Theoretic Activity and the Practical Activity
  10. 10VII — Analogy Between the Theoretic and the Practical
  11. 11VIII — Exclusion of Other Spiritual Forms
  12. 12IX — Indivisibility of Expression Into Modes or Degrees and Critici…
  13. 13X — Æsthetic Feelings and the Distinction Between the Beautiful and…
  14. 14XI — Criticism of Æsthetic Hedonism
  15. 15XII — The Æsthetic of the Sympathetic and Pseudo-Æsthetic Concepts
  16. 16XIII — The “Physically Beautiful” in Nature and in Art
  17. 17XIV — Errors Arising From the Confusion Between Physics and Æsthetic
  18. 18XV — The Activity of Externalization. Technique and the Theory of t…
  19. 19XVI — Taste and the Reproduction of Art
  20. 20XVII — The History of Literature and Art
  21. 21XVIII — Conclusion — Identity of Linguistic and Æsthetic
  22. 22II — History of Æsthetic
  23. 23II — Æsthetic Ideas in the Middle Ages and Renaissance
  24. 24III — Ferments of Thought in the Seventeenth Century
  25. 25IV — Æsthetic Ideas in the Cartesian and Leibnitian Schools, and th…
  26. 26V — Giambattista Vico
  27. 27VI — Minor Æsthetic Doctrines of the Eighteenth Century
  28. 28VII — Other Æsthetic Doctrines of the Same Period
  29. 29VIII — Immanuel Kant
  30. 30IX — The Æsthetic of Idealism: Schiller, Schelling, Solger, Hegel
  31. 31X — Schopenhauer and Herbart
  32. 32XI — Friedrich Schleiermacher
  33. 33XII — The Philosophy of Language: Humboldt and Steinthal
  34. 34XIII — Minor German Æstheticians
  35. 35XIV — Æsthetic in France, England and Italy During the First Half o…
  36. 36XV — Francesco de Sanctis
  37. 37XVI — Æsthetic of the Epigoni
  38. 38XVII — Æsthetic Positivism and Naturalism
  39. 39XVIII — Æsthetic Psychologism and Other Recent Tendencies
  40. 40XIX — Historical Sketches of Some Particular Doctrines
  41. 41I — Rhetoric: Or the Theory of Ornate Form
  42. 42II — History of the Artistic and Literary Kinds
  43. 43III — The Theory of the Limits of the Arts
  44. 44IV — Other Particular Doctrines
  45. 45Bibliographical Appendix

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