The Musicians
Many Augusts, singing loud, have passed me by without my giving them a shred of attention. What made the sound? The air, or the trees, the month itself, embodied in unknown voices? I don’t think I knew much more than that, although I suppose I was aware of what a cricket sounded like. Perhaps it is time to find out more. I know now, as I did then, that at night when the air is soft and cool, a multitude of separate actions having died down, and when the earth is relieved of a fire taken to the stars, a plainsong goes up and the night takes substance in pulsing sound.
When I listen, I see that in detail the sounding of an August night is not melodious. It is full of clicks, dry rasps, ratchets, reedy, resinous scrapings, and except for countless populations playing on one string, disassociated. There is only one phrase for each species of insect. The over-all sound is occasionally reminiscent of telegraph wires, mechanically shrill and tense; but in the context of the night, speckled with stars, it becomes as wide, warm, and luminous as any symphony.
Having heard of using a flashlight to search for these musicians, I go out, sometime after eight-thirty, and start training it on sounds, with complete lack of success at first. Either the sound stops, or the animal that makes it is invisible to me. A bat flies overhead, chasing insects. It is known for accuracy, having ears with a receptiveness like radar, tuned to the finest measurements of space, but its flight seems frantic. It beats back and forth, around, over and under. Suddenly it is very close, perhaps a few inches over my head. I duck at the leathery, fluttering sound, something like the rippling folds of a taut chute, despite my knowing that only in lingering myth and hearsay do bats catch in human hair. Then it is off again, with its violent, erratic flight.
The darkness takes deeper hold. It is full of the loud throbbing, the insistently high-pitched rasping of the insects, with an occasional tree frog sounding a contrapuntal “Ek-ek.” Playing my flashlight under the trees shows up a spider web in beautiful detail. The silk strands are clear against the black night, their swoops and whorls all held together by long perfected execution, with the tiny engineer way up on his round span, his semblance of the globe in its vast waters.
In high suspension, in the larger silences of the sky, all rings well in consonance, and the pulse of living instruments is with the massed stars that run out and dive away above all heads, and with the ground, my heart and ear, my blood and bone.
A persistent light racheting makes me concentrate on one bush, where I eventually find a green, well-camouflaged, long-horned grasshopper with orange eyes—a male, since it has no ovipositor on its abdomen. The females are silent, with the honored role of being courted and invited.
The flashlight seems to have no effect on him. The front wings are slightly apart, raised up a little, and vibrating... a kind of fast, dry shuddering. The sound is a light “zzz,” ending with a rapid “tic-tic-tic.” This grasshopper is a waxy green. His antennae, almost twice as long as his body, go up in sweeping curves, and wave, sometimes both together in a semicircle, sometimes singly in both directions, as he stops his playing, and begins to move slightly down a twig. Then I notice a female moving in his direction. Had he increased the tempo of his playing when she came near? Did he sense success?
Still harder to spot—almost impossible by day, and difficult enough at night—are the snowy tree crickets, but they are numerous in this low-treed, shrubby area. Where the long-horned grasshoppers sound at intervals, the combined chorus of snowy tree crickets pulses on. They are slender little creatures, a very pale, almost immaterial, green, but their fragile, transparent, membranous wings, raised higher than those of a long-horned when it plays, make a cry that rises up like peepers in the spring. This is the famous “temperature cricket” whose song speeds up or slows down in response to heat or cold. According to the field manuals, you can divide the number of notes per minute by four and then add forty, which will give you the approximate temperature in degrees Fahrenheit.
So this great scraping and fiddling perpetuates a dance. The first frost will end the lives of most of these musicians. August’s high sounding means a coming end, but all of its connections and associations join in sending on the year. This is what the month means, as well as the hum of tourists driving down the Cape and back again. Listen to the chosen string.
There is a miraculous sensitivity in the cricket that slows down when the temperature begins to cool at night, or even when a cloud passes over the sun by day. The male calls to attract the female, though it is apparently not known whether her arrival may not be the result of happenstance. His playing is as much a part of general expression as individual intention or reaction. In any case the eggs are laid, which will stay dormant throughout the winter, to hatch in the spring. The organic cycle continues, making an announcement, sending up a music whose players are so attuned to light and dark, sunlit or clouded skies, warm air or cold, day or night, that their existence depends upon the slightest change.