III Atonement
[Composed, when 74 years old, for a Polish lady, who excelled in playing on the pianoforte.]
Passion brings reason—who can pacify
An anguish’d heart whose loss hath been so great? Where are the hours that fled so swiftly by?
In vain the fairest thou didst gain from fate;
Sad is the soul, confused the enterprise;
The glorious world, how on the sense it dies!
In million tones entwined for evermore,
Music with angel-pinions hovers there,
To pierce man’s being to its inmost core,
Eternal beauty has its fruit to bear;
The eye grows moist, in yearnings blest reveres
The godlike worth of music as of tears.
And so the lighten’d heart soon learns to see
That it still lives, and beats, and ought to beat,
Off’ring itself with joy and willingly,
In grateful payment for a gift so sweet.
And then was felt,—oh may it constant prove!—
The twofold bliss of music and of love.
1823.
——-
THE remembrance of the Good
Keep us ever glad in mood.
The remembrance of the Fair
Makes a mortal rapture share.
The remembrance of one’s Love
Blest Is, if it constant prove.
The remembrance of the One
Is the greatest joy that’s known.
1828. ——- [Written at the age of 77.]
WHEN I was still a youthful wight,
So full of enjoyment and merry,
The painters used to assert, in spite,
That my features were small—yes, very;
Yet then full many a beauteous child
With true affection upon me smil’d.
Now as a greybeard I sit here in state,
By street and by lane held in awe, sirs;
And may be seen, like old Frederick the Great,
On pipebowls, on cups, and on saucers.
Yet the beauteous maidens, they keep afar;
Oh vision of youth! Oh golden star!
1826. ——- FOR EVER.
THE happiness that man, whilst prison’d here,
Is wont with heavenly rapture to compare,—
The harmony of Truth, from wavering clear,—
Of Friendship that is free from doubting care,—
The light which in stray thoughts alone can cheer
The wise,—the bard alone in visions fair,—
In my best hours I found in her all this,
And made mine own, to mine exceeding bliss.
1820.* ——- FROM AN ALBUM OF 1604.
HOPE provides wings to thought, and love to hope.
Rise up to Cynthia, love, when night is clearest,
And say, that as on high her figure changeth,
So, upon earth, my joy decays and grows.
And whisper in her ear with modest softness,
How doubt oft hung its head, and truth oft wept.
And oh ye thoughts, distrustfully inclined,
If ye are therefore by the loved one chided,
Answer: ’tis true ye change, but alter not,
As she remains the same, yet changeth ever.
Doubt may invade the heart, but poisons not,
For love is sweeter, by suspicion flavour’d.
If it with anger overcasts the eye,
And heaven’s bright purity perversely blackens,
Then zephyr-sighs straight scare the clouds away,
And, changed to tears, dissolve them into rain.
Thought, hope, and love remain there as before,
Till Cynthia gleams upon me as of old.
1820.* ——- LINES ON SEEING SCHILLER’S SKULL.
[This curious imitation of the ternary metre of Dante was written at the age of 77.]
WITHIN a gloomy charnel-house one day
I view’d the countless skulls, so strangely mated, And of old times I thought, that now were grey.
Close pack’d they stand, that once so fiercely hated,
And hardy bones, that to the death contended,
Are lying cross’d,—to lie for ever, fated. What held those crooked shoulder-blades suspended?
No one now asks; and limbs with vigour fired,
The hand, the foot—their use in life is ended.
Vainly ye sought the tomb for rest when tired;
Peace in the grave may not be yours; ye’re driven
Back into daylight by a force inspired;
But none can love the wither’d husk, though even
A glorious noble kernel it contained.
To me, an adept, was the writing given
Which not to all its holy sense explained,
When ’mid the crowd, their icy shadows flinging,
I saw a form, that glorious still remained. And even there, where mould and damp were clinging,
Gave me a blest, a rapture-fraught emotion, As though from death a living fount were springing.
What mystic joy I felt! What rapt devotion!
That form, how pregnant with a godlike trace!
A look, how did it whirl me tow’rd that ocean Whose rolling billows mightier shapes embrace!
Mysterious vessel! Oracle how dear!
Even to grasp thee is my hand too base,
Except to steal thee from thy prison here
With pious purpose, and devoutly go
Back to the air, free thoughts, and sunlight clear. What greater gain in life can man e’er know
Than when God-Nature will to him explain
How into Spirit steadfastness may flow,
How steadfast, too, the Spirit-Born remain.
1826. ——- ROYAL PRAYER.
HA, I am the lord of earth! The noble,
Who’re in my service, love me.
Ha, I am the lord of earth! The noble,
O’er whom my sway extendeth, love I.
Oh, grant me, God in Heaven, that I may ne’er
Dispense with loftiness and love!
1815.* ——- HUMAN FEELINGS.
AH, ye gods! ye great immortals
In the spacious heavens above us!
Would ye on this earth but give us
Steadfast minds and dauntless courage
We, oh kindly ones, would leave you
All your spacious heavens above us!
1815.* ——- ON THE DIVAN.
HE who knows himself and others
Here will also see,
That the East and West, like brothers,
Parted ne’er shall be.
Thoughtfully to float for ever
’Tween two worlds, be man’s endeavour!
So between the East and West
To revolve, be my behest!
1833.*
——-
EXPLANATION OF AN ANCIENT WOODCUT, REPRESENTING
HANS SACHS’ POETICAL MISSION.
[I feel considerable hesitation in venturing to offer this version of a poem which Carlyle describes to be ‘a beautiful piece (a very Hans Sacks beatified, both in character and style), which we wish there was any possibility of translating.’ The reader will be aware that Hans Sachs was the celebrated Minstrel-Cobbler of Nuremberg, who Wrote 208 plays, 1700 comic tales, and between 4000 and 5000 lyric poems. He flourished throughout almost the whole of the 16th century.]
EARLY within his workshop here,
On Sundays stands our master dear;
His dirty apron he puts away,
And wears a cleanly doublet to-day;
Lets wax’d thread, hammer, and pincers rest,
And lays his awl within his chest;
The seventh day he takes repose
From many pulls and many blows.
Soon as the spring-sun meets his view,
Repose begets him labour anew;
He feels that he holds within his brain
A little world, that broods there amain,
And that begins to act and to live,
Which he to others would gladly give.
He had a skilful eye and true,
And was full kind and loving too.
For contemplation, clear and pure,—
For making all his own again, sure;
He had a tongue that charm’d when ’twas heard,
And graceful and light flow’d ev’ry word;
Which made the Muses in him rejoice,
The Master-singer of their choice.
And now a maiden enter’d there,
With swelling breast, and body fair;
With footing firm she took her place,
And moved with stately, noble grace;
She did not walk in wanton mood,
Nor look around with glances lewd.
She held a measure in her hand,
Her girdle was a golden band,
A wreath of corn was on her head,
Her eye the day’s bright lustre shed;
Her name is honest Industry,
Else, Justice, Magnanimity.
She enter’d with a kindly greeting;
He felt no wonder at the meeting,
For, kind and fair as she might be,
He long had known her, fancied he.
“I have selected thee,” she said,
“From all who earth’s wild mazes tread,
That thou shouldst have clear-sighted sense,
And nought that’s wrong shouldst e’er commence.
When others run in strange confusion,
Thy gaze shall see through each illusion
When others dolefully complain,
Thy cause with jesting thou shalt gain,
Honour and right shalt value duly,
In everything act simply, truly,—
Virtue and godliness proclaim,
And call all evil by its name,
Nought soften down, attempt no quibble,
Nought polish up, nought vainly scribble.
The world shall stand before thee, then,
As seen by Albert Durer’s ken,
In manliness and changeless life,
In inward strength, with firmness rife.
Fair Nature’s Genius by the hand
Shall lead thee on through every land,
Teach thee each different life to scan,
Show thee the wondrous ways of man,
His shifts, confusions, thrustings, and drubbings,
Pushings, tearings, pressings, and rubbings;
The varying madness of the crew,
The anthill’s ravings bring to view;
But thou shalt see all this express’d,
As though ’twere in a magic chest.
Write these things down for folks on earth,
In hopes they may to wit give birth.”—
Then she a window open’d wide,
And show’d a motley crowd outside,
All kinds of beings ’neath the sky,
As in his writings one may spy.
Our master dear was, after this,
On Nature thinking, full of bliss,
When tow’rd him, from the other side
He saw an aged woman glide;
The name she bears, Historia,
Mythologia, Fabula;
With footstep tottering and unstable
She dragg’d a large and wooden carved-table,
Where, with wide sleeves and human mien,
The Lord was catechizing seen;
Adam, Eve, Eden, the Serpent’s seduction,
Gomorrah and Sodom’s awful destruction,
The twelve illustrious women, too,
That mirror of honour brought to view;
All kinds of bloodthirstiness, murder, and sin,
The twelve wicked tyrants also were in,
And all kinds of goodly doctrine and law;
Saint Peter with his scourge you saw,
With the world’s ways dissatisfied,
And by our Lord with power supplied.
Her train and dress, behind and before,
And e’en the seams, were painted o’er
With tales of worldly virtue and crime.—
Our master view’d all this for a time;
The sight right gladly he survey’d,
So useful for him in his trade,
Whence he was able to procure
Example good and precept sure,
Recounting all with truthful care,
As though he had been present there.
His spirit seem’d from earth to fly,
He ne’er had turned away his eye,
Did he not just behind him hear
A rattle of bells approaching near.
And now a fool doth catch his eye,
With goat and ape’s leap drawing nigh
A merry interlude preparing
With fooleries and jests unsparing.
Behind him, in a line drawn out,
He dragg’d all fools, the lean and stout,
The great and little, the empty and full,
All too witty, and all too dull,
A lash he flourish’d overhead,
As though a dance of apes he led,
Abusing them with bitterness,
As though his wrath would ne’er grow less.
While on this sight our master gazed,
His head was growing well-nigh crazed:
What words for all could he e’er find,
Could such a medley be combined?
Could he continue with delight
For evermore to sing and write?
When lo, from out a cloud’s dark bed
In at the upper window sped
The Muse, in all her majesty,
As fair as our loved maids we see.
With clearness she around him threw
Her truth, that ever stronger grew.
“I, to ordain thee come,” she spake:
“So prosper, and my blessing take!
The holy fire that slumb’ring lies
Within thee, in bright flames shall rise;
Yet that thine ever-restless life
May still with kindly strength be rife,
I, for thine inward spirit’s calm.
Have granted nourishment and balm,
That rapture may thy soul imbue,
Like some fair blossom bathed in dew.”—
Behind his house then secretly
Outside the doorway pointed she,
Where, in a shady garden-nook,
A beauteous maid with downcast look
Was sitting where a stream was flowing,
With elder bushes near it growing,
She sat beneath an apple tree,
And nought around her seem’d to see.
Her lap was full of roses fair,
Which in a wreath she twined with care.
And, with them, leaves and blossoms blended:
For whom was that sweet wreath intended?
Thus sat she, modest and retired,
Her bosom throbb’d, with hope inspired;
Such deep forebodings fill’d her mind,
No room for wishing could she find,
And with the thoughts that o’er it flew,
Perchance a sigh was mingled too.
“But why should sorrow cloud thy brow?
That, dearest love, which fills thee now
Is fraught with joy and ecstasy.
Prepared in one alone for thee,
That he within thine eye may find
Solace when fortune proves unkind,
And be newborn through many a kiss,
That he receives with inward bliss;
When’er he clasps thee to his breast.
May he from all his toils find rest
When he in thy dear arms shall sink,
May he new life and vigour drink:
Fresh joys of youth shalt thou obtain,
In merry jest rejoice again.
With raillery and roguish spite,
Thou now shalt tease him, now delight.
Thus Love will nevermore grow old,
Thus will the minstrel ne’er be cold!”
While he thus lives, in secret bless’d,
Above him in the clouds doth rest
An oak-wreath, verdant and sublime,
Placed on his brow in after-time;
While they are banish’d to the slough,
Who their great master disavow.
1776. ——-