Of Painting.
Our true perception of an object diminishes in proportion as its size is diminished by distance.
234.
Perspective.
Why objects seen at a distance appear large to the eye and in the image on the vertical plane they appear small.
Perspective.
I ask how far away the eye can discern a non-luminous body, as, for instance, a mountain. It will be very plainly visible if the sun is behind it; and could be seen at a greater or less distance according to the sun's place in the sky.
[Footnote: The clue to the solution of this problem (lines 1-3) is given in lines 4-6, No. 232. Objects seen with both eyes appear solid since they are seen from two distinct points of sight separated by the distance between the eyes, but this solidity cannot be represented in a flat drawing. Compare No. 535.]
The importance of light and shade in the perspective of disappearance (235-239).
235.
An opaque body seen in a line in which the light falls will reveal no prominences to the eye. For instance, let a be the solid body and c the light; c m and c n will be the lines of incidence of the light, that is to say the lines which transmit the light to the object a. The eye being at the point b, I say that since the light c falls on the whole part m n the portions in relief on that side will all be illuminated. Hence the eye placed at c cannot see any light and shade and, not seeing it, every portion will appear of the same tone, therefore the relief in the prominent or rounded parts will not be visible.
236.