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The Stories Editors Buy and Why

by Jean Wick (editor)

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Snappy Stories

I am setting forth, more or less briefly, what Snappy Stories desires from its contributors. From its inception, this magazine has specialized in fiction and other material with a strong sex interest, and this policy is being adhered to—not because this is the only type of story that appeals to us, but because we feel that there are a vast number of readers who enjoy tales with themes based upon the relations between the sexes. This is by no means a depraved taste, but a healthy, natural one, characterizing most normal men and women. Many of the most famous stories ever written have had this so-called sex interest, and this applies also to plays and grand operas. Vulgar or salacious material is barred, but we have no objection to stories that are a trifle audacious or that have a dash of the risqué.

Each bi-monthly issue of Snappy Stories contains a complete novelette of from 15,000 to 18,000 words. This is the length we prefer, although we sometimes publish longer novelettes or shorter ones. They should be strongly plotted, with plenty of action and a real climax. Happy endings preferred, but not absolutely insisted upon. Occasionally a good humorous novelette or an ingeniously plotted mystery story, without a pronounced sex interest, is used.

We publish one short serial of from 20,000 to 30,000 words, suitable for two or three parts. Longer stories are occasionally taken, and used in a greater number of installments. What we have said about the novelette applies also to the continued story: stories with sex interest stand the best chance of acceptance. Of course we desire good “breaks” where they are to be divided.

Short stories, of which we use about eight to a number, may be of almost any length, although those of 5,000 words or less are most in demand. We don’t want them either padded or unduly compressed. Sex interest here also, although we sometimes use other kinds—humorous, say, or a good occult or mystery tale. We do not object to unhappy endings. Action is a desideratum. Slow moving stories, depending principally on atmosphere and characterization, are not desired.

A short play is published in every issue. These may be funny or serious. We want especially good acting plays, clever and skilfully plotted.

We use a number of poems, mostly tense love verses or those of a humorous or whimsical sort. Occasionally blank verse is used. Poems may vary in length from the quatrain to forty lines. We seldom buy longer ones, although this is not a hard and fast rule.

There is a good market here for short bits of prose, of six hundred words or less. These may be grave or gay, cynical or satirical. Jokes and epigrams are also in demand.

Writers should make a little study of the magazine to which they desire to contribute, as in this way they will save their own time as well as the editor’s. We are only too glad to get in touch with new writers, and do all we can to encourage and develop them.

The Editor.

Snappy Stories.

The New Fiction Publishing Company,

35-37 West Thirty-ninth Street,

New York City.

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