Margaret Widdemer
Margaret Widdemer was born at Doylestown, Pennsylvania, and began writing in her childhood. After graduating from Drexel Institute Library School in 1909, she became a contributor of poems and short stories to various magazines—her first published poem (“The Factories”) being widely quoted. She married Robert Haven Schauffler, the author, in August, 1919.
Miss Widdemer’s poetic work has two distinct phases. In the one mood, she is the protesting poet, the champion of the down-trodden, the lyricist on fire with angry passion. In the other, she is the writer of well-made, polite and popular sentimental verse. Her finest poems are in Factories with Other Lyrics (1915), although several of her best songs are in The Old Road to Paradise (1918), which divided, with Sandburg’s Cornhuskers, the Columbia Poetry Prize in 1918.
Miss Widdemer is also the author of two books of short stories, four novels and several books for girls.
Factories
I have shut my little sister in from life and light
(For a rose, for a ribbon, for a wreath across my hair),
I have made her restless feet still until the night,
Locked from sweets of summer and from wild spring air;
I who ranged the meadowlands, free from sun to sun,
Free to sing and pull the buds and watch the far wings fly,
I have bound my sister till her playing time was done—
Oh, my little sister, was it I? Was it I?
I have robbed my sister of her day of maidenhood
(For a robe, for a feather, for a trinket’s restless spark),
Shut from love till dusk shall fall, how shall she know good,
How shall she go scatheless through the sun-lit dark?
I who could be innocent, I who could be gay,
I who could have love and mirth before the light went by,
I have put my sister in her mating-time away—
Sister, my young sister, was it I? Was it I?
I have robbed my sister of the lips against her breast,
(For a coin, for the weaving of my children’s lace and lawn),
Feet that pace beside the loom, hands that cannot rest—
How can she know motherhood, whose strength is gone?
I who took no heed of her, starved and labor-worn,
I, against whose placid heart my sleepy gold-heads lie,
Round my path they cry to me, little souls unborn—
God of Life! Creator! It was I! It was I!
The Two Dyings
I can remember once, ere I was dead,
The sorrow and the prayer and bitter cry
When they who loved me stood around the bed,
Watching till I should die:
They need not so have grieved their souls for me,
Grouped statue-like to count my failing breath—
Only one thought strove faintly, bitterly
With the kind drug of Death:
How once upon a time, unwept, unknown,
Unhelped by pitying sigh or murmured prayer,
My youth died in slow agony alone
With none to watch or care.
The Modern Woman to Her Lover
I shall not lie to you any more,
Flatter or fawn to attain my end—
I am what never has been before,
Woman—and Friend.
I shall be strong as a man is strong,
I shall be fair as a man is fair,
Hand in locked hand we shall pass along
To a purer air:
I shall not drag at your bridle-rein,
Knee pressed to knee we shall ride the hill;
I shall not lie to you ever again—
Will you love me still?