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Modern American Poetry

by Louis Untermeyer

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John Hay

John Hay was born at Salem, Indiana, in 1838, graduated from Brown University in 1858 and was admitted to the Illinois bar a few years later. At nineteen, when he went back to Warsaw, the little Mississippi town where he had lived as a boy, he dreamed only of being a poet—a poet, it must be added, of the pleasantly conventional, transition type. But the Civil War was to disturb his mild fantasies. He became private secretary to Lincoln, then major and assistant adjutant-general under General Gilmore, then secretary of the Legation at Paris, chargé d’affaires at Vienna and secretary of legation at Madrid.

His few vivid Pike County Ballads came more as a happy accident than as a deliberate creative effort. When Hay returned from Spain in 1870, bringing with him his Castilian Days, he still had visions of becoming an orthodox lyric poet. But he found everyone reading Bret Harte’s short stories and the new expression of the rude West. (See Preface.) He speculated upon the possibility of doing something similar, translating the characters into poetry. The result was the six racy ballads in a vein utterly different from everything Hay wrote before or after. The poet-politician seems to have regarded this series somewhat in the nature of light, extempore verse, belonging to a far lower plane than his serious publications; he talked about them reluctantly, he even hoped that they would be forgotten. It is difficult to say whether this regret grew because Hay, loving the refinements of culture, at heart hated any suggestion of vulgarity, or because of a basic lack of courage—Hay having published his novel of labor unrest in the early 80’s (The Breadwinners) anonymously.

The fact remains, his rhymes of Pike County have survived all his more classical lines. They served for a time as a fresh influence, they remain a creative accomplishment.

Hay was in politics all the later part of his life, ranking as one of the most brilliant Secretaries of State the country has ever had. He died in 1905.

Jim Bludso, of the Prairie Belle

Wall, no! I can’t tell whar he lives,
  Becase he don’t live, you see;
Leastways, he’s got out of the habit
  Of livin’ like you and me.
Whar have you been for the last three year
  That you haven’t heard folks tell
How Jimmy Bludso passed in his checks
  The night of the Prairie Belle?

He war’n’t no saint,—them engineers
  Is all pretty much alike,—
One wife in Natchez-under-the-Hill
  And another one here, in Pike;
A keerless man in his talk was Jim,
  And an awkward hand in a row,
But he never flunked, and he never lied,—
  I reckon he never knowed how.

And this was all the religion he had:
  To treat his engine well;
Never be passed on the river;
  To mind the pilot’s bell;
And if ever the Prairie Belle took fire,
  A thousand times he swore,
He’d hold her nozzle agin the bank
  Till the last soul got ashore.

All boats has their day on the Mississip,
  And her day come at last,—
The Movastar was a better boat,
  But the Belle she wouldn’t be passed.
And so she came tearin’ along that night—
  The oldest craft on the line—
With a nigger squat on her safety-valve,
  And her furnace crammed, rosin and pine.

The fire bust out as she clar’d the bar,
  And burnt a hole in the night,
And quick as a flash she turned and made
  For that wilier-bank on the right.
Thar was runnin’ and cussin’, but Jim yelled out,
  Over all the infernal roar,
“I’ll hold her nozzle agin the bank
  Till the last galoot’s ashore.”

Through the hot, black breath of the burnin’ boat
  Jim Bludso’s voice was heard,
And they all had trust in his cussedness,
  And knowed he would keep his word.
And, sure’s you’re born, they all got off
  Afore the smokestacks fell,—
And Bludso’s ghost went up alone
  In the smoke of the Prairie Belle.

He warn’t no saint,—but at jedgement
  I’d run my chance with Jim,
’Longside of some pious gentlemen
  That wouldn’t shook hands with him.
He seen his duty, a dead-sure thing,—
  And went for it thar and then;
And Christ ain’t a goin’ to be too hard
  On a man that died for men.

Banty Tim

(Remarks of Sergeant Tilmon Joy to the White Man’s Committee of Spunky Point, Illinois)

I reckon I git your drift, gents,—
  You ’low the boy sha’n’t stay;
This is a white man’s country;
  You’re Dimocrats, you say;
And whereas, and seein’, and wherefore,
  The times bein’ all out o’ j’int,
The nigger has got to mosey
  From the limits o’ Spunky P’int!

Le’s reason the thing a minute:
  I’m an old-fashioned Dimocrat too,
Though I laid my politics out o’ the way
  For to keep till the war was through.
But I come back here, allowin’
  To vote as I used to do,
Though it gravels me like the devil to train
  Along o’ sich fools as you.

Now dog my cats ef I kin see,
  In all the light of the day,
What you’ve got to do with the question
  Ef Tim shill go or stay.
And furder than that I give notice,
  Ef one of you tetches the boy,
He kin check his trunks to a warmer clime
  Than he’ll find in Illanoy.

Why, blame your hearts, jest hear me!
  You know that ungodly day
When our left struck Vicksburg Heights, how ripped
  And torn and tattered we lay.
When the rest retreated I stayed behind,
  Fur reasons sufficient to me,—
With a rib caved in, and a leg on a strike,
  I sprawled on that damned glacee.

Lord! how the hot sun went for us,
  And br’iled and blistered and burned!
How the Rebel bullets whizzed round us
  When a cuss in his death-grip turned!
Till along toward dusk I seen a thing
  I couldn’t believe for a spell:
That nigger—that Tim—was a crawlin’ to me
  Through that fire-proof, gilt-edged hell!
The Rebels seen him as quick as me,
  And the bullets buzzed like bees;
But he jumped for me, and shouldered me,
  Though a shot brought him once to his knees;
But he staggered up, and packed me off,
  With a dozen stumbles and falls,
Till safe in our lines he drapped us both,
  His black hide riddled with balls.

So, my gentle gazelles, thar’s my answer,
  And here stays Banty Tim:
He trumped Death’s ace for me that day,
  And I’m not goin’ back on him!
You may rezoloot till the cows come home,
  But ef one of you tetches the boy,
He’ll wrastle his hash to-night in hell,
  Or my name’s not Tilmon Joy!

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