Bret Harte
(Francis) Bret Harte was born August 25, 1839, at Albany, New York. His childhood was spent in various cities of the East. Late in 1853 his widowed mother went to California with a party of relatives, and two months later, when he was fifteen, Bret Harte and his sister followed. He dreamed even at this age of being a poet. During the next few years he was engaged in school-teaching, typesetting, politics, mining and journalism, becoming editor of The Overland Monthly at San Francisco in 1868.
Harte’s fame came suddenly. Late in the sixties he had written a burlesque in rhyme of two Western gamblers trying to fleece a guileless Chinaman who claimed to know nothing about cards but who, it turned out, was scarcely as innocent as he appeared. Harte, in the midst of writing serious poetry, had put the verses aside as too crude and trifling for publication. Some time later, just as The Overland Monthly was going to press, it was discovered that the form was one page short. Having nothing else on hand, Harte had these rhymes set up. Instead of passing unnoticed, the poem was quoted everywhere; it swept the West and captivated the East. When The Luck of Roaring Camp followed, Harte became not only a national but an international figure. England acclaimed him and The Atlantic Monthly paid him $10,000 to write for a year in his Pike County vein.
East and West Poems appeared in 1871; in 1872 he published an enlarged Poetical Works including many earlier pieces. His scores of short stories represent Harte at his best; “M’liss,” “Tennessee’s Partner,” “The Outcast of Poker Flat”—these are the work of a lesser, transplanted Dickens. His novels are of minor importance; they are carelessly constructed, theatrically conceived; his characters are little more than badly-wired marionettes that betray every movement made by their manipulator.
In 1872 Harte, encouraged by his success, returned to his native East; in 1878 he went to Germany as consul. Two years later he was transferred to Scotland and, after five years there, went to London, where he remained the rest of his life. Harte’s later period remains mysteriously shrouded. He never came back to America, not even for a visit; he ceased to correspond with his family; he separated himself from all the most intimate associations of his early life. He died, suddenly, at Camberley, England, May 6, 1902.
“Jim”
Say there! P’r’aps
Some on you chaps
Might know Jim Wild?
Well,—no offense:
Thar ain’t no sense
In gittin’ riled!
Jim was my chum
Up on the Bar:
That’s why I come
Down from up yar,
Lookin’ for Jim.
Thank ye, sir! You
Ain’t of that crew,—
Blest if you are!
Money? Not much:
That ain’t my kind;
I ain’t no such.
Rum? I don’t mind,
Seein’ it’s you.
Well, this yer Jim,—
Did you know him?
Jes’ ’bout your size;
Same kind of eyes;—
Well, that is strange:
Why, it’s two year
Since he came here,
Sick, for a change.
Well, here’s to us:
Eh?
The h—— you say!
Dead?
That little cuss?
What makes you star’,
You over thar?
Can’t a man drop
’s glass in yer shop
But you must r’ar?
It wouldn’t take
D——d much to break
You and your bar.
Dead!
Poor—little—Jim!
Why, thar was me,
Jones, and Bob Lee,
Harry and Ben,—
No-account men:
Then to take him!
Well, thar—Good-by.
No more, sir—I—
Eh?
What’s that you say?
Why, dern it!—sho!—
No? Yes! By Joe!
Sold!
Sold! Why, you limb,
You ornery,
Derned, old,
Long-legged Jim.
Plain Language From Truthful James
(Table Mountain, 1870)
Which I wish to remark,
And my language is plain,
That for ways that are dark
And for tricks that are vain,
The heathen Chinee is peculiar,
Which the same I would rise to explain.
Ah Sin was his name;
And I shall not deny,
In regard to the same,
What that name might imply;
But his smile it was pensive and childlike,
As I frequent remarked to Bill Nye.
It was August the third,
And quite soft was the skies;
Which it might be inferred
That Ah Sin was likewise;
Yet he played it that day upon William
And me in a way I despise.
Which we had a small game,
And Ah Sin took a hand:
It was Euchre. The same
He did not understand;
But he smiled as he sat by the table,
With a smile that was childlike and bland.
Yet the cards they were stocked
In a way that I grieve,
And my feelings were shocked
At the state of Nye’s sleeve,
Which was stuffed full of aces and bowers,
And the same with intent to deceive.
But the hands that were played
By that heathen Chinee,
And the points that he made,
Were quite frightful to see,—
Till at last he put down a right bower,
Which the same Nye had dealt unto me!
Then I looked up at Nye,
And he gazed upon me;
And he rose with a sigh,
And said, “Can this be?
We are ruined by Chinese cheap labor,”—
And he went for that heathen Chinee.
In the scene that ensued
I did not take a hand,
But the floor it was strewed
Like the leaves on the strand
With the cards that Ah Sin had been hiding,
In the game “he did not understand.”
In his sleeves, which were long,
He had twenty-four packs,—
Which was coming it strong,
Yet I state but the facts;
And we found on his nails, which were taper,
What is frequent in tapers,—that’s wax.
Which is why I remark,
And my language is plain,
That for ways that are dark
And for tricks that are vain,
The heathen Chinee is peculiar,—
Which the same I am free to maintain.