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Georges Guynemer: Knight of the Air

by Henry Bordeaux

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II Home and College

One of the generals best loved by the French troops, General de M——, a learned talker and charming moralist, who always seemed in his conversation to wander through the history of France, like a sorcerer in a forest, weaving and multiplying his spells, once recited to me the short prayer he had composed for grace to enable him to rear his children in the best way:

“Monseigneur Saint Louis, Messire Duguesclin, Messire Bayard, help me to make my sons brave and truthful.”

So was Georges Guynemer reared, in the cult of truth, and taught that to deceive is to lower oneself. Even in his infancy he was already as proud as any personage. His early years were protected by the gentle and delicate care of his mother and his two sisters, who hung adoringly over him and were fascinated by his strange black eyes. What was to become of a child whose gaze was difficult to endure, and whose health was so fragile, for when only a few months old he had almost died of infantile enteritis. His parents had been obliged to carry him hastily to Switzerland, and then to Hyères, and to keep him in an atmosphere like that of a hothouse. Petted and spoiled, tended by women, like Achilles at Scyros among the daughters of Lycomedes, would he not bear all his life the stamp of too softening an education? Too pretty and too frail, with his curls and his dainty little frock, he had an air de princesse. His father felt that a mistake was being made, and that this excess of tenderness must be promptly ended. He took the child on his knees; a scene as trifling as it was decisive was about to be enacted:

“I almost feel like taking you with me, where I am going.”

“Where are you going, father?”

“There, where I am going, there are only men.”

“I want to go with you.”

The father seemed to hesitate, and then to decide:

“After all, too early is better than too late. Put on your hat. I shall take you.” He took him to the hairdresser.

“I am going to have my hair cut. How do you feel about it?”

“I want to do like men.”

The child was set upon a stool where, in the white combing-cloth, with his curly hair, he resembled an angel done by an Italian Primitive. For an instant the father thought himself a barbarian, and the barber hesitated, scissors in air, as before a crime. They exchanged glances; then the father stiffened and gave the order. The beautiful curls fell.

But now it became necessary to return home; and when his mother saw him, she wept.

“I am a man,” the child announced, peremptorily.

He was indeed to be a man, but he was to remain for a long time also a mischievous boy—nearly, in fact, until the end.

When he was six or seven years old he began to study with the teacher of his sisters, which was convenient and agreeable, but meant the addition of another petticoat. The fineness of his feelings, his fear of having wounded any comrade, which were later to inspire him in so many touching actions, were the result of this feminine education. His walks with his father, who already gave him much attention, brought about useful reactions. Compiègne is rich in the history of the past: kings were crowned there, and kings died there. The Abbey of Saint Cornille sheltered, perhaps, the holy winding-sheet of Christ. Treaties were signed at Compiègne, and there magnificent fêtes were given by Louis XIV, Louis XV, Napoleon I, and Napoleon III. And even in 1901 the child met Czar Nicholas and Czarina Alexandra, who were staying there. So, the palace and the forest spoke to him of a past which his father could explain. And on the Place de l’Hôtel de Ville he was much interested in the bronze statue of the young girl, bearing a banner.

“Who is it?”

“Jeanne d’Arc.”

Georges Guynemer’s parents renounced the woman teacher, and in order to keep him near them, entered him as a day scholar at the lyceum of Compiègne. Here the child worked very little. M. Paul Guynemer, having been educated at Stanislas College, in Paris, wished his son also to go there. Georges was then twelve years old.

“In a photograph of the pupils of the Fifth (green) Class,” wrote a journalist in the Journal des Débats, who had had the curiosity to investigate Georges’ college days, “may be seen a restless-looking little boy, thinner and paler than the others, whose round black eyes seem to shine with a somber brilliance. These eyes, which, eight or ten years later, were to hunt and pursue so many enemy airplanes, are passionately self-willed. The same temperament is evident in a snapshot of this same period, in which Georges is seen playing at war. The college registers of this year tell us that he had a clear, active, well-balanced mind, but that he was thoughtless, mischief-making, disorderly, careless; that he did not work, and was undisciplined, though without any malice; that he was very proud, and ‘ambitious to attain first rank’: a valuable guide in understanding the character of one who became ‘the ace of aces.’ In fact, at the end of the year young Guynemer received the first prize for Latin translation, the first prize for arithmetic, and four honorable mentions.”

The author of the Débats article, who is a scholar, recalls Michelet’s mot: “The Frenchman is that naughty child characterized by the good mother of Duguesclin as ‘the one who is always fighting the others....’” But the best portrait of Guynemer as a child I find in the unpublished notes of Abbé Chesnais, who was division prefect at Stanislas College during the four years which Guynemer passed there. The Abbé Chesnais had divined this impassioned nature, and watched it with troubled sympathy.

“His eyes vividly expressed the headstrong, fighting nature of the boy,” he says of his pupil. “He did not care for quiet games, but was devoted to those requiring skill, agility, and force. He had a decided preference for a game highly popular among the younger classes—la petite guerre. The class was divided into two armies, each commanded by a general chosen by the pupils themselves, and having officers of all ranks under his orders. Each soldier wore on his left arm a movable brassard. The object of the battle was the capture of the flag, which was set up on a wall, a tree, a column, or any place dominating the courtyard. The soldier from whom his brassard was taken was considered dead.

“Guynemer, who was somewhat weak and sickly, always remained a private soldier. His comrades, appreciating the value of having a general with sufficient muscular strength to maintain his authority, never dreamed of placing him at their head. The muscle, which he lacked, was a necessity. But when a choice of soldiers had to be made, he was always counted among the best, and his name called among the first. Although he had not much strength, he had agility, cleverness, a quick eye, caution, and a talent for strategy. He played his game himself, not liking to receive any suggestions from his chiefs, intending to follow his own ideas. The battle once begun, he invariably attacked the strongest enemy and pursued those comrades who occupied the highest rank. With the marvelous suppleness of a cat, he climbed trees, flung himself to the ground, crept along barriers, slipped between the legs of his adversaries, and bounded triumphantly off with a number of brassards. It was a great joy to him to bring the trophies of his struggles to his general. With radiant face, and with his two hands resting on his legs, he looked mockingly at his adversaries who had been surprised by his cleverness. His superiority over his comrades was especially apparent in the battles they fought in the woods of Bellevue.7 There the field was larger, and there was a greater variety of chances for surprising the enemy. He hid himself under the dead leaves, lay close to the branches of trees, and crept along brooks and ravines. It was often he who was selected to find a place of vantage for the flag. But he was never willing to act as its guardian, for he feared nothing so much as inactivity, preferring to chase his comrades through the woods. The short journey to the Bellevue woods was passed in the elaboration of various plans, and arguing about those of his friends; he always wanted to have the last word. The return journey was enlivened by biting criticism, which often ended in a quarrel.”8

This is an astonishing portrait, in which nearly all the characteristics of the future Guynemer, Guynemer the fighter, are apparent. He does not care to command, he likes too well to give battle, and is already the knight of single combats. His method is personal, and he means to follow his own ideas. He attacks the strongest; neither size nor number stops him. His suppleness and skill are unequaled. He lacks the muscle for a good gymnast, and at the parallel bars, or the fixed bar, he is the despair of his instructors. How will he supply this deficiency? Simply by the power of his will. All physical games do not require physical strength, and he became an excellent shot and fencer. Furious at his own weakness, he outdid the strong, and, like Diomede and Ajax, brought back his trophies laughing. A college courtyard was not sufficient for him: he needed the Bellevue woods, while he waited to have all space, all the sky, at his disposal. So the warlike infancy of a Guynemer is like that of a Roland, a Duguesclin, a Bayard,—all are ardent hearts with indomitable energy, upright souls developing early, whose passion it was only necessary to control.

The youth of Guynemer was like his childhood. As a student of higher mathematics his combative tendencies were not at all changed. “At recreation he was very fond of roller-skating, which in his case gave rise to many disputes and much pugilism. Having no respect for boys who would not play, he would skate into the midst of their group, pushing them about, seizing their arms and forcing them to waltz round and round with him like weather-cocks. Then he would be off at his highest speed, pursued by his victims. Blows were exchanged, which did not prevent him from repeating the same thing a few seconds later. At the end of recreation, with his hair disordered, his clothes covered with dust, his face and hands muddy, Guynemer was exhausted. But the strongest of his comrades could not frighten him; on the contrary, he attacked these by preference. The masters were often obliged to intervene and separate the combatants. Guynemer would then straighten up like a cock, his eyes sparkling and obtruding, and, unable to do more, would crush his adversary with piquant and sometimes cutting words uttered in a dry, railing voice.”9

Talking, however, was not his forte, and his nervousness made him sputter. His speech was vibrant, trenchant, like hammerstrokes, and he said things to which there was no answer. He had a horror of discussion: he was already all action.

This violence and frenzied action would have driven him to the most unreasonable and dangerous audacity if they had not been counterbalanced by his sense of honor. “He was one of those,” wrote a comrade of Guynemer’s, M. Jean Constantin, now lieutenant of artillery, “for whom honor is sacred, and must not be disregarded under any pretext; and in his life, in his relations with his comrades, his candor and loyalty were only equaled by his goodness. Often, in the midst of our games, some dispute arose. Where are the friends who have never had a dispute? Sometimes we were both so obstinate that we fought, but after that he was willing to renounce the privilege of the last word. He never could have endured bringing trouble upon his fellow-students. He never hesitated to admit a fault; and, what is much better, once when one of his comrades, who was a good student, had inadvertently made a foolish mistake which might have lowered his marks, I saw Georges accuse himself and take the punishment in his place. His comrade never knew anything about it, for Georges did that sort of thing almost clandestinely, and with the simplicity and modesty which were always the great charm of his character.”

This sense of honor he had drawn in with his mother’s milk; and his father had developed it in him. Everything about him indicated pride: the upright carriage of his head, the glance of his black eyes which seemed to pierce the objects he looked at. He loved the Stanislas uniform which his father had worn before him, and which had been worn by Gouraud and Baratier, whose fame was then increasing, and Rostand, then in all the new glory of Cyrano and L’Aiglon. He had an exact appreciation of his own dignity. Though he listened attentively in class, he would never ask for information or advice from his classmates. He hated to be trifled with, and made it understood that he intended to be respected. Never in all his life did he have a low thought. If he ever varied from the nobleness which was natural to him, silence was sometimes sufficient to bring him to himself.

With a mobile face, full of contrasts, he was sometimes the roguish boy who made the whole class shake with laughter, and involved it in a whirlwind of games and tricks, and at others the serious, thoughtful pupil, who was considered to be self-absorbed, distant, and not inclined to reveal himself to anybody. The fierce soldier of the petite guerre was also a formidable adversary at checkers. Here, however, he became patient, only moving his pieces after long reflection. None of the students could beat him, and no one could take him by surprise. If he was beaten by a professor, he never rested until he had had his revenge. His power of will was far beyond his years, but it needed to be relaxed. To study and win to the head of his class was nothing for his lively intelligence, but his health was always delicate. He would appear wrapped in cloaks, comforters, waterproof coats, and then vanish into the infirmary. This boy who did not fear blows, bruises, or falls, was compelled to avoid draughts and to diet. Nobody ever heard him complain, nor was any one ever to do so. Often he had to give up work for whole months at a time; and in his baccalaureate year he was stopped by a return of the infantile enteritis. “Three months of rest,” the doctor ordered at Christmas. “You will do your rhetoric over again next year,” said his father, who came to take him home. “Not at all,” said the boy; “the boys shall not get ahead of me”—a childish boast which passed unnoticed. At the end of three months of rest and pleasant walks around Compiègne, the child remarked: “The three months are up, and I mean to present myself in July.” “You haven’t time; it is impossible.” He insisted. So they discovered, at Compiègne, the Pierre d’Ailly school, in a building which since then has been ruined by a shell. It was his idea to attend these classes as a day scholar, just for the pleasure of it. He promised to continue to take care of himself at home. And in the month of July, at the age of fifteen, he took his bachelor degree, with mention.

But the bow cannot long remain bent, and hence certain diversions of his, ending sometimes in storms, but not caused by any ill-will on his part, for it was repugnant to him to give others pain. The following autumn he returned to Stanislas College, and resumed his school exploits.

“Vexed to find that a place had been reserved for him near the professor, under the certainly justified pretext that he was too much inclined to talk,” again writes Abbé Chesnais, “he was resolved to talk all the same, whenever he pleased. With the aid of pins, pens, wires and boxes, he soon set up a telephone which put him into communication with the boy whose desk was farthest away. He possessed tools necessary for any of his tricks, and his desk was a veritable bazaar: copybooks, books, pen-holders and paper were mixed pell-mell with the most unlikely objects, such as fragments of fencing foils, drugs, chemical products, oil, grease, bolts, skate wheels, and tablets of chocolate. In one corner, carefully concealed, were some glass tubes which awaited a favorable moment for projecting against the ceiling a ball of chewed paper. Attached to this ball, a paper personage cut out of a copybook cover danced feverishly in space. When this grotesque figurine became quiet, another paper ball, shot with great skill, renewed the dancing to the great satisfaction of the young marksman. Airplanes made of paper were also hidden in this desk, awaiting the propitious hour for launching them; and the professor’s desk sometimes served as their landing place.... Everything, indeed, was to be found there, but in such disorder that the owner himself could never find them. Who has not seen him hunting for a missing exercise in a copybook full of scraps of paper? It is time to go to class; with his head hidden in his desk, he turns over all its contents in great haste, upsetting a badly closed ink-bottle over his books and copybooks. The master calls him to order, and he rushes out well behind all the rest of the boys.

“He was not one of those ill-intentioned boys whose sole idea is to disturb the class and hinder the work of his comrades. Nor was he a ringleader. He acted entirely on his own account, and for his own satisfaction. His practical jokes never lasted long, and did not interrupt the work of others. His upright, frank and honest nature always led him to acknowledge his own acts when the master attributed them by mistake to the wrong boys. He never allowed any comrade to take his punishment for him, but he knew very well how to extricate himself from the greatest difficulties. His candor often won him some indulgence. If he happened to be punished by a timorous master, he assumed a terrible facial expression and tried to frighten him. But when, on the contrary, he found himself in the presence of a man of energy, he pleaded extenuating circumstances, and persevered until he obtained the least possible punishment. He never resented the infliction of just punishment, but suffered very much when punished in public. On the day when the class marks were read aloud, if he suspected that his own were to be bad, he took refuge in the infirmary to avoid the shame of public exposure. Honor, for him, was not a vain word.

“He was very sensitive to reproaches. He was an admirer of courage, audacity, anything generous. Who at Stanislas does not remember his proud and haughty attitude when a master vexed him in presence of his classmates, or interfered to end a quarrel in which his own self-respect was at stake? All his nerves were stretched; his body stiffened, and he stood as straight as a steel rod, his arms pressed against his legs, his fists tightly closed, his head held high and rigid, and his face as yellow as ivory, with its smooth forehead, and his compressed lips cutting two deep lines around his mouth; his eyes, fixed like two black balls, seemed to start from the sockets, shooting fire. He looked as if he were about to destroy his adversary with lightning, but in reality he retained the most imperturbable sang-froid. He stood like a marble statue, but it was easy to divine the storm raging within....”10

His tendency, after taking his bachelor’s degree, was towards science; he was ambitious to enter the École polytechnique, and joined the special mathematics class. Even when very young he had shown particular aptitude for mechanics, and a gift for invention which we have seen exercised in his practical jokes as a student. When he was only four or five years old he constructed a bed out of paper, which he raised by means of cords and pulleys.

“He passed whole hours,” says his Stanislas classmate, Lieutenant Constantin, “in trying to solve a mathematical problem, or studying some question which had interested him, without knowing what went on around him; but as soon as he had solved his problem, or learned something new, he was satisfied and returned to the present. He was particularly interested in everything connected with the sciences. His greatest pleasure was to make experiments in physics or chemistry: he tried everything which his imagination suggested. Once he happened to produce a detonating mixture which made a formidable explosion, but nothing was broken except a few windows.”

His choice of reading revealed the same tendency. He was not fond of reading, and only liked books of adventure which were food for his warlike sentiments and his ideas of honor and honesty. He preferred the works of Major Driant, and re-read them even during his mathematical year. Returning from a walk one Thursday evening, he knocked on the prefect’s door to ask for a book. He wanted La Guerre fatale, La Guerre de Demain, L’Aviateur du Pacifique, etc. “But you have already read them.” “That does not matter.” Did he really re-read them? His dreams were always the same, and his eyes looked into the future.

Somebody, however, was to exert over this impressionable, mobile, almost too ardent nature, an influence which was to determine its direction. His father had advised him to choose his friends with care, and not yield himself to the first comer. He was not only incapable of doing that, but equally incapable of yielding himself to anybody. Do we really choose our friends in early life? We only know our friends by finding them in our lives when we need them. They are there, but we have not sought them. A similarity of taste, of sensibility, of ambitions draw us to them, and they have been our friends a long time already before we perceive that they are not merely comrades. Thus Jean Krebs became the constant companion of Georges Guynemer. The father of Jean Krebs is that Colonel Krebs whose name is connected with the first progress made in aërostation and aviation. He was then director of the Panhard factories, and his two sons were students at Stanislas. Jean, the elder, was Guynemer’s classmate. He was a silent, self-centered, thoughtful student, calm in speech and facial expression, never speaking one word louder than another, and the farthest possible removed from anything noisy or agitated. Georges broke in upon his solitude and attached himself to him, while Krebs endured, smiled, and accepted, and they became allies. It was Krebs, for the time, who was the authority, the one who had prestige and wore the halo. Why, he knew what an automobile was, and one Sunday he took his friend Georges to Ivry and taught him how to drive. He taught him every technical thing he knew. Georges launched with all his energy into this new career, and soon became acquainted with every motor in existence. During the school promenades, if the column of pupils walked up or down the Champs Elysées, he told them the names of passing automobiles: “That’s a Lorraine. There is a Panhard. This one has so many horsepower,” etc. Woe to any who ventured to contradict him. He looked the insolent one up and down, and crushed him with a word.

He was overjoyed when the college organized Thursday afternoon visits to factories. He chose his companions in advance, sometimes compelling them to give up a game of tennis. Krebs was one of them. For Georges the visits to the Puteaux and Dion-Bouton factories were a feast of which he was often to speak later. He went, not as a sightseer, but as a connoisseur. He could not bring himself to remain with the engineer who showed the party through the works. He required more liberty, more time to investigate everything for himself, to see and touch everything. The smallest detail interested him; he questioned the workmen, asking them the use of some screw, and a thousand other things. The visit was too soon over for him; and when his comrades had already left, and the division prefect was calling the roll to make sure of all his boys, Guynemer as usual was missing, and was discovered standing in ecstasy before a machine which some workmen were engaged in setting up.

“The opening weeks of the automobile and aviation exhibition were a period of comparative tranquillity for his masters, as Guynemer was no longer the same restless, nervous, mischievous boy, being too anxious to retain his privileges for the promenades. He was always one of those who haunted the prefect when the hour for departure drew near. He was impatient to know where they were to go: ‘Where are we going?... Shall you take us to the Grand Palais? (The Automobile and Aviation Exhibition).... Wouldn’t you be a brick!...’ When they arrived, he was not one of those many curious people who circulate aimlessly around the stands with their hands in their pockets, without reaping anything but fatigue, like a cyclist on a circular track. His plans were all made in advance, and he knew where the stand was which he meant to visit. He went directly there, where his ardor and his free and easy behavior drew upon him the admonitions of the proprietor. But nothing stopped him, and he continued to touch everything, furnishing explanations to his companions. When he returned to the college his pockets bulged with prospectuses, catalogues, and selected brochures, which he carefully added to the heterogeneous contents of his desk.”11

Jean Krebs crystallized Georges Guynemer’s vocation. He developed and specialized his taste for mechanics, separating it from vague abstractions and guiding it towards material realities and the wider experiences these procure. He deserves to be mentioned in any biography of Guynemer, and before passing on, it is proper that his premature loss should be cited and deplored. Highly esteemed as an aviator during the war, he made the best use of his substantial and reliable faculties in the work of observation. Airplane chasing did not attract him, but he knew how to use his eyes. He was killed in a landing accident at a time almost coincident with the disappearance of Guynemer. One of his escadrille mates described him thus: “With remarkable intelligence, and a perfectly even disposition, his chiefs valued him for his sang-froid, his quick eye, his exact knowledge of the services he was able to perform. Every time a mission was intrusted to him, everybody was sure that he would accomplish it, no matter what conditions he had to meet. He often had to face enemy airplanes better armed than his own, and in the course of a flight had been wounded in the thigh by an exploding shell. Nevertheless he had continued to fly, only returning considerably later when his task was done. His death has left a great void in this escadrille. Men like him are difficult to replace....”

Thus the immoderate Guynemer had for his first friend a comrade who knew exactly his own limits. Guynemer could save Jean Krebs from his excess of literal honesty by showing him the enchantment of his own ecstasies, but Jean Krebs furnished the motor for Guynemer’s ambitious young wings. Without the technical lessons of Jean Krebs, could Guynemer later have got into the aviation field at Pau, and won so easily his diploma as pilot? Would he have applied himself so closely to the study of his tools and the perfecting of his machine?

The war was to make them both aviators, and both of them fell from the sky, one in the fullness of glory, the other almost obscure. When they talked together on school outings, or as they walked along beside the walls of Stanislas, had they ever foreseen this destiny? Certainly not Jean Krebs, with his positive spirit; he only saw ahead the École polytechnique, and thought of nothing but preparation for that. But Guynemer? In his very precious notes, Abbé Chesnais shows us the boy constructing a little airplane of cloth, the motor of which was a bundle of elastics. “At the next recreation hour, he went up to the dormitory, opened a window, launched his machine, and presided over its evolutions above the heads of his comrades.” But these were only the games of an ingenious collegian. The worthy priest, who was division prefect, and watched the boy with a profound knowledge of psychology, never received any confidence from him regarding his vocation.

Aviation, whose first timid essays began in 1906, progressed rapidly. After Santos Dumont, who on November 22, 1906, covered 220 meters while volplaning, a group of inventors—Blériot, Delagrange, Farman, Wright—perfected light motors. In 1909 Blériot crossed the Channel, Paulhan won the height record at 1380 meters, and Farman the distance record over a course of 232 kilometers. A visionary, Viscomte Melchior de Vogué, had already foreseen the prodigious development of air-travel. All the young people of the time longed to fly. Guynemer, studying the new invention with his customary energy, could hardly do otherwise than share the general infatuation. His comrades, like himself, dreamed of parts of airplanes and their construction. But the idea of Lieutenant Constantin is different: “When an airplane flew over the quarter, Guynemer followed it with his eyes, and continued to gaze at the sky for some time after its disappearance. His desk contained a whole collection of volumes and photographs concerning aviation. He had resolved to go up some day in an airplane, and as he was excessively self-willed he tried to bring this about by every means in his power. ‘Don’t you know anybody who could take me up some Sunday?’ Of whom has he not asked this question? But at college it was not at all easy, and it was during vacation that he succeeded in carrying out his project. If I am not mistaken, his first ascension was at the aërodrome of Compiègne. At that time the comfortable cockpits of the modern airplanes were unknown, and the passenger was obliged to place himself as best he could behind the pilot and cling to him by putting his arms around him in order not to fall, so that it was a relief to come down again!...”

The noticeable sentence in these notes is the first one: When an airplane flew over the quarter, he followed it with his eyes, and continued to gaze at the sky for some time after its disappearance. If Jean Krebs had survived, he could perhaps enlighten us still further; but, even to this reasonable friend, could Guynemer have revealed what was still confused to himself? Jean Constantin only saw him once in a reverie; and Guynemer must have kept silent about his resolutions.

Soon afterwards, as Guynemer was obliged once more to renounce his studies—and this was the year in which he was preparing for the Polytechnique—his father left him with his grandmother in Paris, to rest. During this time he went to lectures on the social sciences, finally completing his education, which was strictly French, not one day having been passed with any foreign teacher. After this he traveled with his mother and sisters, leading the life of the well-to-do young man who has plenty of time in which to plan his future. Was he thinking of his future at all? The question occurred to his father who, worried at the thought of his son’s idleness, recalled him and interrogated him as to his ideas of a future career, fully expecting to receive one of those undecided answers so often given by young men under similar circumstances. But Georges replied, as if it were the most natural thing in the world, and no other could ever have been considered:

“Aviator.”

This reply was surprising. What could have led him to a determination apparently so sudden?

“That is not a career,” he was told. “Aviation is still only a sport. You travel in the air as a motorist rides on the highways. And after passing a few years devoted to pleasure, you hire yourself to some constructor. No, a thousand times no!”

Then he said to his father what he had never said to anybody, and what his comrade Constantin had merely suspected:

“That is my sole passion. One morning in the courtyard at Stanislas I saw an airplane flying. I don’t know what happened to me: I felt an emotion so profound that it was almost religious. You must believe me when I ask your permission to be an aviator.”

“You don’t know what an airplane is. You never saw one except from below.”

“You are mistaken; I went up in one at Corbeaulieu.”

Corbeaulieu was an aërodrome near Compiègne; and these words were spoken a very few months before the war.


Many years before Georges Guynemer was a student at Stanislas, a professor, who was also destined to become famous, taught rhetoric there. His name was Frédéric Ozanam. He too had been a precocious child, prematurely sure of his vocation for literature. When only fifteen he had composed in Latin verse an epitaph in honor of Gaston de Foix, dead at Ravenna. This epitaph, if two words are changed—Hispanae into hostilis, and Gaston into Georges—describes perfectly the short and admirable career of Guynemer. Even the palms are included:

Fortunate heros! moriendo in saecula vives.
Eia, agite, o socii, manibus profundite flores,
Lilia per tumulum, violamque rosamque recentem
Spargite; victricis armis superaddite lauros,
Et tumulo tales mucrone inscribite voces:
Hic jacet hostilis gentis timor et decus omne
Gallorum, Georgius, conditus ante diem:
Credidit hunc Lachesis juvenem dum cerneret annos,
Sed palmas numerans credidit esse senem.12

It is a paraphrase of the reply of the gods to the young Pallas, in Virgil.

This young Frédéric Ozanam died in the full vigor of manhood before having attained his fortieth year, of a malady which had already foretold his death. At that time he seemed to have achieved perfect happiness; it was the supreme moment when everything succeeds, when the difficult years are almost forgotten, and the road mounts easily upward. He had in his wife a perfect companion, and his daughter was a lovable young girl. His reputation was growing; he was soon to be received by the Academy, and fortune and fame were already achieved. And then death called him. Truly the hour was badly chosen—but when is it chosen at the will of mortals? Ozanam tried to win pity from death. In his private journal he notes death’s approach, concerning which he was never deceived; and he asks Heaven for a respite. To propitiate it, he offers a part of his life, the most brilliant part; he is willing to renounce honors, fame, and fortune, and will consent to live humbly and be forgotten, like the poor for whom he founded the Conférences de Saint-Vincent de Paul, and whom he so often visited in their wretched lodgings; but let him at least dwell a little longer in his home, that he may see his daughter grow up, and pass a few years more with the companion of his choice. Finally, he is impassioned by his Faith, he no longer reasons with Heaven, but says: “Take all according to Thy wish, take all, take myself. Thy will be done....”

Rarely has the drama of acceptance of the Divine Will been more freely developed. Now, in the drama which was to impassion Guynemer even to complete sacrifice, it is not the vocation of aviator that we should remark, but the absolute will to serve. Abbé Chesnais, who does not attach primary importance to the vocation, has understood this well. At the end of his notes he reminds us that Guynemer was a believer who accomplished his religious exercises regularly, without ostentation and without weakness. “How many times he has stopped me at night,” he writes, “as I passed near his bed! He wanted a quiet conscience, without reproach. His usual frivolity left him at the door of the chapel. He believed in the presence of God in this holy place and respected it.... His Christian sentiments were to be a sustaining power in his aërial battles, and he would fight with the more ardor if his conscience were at peace with his God....”

These words of Abbé Chesnais explain the true vocation of Guynemer: “The chances of war brought out marvelously the qualities contained in such a frail body. In the beginning did he think of becoming a pilot? Perhaps. But what he wanted above everything was to fulfil his duty as a Frenchman. He wanted to be a soldier; he was ashamed of himself, he said, in the first days of September, 1914: ‘If I have to sleep in the bottom of an automobile truck, I want to go to the front. I will go.’”

He was to go; but neither love of aviation nor love of fame had anything to do with his departure, as they were to have nothing to do with his final fate.

Notes

7 The country house of Stanislas College is at Bellevue. [Translator’s note.]

8 Unpublished notes by Abbé Chesnais.

9 Unpublished notes by Abbé Chesnais.

10 Unpublished notes by Abbé Chesnais.

11 Unpublished notes by Abbé Chesnais.

12 Fortunate hero! thou diest, but thou shalt live forever!
Come, my companions! strew flowers
And lilies over the tomb! violets and young roses
Scatter; heap up laurels upon his arms,
And on the stone write with the point of your sword:
Here lieth one who was the terror of the enemy, and the glory
Of the French, George, taken before his time.
Lachesis from his face thought him a boy,
But counting his victories she thought him full of years.

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