Early Haunts of Robert Collyer: Eugene Aram
Childhood Home—Ilkley Scenes, Friends, Smithy, Chapel—Bolton-Associations—Wordsworth—Rogers—Eliot—Turner—Aram’s Homes—Schools—Place of the Murder—Gibbet—Probable Innocence.
Early Home
School
The factory-town of Keighley,—amid the moors of western Yorkshire,—to which the Brontë pilgrimage brings us, becomes itself an object of interest when we remember it was the birthplace of Robert Collyer. On a dingy side-street resonant with the din of spindles and looms and sullied with soot from factory chimneys, of humble parentage, and in a home not less lowly than that of another Yorkshire blacksmith in which Faraday was born, our orator and author first saw the light. Collyer came to Keighley “only to be born,” and soon was removed to the lovely Washburndale, a few miles away. Here we find the place of the boyhood home he has made known to us—the cottage of two rooms with whitewashed walls and floor of flags—occupied by the mansion of a mill-owner, and the Collyer family vanished from the vicinage. “Little Sam,” the kind-hearted father, fell dead at his anvil one summer day; the blue-eyed, fair-haired mother, of whom the preacher so loves to speak, died in benign age; and the boisterous bairns who once filled the cottage are scattered in the Old World and the New. A little way down the sparkling burn is the picturesque old church of Fewston, where Collyer was christened, where Amos Barton of George Eliot’s tale later preached, and where the poet Edward Fairfax—of the ancient family which gave to Virginia its best blood—was buried with his child who “was held to have died of witchcraft.” Near by was Collyer’s school, taught by a crippled and cross-eyed old fiddler named Willie Hardie, who survived at our first sojourn in the dale and had much to tell about his pupil “Boab,” whom he had often “fairly thrashed.” Collyer’s school education ended in his eighth year, and he was early apprenticed at Ilkley, in the next valley, where he grew to physical manhood and attained to a measure of that intellectual stature which has since been recognized.
Companions
Collyer’s Humble Friends
The Smithy
At Ilkley we find some who remember when Collyer came first, a stripling lad, to work in “owd Jackie’s” smithy, and who in the long-ago worked, played, and fought with him in the village or read with him on the moors. One remembers that he was from the first an insatiable student, often reading as he plied the bellows or switched the flies from a customer’s horse. His master “Jackie” Birch, who was native of Eugene Aram’s home, is recalled as a selfish and unpopular man, who had no sympathy with the lad’s studious habit, but tolerated it when it did not interfere with his work. Collyer’s love of books was contagious, and soon a little circle of lads habitually assembled, whenever released from toil, to read with him the volumes borrowed from friends or purchased by clubbing their own scant hoards. A survivor of this group walked with us through the village, pointing out the spots associated with Collyer’s life here, and afterward showed us upon the slopes of the overlooking hills the nooks where the lads read together in summer holidays. Collyer was especially intimate with the Dobsons: of these John was best beloved, because he shared most fully Collyer’s studies and aspirations; between the two an affectionate friendship was formed which, despite long separation and disparity of position,—for John remained a laborer,—ended only with his death. When, thirty years ago, Collyer—honored and famous—revisited the scenes of his early struggles and was eagerly invited to opulent and cultured homes, he turned away from all to abide in the humble cottage of Dobson, which we found near the site of the smithy and occupied by others who were friends of Collyer’s youth. His associates of the early time—some of them old and poor—tell us with obvious pleasure and pride of his visits to their poor homes in these later summers when he comes to the place, and we suspect he often leaves with them more substantial tokens of his remembrance than kind words and wishes: indeed, he once made us his almoner to the more needy of them, one of whom we found in the workhouse. Some of his old-time friends recall the circumstances of his conversion under the preaching of a Wesleyan named Bland, his own eloquent and touching prayers, and his first timorous essays to conduct the services of the little chapel to which the villagers were bidden by the bellman, who proclaimed through the streets, “The blacksmith will preach t’night.” When he preaches at Ilkley now, the Assembly-rooms are thronged with friends, old and new, eager to hear him. “Jackie” sleeps with his fathers, and the smithy is replaced by a modern cottage, into whose masonry many blackened stones from the old forge were incorporated. One of Collyer’s chums showed us the door of the smithy which he had rescued from demolition and religiously preserved, and presented us with a photograph which we were assured represents the building just as Collyer knew it,—a long, low fabric of stone, with a shed joined at one end, two forge chimneys rising out of the roof, and the rough doors and window-shutters placarded with public notices. Before the forge was demolished, the large two-horned anvil on which Collyer wrought twelve years was bought for a price and removed to Chicago, where it is still preserved in the study of Unity Church, albeit Collyer long ago predicted to the writer, with a characteristic twinkle and a sweet hint of the dialect his tongue was born to, “they’ll soon be sellin’ thet for old iron.”
Wharfedale Antiquities
The health-giving waters of the hill-sides attract hundreds of invalids and idlers, and the Ilkley of to-day is a smart town of well-kept houses, hotels, and shops, amid which we find here and there a quaint low-roofed structure which is a relic of the village of Collyer’s boyhood. Among the survivals is the chapel—now a local museum, inaugurated by Collyer—where our “blacksmith” was converted and where he labored at the spiritual anvil as a local preacher. He has told us that for his labors in the Wesleyan pulpit during several years in Yorkshire and America he received in all seven dollars and fifty cents; he expounded for love, but pounded for a living. Another survival is the ancient parish church, built upon the site of the Roman fortress Olicana and of stones from its ruined walls, which preserves in its masonry many antiquarian treasures of Roman sculpture and inscription. Standing without are three curious monolithic columns, graven with mythological figures of men, dragons, birds, etc., which give them an archæological value beyond price. A doltish rector damaged them by using them as gate-posts; from this degradation the hands of Collyer helped to rescue them, and the same hands fashioned at the forge the neat iron gates which enclose the church-yard.
Scenery
By the village and through the dale which Gray thought so beautiful flows the Wharfe; winding amid verdant meads, rushing between lofty banks, or loitering in sunny shallows, it holds its shining course to the Ouse, beyond the fateful field of Towton, where the red rose of Lancaster went down in blood. Ilkley nestles cosily at the foot of green slopes which swell away from the stream and are dotted with copses and embowered villas. Farther away the dim lines rise to the heights of the Whernside, whence we look to the chimneys of Leeds and the towers of York’s mighty minster. Detached from Rumbald’s cliffs lie two masses, called “Cow and Calf Rocks,” bearing the imprint of giant Rumbald’s foot: these rocks are a resort of the young people, and here Collyer and his friends oft came with their books. From this point Wharfedale, domed by a summer sky, seems a paradise of loveliness; its every aspect, from the glinting stream to the highest moorland crags, is replete with the beauty Turner loved to paint and which here first inspired his genius. Ruskin discerns this Wharfedale scenery throughout the great artist’s works, bits of its beauty being unconsciously wrought into other scenes. These landscapes were a daily vision to the eyes of Collyer in the days when Turner still came to the neighborhood. This region abounds with memorials of the mighty past, with treasures of Druidical, Runic, and Roman history and tradition, but the literary pilgrim finds it rife with associations for him still more interesting: here lived the ancestors of our Longfellow, and the family whence Thackeray sprang; the fathers of that gentle singer, Heber, dwelt in their castle here and sleep now under the pavement of the church; a little way across the moors the Brontës dwelt and died. Here, too, lived the Fairfaxes,—one of them a poet and translator of Tasso,—and among their tombs we find that of Fawkes of Farnley, Turner’s early friend and patron, while at the near-by hall are the rooms the painter occupied during the years he was transferring to canvas the beauties he here beheld. Farnley holds the best private collection of Turner’s works, comprising, besides many finished pictures, numerous drawings and color-sketches made here.
Bolton Abbey
A delightful excursion from Ilkley, one never omitted by Collyer from his summer saunterings in Wharfedale, is to the sacred shades of Bolton Abbey. The way is enlivened with the prattle and sheen of the limpid Wharfe. A mile past the hamlet of Addingham, where Collyer preached his first sermon, the stream curves about a slight eminence which is crowned by the ruins of the ancient shrine. Some portions of the walls are fallen and concealed by shrubbery; other portions withstand the ravages of the centuries, and we see the crumbling arches, ruined cloisters, and mullioned windows, mantled with masses of ivy and bloom and set in the scene of restful beauty which Turner painted and Rogers and Wordsworth poetized. Our pleasure in the ruin and its environment of wood, mead, and stream is enhanced by the companionship of one who had, on another summer’s day, explored the charms of the spot with George Eliot, and who repeats to us her expressions of rapturous delight at each new vista. Wordsworth loved this spot, and the incident to which the Abbey owed its erection—the drowning of young Romilly, the noble “Boy of Egremond,” in the gorge near by—is beautifully told by him in the familiar poems written here.
Nidderdale
Aram’s Schools
Another excursion, by Knaresborough and the deadly field of Marston Moor, brings us into lovely Nidderdale, where stalks the dusky ghost of the Eugene Aram of Bulwer’s tale and Hood’s poem amid the scenes of his early life and of the crime for which he died. In the upper portion of the valley the Nidd winds like a ribbon of silver between green braes and moorland hills which rise steeply to the narrow horizon. From either side brooklets flow through wooded glens to join the wimpling Nidd, and at the mouth of one of these we find Ramsgill, where Aram was born. It is a straggling hamlet of thatched cottages, set among bowering orchards and gardens and wearing an aspect of tranquil comfort. The site of the laborer’s hut in which the gentle student was born is shown at the back of one of the newer cottages of the place. Farther up the picturesque stream is the pretty village of Lofthouse, an assemblage of gray stone houses nestled beneath clustering trees, to which Aram returned after a short residence at Skipton, in the dale of the Brontës. Here he wooed sweet Annie Spence and passed his early years of married life; here his first children were born and one of them died. At the church in near-by Middlesmoor he was married; here his first child was christened, and in the bleak church-yard it was buried. Near a sombre “gill” which opens into the valley some distance below was Gowthwaite Hall, where Aram taught his first pupils,—an ancient, rambling structure of stone, two stories in height, with many steep gables and wide latticed windows. Venerable trees shaded the walls, leafy vines climbed to and overran the roofs, and a quaint garden of prim squares and formally trimmed foliage lay at one side. We found these externals little changed since Aram was tutor here. The partition of the mansion into three tenements had altered the arrangement of the interior, but the wide stairway still led from the entrance to the upper room at the east end, where Aram taught: it was a large, lofty apartment, reputed to be haunted, changed since his time only by the closing of one casement. Richard Craven was then tenant of the Hall, and his son, the erudite doctor, doubtless received his first tuition in this room and from Aram.
Place of Murder
Some miles down the valley is Knaresborough, to which Aram removed from Lofthouse to establish a school, and where eleven years later the murder was committed. Soon after, Aram removed from the neighborhood, and during his residence at Lynn, where he was arrested for the crime, he was some time tutor in the house of Bulwer’s grandfather, a circumstance which led to the production of the fascinating tale. A little way out of Knaresborough, in a recess at the base of the limestone cliffs which here border the murmuring Nidd, is the place where Clarke was killed and buried. This impressive spot was long the hermitage of “Saint Robert,” who formed the cave out of the crag. In clearing the rubbish from the place after the publication of Bulwer’s tale, the remains of a little shrine were found, and a coffin hewn from the rock, which proved that the hermitage had before been a place of burial, as urged by Aram in his defence. Upon a hill of the forest not far away the body of Aram hung in irons, and local tradition avers that his widow watched to recover the bones as they fell, and when she had at last interred them all, emigrated with her children to America.
Belief in Aram’s Innocence
It is noteworthy that belief in his innocence was universal among those who knew him in this countryside. Incidents illustrating his self-denial, patient forbearance, disregard for money, and care to preserve even the lowest forms of life are still cherished and recounted here as showing that robbery and murder were for him impossible crimes. We were reminded, too, that at the time of Clarke’s disappearance Aram was husband of a woman of his own station, father of a family, and master of a moderately prosperous school,—conditions of which Bulwer could scarcely have been unaware, and which are inconsistent with the only motives suggested as inciting Aram to crime. In the opinion of the descendants of Aram’s old neighbors in his native Nidderdale, Houseman was alone guilty; and if Aram had, instead of undertaking to conduct his own defence, intrusted it to proper counsel, the trial would have resulted in his acquittal.