Part II — Various Kinds of Strokes
The Back Stroke
It may seem odd to the beginner (and to a great many proficient swimmers, for that matter) that in teaching swimming by the Dalton system, I always begin by having pupils swim first on the back. Most instructors do just the reverse; but during nineteen years of a successful career in teaching, the proficiency of the graduated pupil has justified the method. There are a number of very good reasons why learners should begin by first swimming on the back. More especially is this true of nervous or timid pupils.
In the first place, the body floats more naturally and much easier on the back. In the breast stroke, which is the first one taught by most instructors, the head has to be kept out of the water and must be supported as dead weight by the rest of the body, as explained later on. On the contrary, in the back stroke, or swimming on the back, the head rests on the water and needs no support from any other member of the body.
For the same reason the face, being up and away from the water, the beginner encounters no difficulty in breathing, and there is no danger of the water entering the mouth, which is often the cause of much annoyance to new pupils.
Then, again, while on the back, as the face is turned upward, the beginner, especially in the case of a nervous person, gains confidence from the very fact that he is not constantly looking into the water. And also, in contradistinction to all other strokes in swimming, the arms and legs move together—both arms and legs performing practically the same movements at the same time.
Thus the pupil, realizing the comparative easiness and the absence of any difficulty in, having mastered this stroke, is imbued with such confidence that it becomes simply a matter of time and practise to acquire all other forms of swimming that he may wish to learn.
The first thing I do with a beginner, after he or she has donned a bathing suit (a suit in one piece is preferable, as it will not interfere with breathing) is to get the pupil to lie on the back, at full length on the marble, with the heels together, the toes out, the hands at the side of the body. Placing myself back of the pupil’s head, the hands are drawn, with the fingers bent, up along the body till they touch the shoulders (Fig. 1), the elbows being well turned out. Then the arms are straightened out horizontally from the shoulder, the palms of the hand down (Fig. 2). Then the arms, being rigid, are brought down sharply to the side of the body (Fig. 3). These movements should be repeated several times until the pupil gets accustomed to them.
Next the leg movements are shown. The heels are drawn up toward the body as far as possible with the knees well turned out (Fig. 4); the pupil then kicks the legs apart as far as possible, the toes being pointed out straight (Fig. 5). Next the pupil brings the legs sharply together until the heels touch, the toes being turned out (Fig. 6). After these movements have been repeated several times the pupil can try the arm and leg movements together. The arms and legs are drawn up together as in Figs. 1 and 4, then the pupil straightens out the arms and legs, as in Figs. 2 and 5, finishing the stroke by bringing the arms and legs sharply together, as in Figs. 3 and 6.
When these movements have been mastered by the pupil, I take him or her into the water, waist deep, putting one hand under the back, the other under the chin, forcing the pupil backward until the ears are under the water, then bringing the pupil’s hands to the sides, and slowly starting the movements. After the arm movements are mastered, I take up the leg movements, care being taken that the knees do not come out of the water.
To teach pupils how to regain their feet, I show them how to bend forward from the waist until the face is under water, then the pupil will find his or her feet slowly sinking; when the toes touch the bottom the head can be raised out of the water.
To accustom pupils to the water I teach them to open the eyes and mouth under water. This is much simpler than non-swimmers imagine. Care is taken not to open the eyes too wide. At the first few attempts the pupil will feel amazed, on opening the eyes the first time, at the distance of the vision under water. This is a very good thing to know, and helps beginners to overcome fear of water.
To teach pupils to open the mouth under water I place a rubber ring six inches from the surface and have the pupil bring it to the surface with the teeth. By being careful not to attempt to breathe while under water, the mouth may be opened to any extent without the least danger of swallowing water.
It is wonderful the amount of confidence instilled in a novice on realizing his ability to open the eyes and keep the mouth open under water.
A preserver tied around the waist obviates the necessity of an instructor holding the pupil, and he can, therefore, better direct the movements, so that the pupil, while being held up by a preserver, makes headway, care being taken to do the movements slowly and together. Then the pupil is shown how to turn around. The knees should be drawn up, as in Fig. 4, and then to turn to the left, use the right arm only, the left arm should be held in a straight line with the shoulder; then continue to use the three arm movements with the left arm, until one has turned completely around in the water. To turn the other way, use the other arm.
Next the pupil is shown how to float. The knees are drawn up and turned out, the arms extended back beyond the head, as in Fig. 7; the hands, about six inches apart, are kept under water. Deep breaths should be drawn through the mouth and forced into the lungs. The pupil will notice that, at each inflation of the lungs, the body will rise in the water, and sink correspondingly when the air is expelled. This practise shows how buoyant the body is. The more limp one lies, the more buoyant the body becomes.
Since I started the Dalton Swimming School twelve years ago, at 23 West 44th Street, New York City, I have always shown my method of teaching swimming scientifically, which is exactly the reverse of the methods of other instructors; that is, teaching pupils how to swim on their backs first, before teaching them the breast stroke, which I contend is the hardest stroke of all, when done correctly. Another innovation of mine is the use of the Dalton nose-clip, a clip that pinches the nostrils tightly together, keeping the water out of the nose and forcing the pupil to breathe through the mouth, which is the correct way of breathing while swimming. The more air one gets into the lungs the lighter one is in the water, making swimming easier. That is the reason so many would-be swimmers, simply because they try to breathe through the nose, get winded very quickly. The main thing about breathing in all the strokes is to keep the mouth open all the time. With the mouth open, air can come in and out of its own accord and the pupil does not have to worry about the breathing.