Style in Chess
Some chess players make more lively games than others, and more interesting to watch, and it is curious what different styles can be discerned in the play of the greatest masters of assumed equal ability, a proof of the great versatility of the game; Anderssen was remarkable for ingenuity and invention, Morphy for intuitive genius and grace, Zukertort for scientific development and Staunton, Buckle, Steinitz and Mason for patience, care and power of utilizing to the utmost the smallest advantages winning by hairs breadth merely. The above represent distinctive schools at chess. Blackburne’s play shews little resemblance to that of Bird, Tarrasch and Tchigorin are quite different in style, the former most learned and profound the latter most enterprising.
Lasker’s play partakes somewhat of the characteristics of both, Burn and Gunsberg have each a style of their own, and Mackenzie was particularly grand and irresistible in his attacks, Bird is sometimes called the best player of bad games and he often makes a capital middle and splendid end game from an unscientific and erratic beginning. One enthusiast observed that there were only three parts of the game he could not play, viz., the beginning, the middle and the end.
The following is an illustration of four styles of play; the reader can supply real names to satisfy his own taste and imagination.