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Sound

by John Tyndall

93 of 125 · Contents · Download EPUB

§ 9 Experiments on Flames From Circular Apertures

A long flame may be shortened and a short one lengthened, according to circumstances, by sonorous vibrations. The flame shown in Fig. 125 is long, straight, and smoky; that in Fig. 126 is short, forked, and brilliant. On sounding the whistle, the long flame becomes short, forked, and brilliant, as in Fig. 127; while the forked flame becomes long and smoky, as in Fig. 128. As regards, therefore, their response to the sound of the whistle, one of these flames is the complement of the other.

In Fig. 129 is represented another smoky flame which, when the whistle sounds, breaks up into the form shown in Fig. 130.

When a brilliant sensitive flame illuminates an otherwise dark room, in which a suitable bell is caused to strike, a series of periodic quenchings of the light by the sound occurs. Every stroke of the bell is accompanied by a momentary darkening of the room.

The foregoing experiments illustrate the lengthening and shortening of flames by sonorous vibrations. They may also produce rotation. From some of our homemade burners issue flat flames, about ten inches high, and three inches across at their widest part. When the whistle sounds, the plane of each flame turns ninety degrees round, and continues in its new position as long as the sound continues.

A flame of admirable steadiness and brilliancy now burns before you. It issues from a single circular orifice in a common iron nipple. This burner, which requires great pressure to make its flame flare, has been specially chosen for the purpose of enabling you to observe, with distinctness, the gradual change from apathy to sensitiveness. The flame, now 4 inches high, is quite indifferent to sound. On increasing the pressure its height becomes 6 inches; but it is still indifferent. When its length is 12 inches, a barely perceptible quiver responds to the whistle. When 16 or 17 inches high, it jumps briskly the moment an anvil is tapped or the whistle sounded. When the flame is 20 inches long you observe a quivering at intervals, which announces that it is near roaring. A slight increase of pressure causes it to roar, and shorten at the same time to 8 inches.

Diminishing the pressure a little, the flame is again 20 inches long, but it is on the point of roaring and shortening. Like the singing flames which were started by the voice, it stands on the brink of a precipice. The proper note pushes it over. It shortens when the whistle sounds, exactly as it did when the pressure is in excess. The action reminds one of the story of the Swiss muleteers, who are said to tie up their bells at certain places lest the tinkle should bring an avalanche down. The snow must be very delicately poised before this could occur. It probably never did occur, but our flame illustrates the principle. We bring it to the verge of falling, and the sonorous pulses precipitate what was already imminent. This is the simple philosophy of all these sensitive flames.

When the flame flares, the gas in the orifice of the burner is in a state of vibration; conversely, when the gas in the orifice is thrown into vibration, the flame, if sufficiently near the flaring point, will flare. Thus the sonorous vibrations, by acting on the gas in the passage of the burner, become equivalent to an augmentation of pressure in the holder. In fact, we have here revealed to us the physical cause of flaring through excess of pressure, which, common as it is, has never been hitherto explained. The gas encounters friction in the orifice of the burner, which, when the force of transfer is sufficiently great, throws the issuing stream into the state of vibration that produces flaring. It is because the flaring is thus caused that an infinitesimal amount of energy in the form of vibrations of the proper period can produce an effect equivalent to a considerable increase of pressure.

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