The Conscious Lovers
“Illud genus narrationis, quod in personis positum est, debet habere sermones festivitatem, animorum dissimilitudinem, gravitatem, lenitatem, spem, metum, suspicionem, desiderium, dissimulationem, misericordiam, rerum varietates, fortunæ commutationem, insperatum incommodum, subitam letitiam, jucundum exitum rerum.”103—Cicero, Rhetor. ad Herenn. Lib. i.
The Conscious Lovers, a Comedy which had been long in preparation, was acted at Drury Lane Theatre on November 7, 1722, “with new scenes and all the characters new drest,” and with Booth (who had acted the part of Pamphilus—the prototype of young Bevil—at Westminster with great success), Wilks (Myrtle), Cibber (Tom), Mills (Sir John Bevil), Mrs. Oldfield (Indiana), and Mrs. Younger (Phillis) in the principal parts. The play ran for eighteen nights, and was a great success. It was often revived between 1722 and 1760, and was acted at Covent Garden in 1810, and at Bath in 1818. Phillis was Peg Woffington’s second speaking character in Dublin, and she took that part on March 9, 1741, during her first season in London. The play was published by Tonson on December 1, 1722, with the date 1723 on the title-page. The general idea of the piece is taken from Terence’s Andria, but the original is widely departed from after the opening scenes. Colley Cibber lent material aid in preparing the play for representation. It was attacked by John Dennis in two pamphlets, and defended by Benjamin Victor and others.