The Canons of Criticism
Which were the production of Thomas Edwards, an Etonian and King’s College man, where he graduated M.A. in 1734, but missing a fellowship, turned soldier. After he had been some time in the army, says a writer in the Gentleman’s Magazine, for 1779, it so happened that, being at Bath, after Mr. Warburton’s marriage to Mr. Allen’s niece, he was introduced at Prior Park, en famille. The conversation not unfrequently turning on literary subjects, Mr. Warburton generally took the opportunity of showing his superiority in Greek, not having the least idea that an officer of the army understood anything of that language, or that Mr. Edwards had been bred at Eton; till one day, being accidentally in the library, Mr. Edwards took down a Greek author, and explained a passage in it in a manner that Mr. Warburton did not approve. This occasioned no small contest; and Mr. Edwards (who had now discovered to Mr. Warburton how he came by his knowledge) endeavoured to convince him, that he did not understand the original language, but that his knowledge arose from French translations. Mr. Warburton was highly irritated; an incurable breach took place; and this trifling altercation (after Mr. Edwards had quitted the army and was entered of Lincoln’s Inn) produced The Canons of Criticism.