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Agnes of Sorrento

by Harriet Beecher Stowe

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“The author was spending some weeks with a party of choice and very dear friends, on an excursion to southern Italy. Nothing could have been more fabulously and dreamily bright and beautiful than the whole time thus employed. Naples, Sorrento, Salerno, Pæstum, Pompeii, are names of enchantment which will never fade from the remembrance of any of that party. At Salerno, within a day’s ride of Pæstum, the whole company were detained by a storm for a day and a night. The talents of the whole company were called in requisition to make the gloomy evening pass pleasantly with song and jest and story. The first chapters of this story were there written and read, to the accompanying dash of the Mediterranean. The plan of the whole future history was then sketched out. Whether it ever find much favor in the eyes of the world or not, sure it is, the story was a child of love in its infancy, and its flowery Italian cradle rocked it with an indulgent welcome.

“The writer and the party were fresh from strolls and rambles about charming Sorrento; they had explored the gloomy gorge, and carried away golden boughs of fruits and blossoms from her orange orchards. Under the shadow of the old arched gateway they had seen, sitting at her orange stand, a beautiful young girl, whose name became Agnes in the story; and in the shadows of the gorge they met that woman straight and tall, with silver hair, Roman nose, and dark eyes, whose name became Elsie. The whole golden scene receded centuries back, and they saw them in a vision as they might and must have been in other days.

“The author begs to say that this story is a mere dreamland, that it neither assumes nor will have responsibility for historical accuracy. It merely reproduces to the reader the visionary region that appeared to the writer; and if some critic says this date be wrong, or that incident out of place, let us answer, ‘Who criticises perspective and distances, that looks down into a purple lake at eventide? All dates shall give way to the fortunes of our story, and our lovers shall have the benefit of fairy-land; and whoso wants history will not find it here, except to our making, and as it suits our purpose.’

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