Chapter XI Further Consideration of the Registers of the Singing Voice
Auto-laryngoscopy and photography of the larynx—Dogmatism and science—Confusion and controversy—The break—Ignoring registers—Modification of tones, or “covering”—Points of agreement between different writers on the subject—The falsetto for males—Madame Seiler’s special qualifications—Behnke’s and Mackenzie’s views—The author’s conclusions—Rule for the extension of a register—Why certain artists deteriorate while others do not—-Males and females compared as to registers—The division of the registers for female voices recommended by the author—Teacher and pupil as regards registers—Objection to registers answered—The manner of using the breath and registers—How to distinguish registers—The teacher’s part—Hearing singers of eminence is recommended—Madame Melba—Guiding sensations—Summary 161