Section II — Coniferous Trees
Wood of the Coniferous Trees
Examining a smooth cross-section or end face of a well-grown log of Georgia pine, we distinguish an envelope of reddish, scaly bark, a small, whitish pith at the center, and between these the wood in a great number of concentric rings.
Bark and Pith
The bark of a pine stem is thickest and roughest near the base, decreases rapidly in thickness from one to one-half inches at the stump to one-tenth inch near the top of the tree, and forms in general about ten to fifteen per cent of the entire trunk. The pith is quite thick, usually one-eighth to one-fifth inch in southern species, though much less so in white pine, and is very thin, one-fifteenth to one twenty-fifth inch in cypress, cedar, and larch.
In woods with a thick pith, the pith is finest at the stump, grows rapidly thicker toward the top, and becomes thinner again in the crown and limbs, the first one to five rings adjoining it behaving similarly.
What is called the pith was once the seedling tree, and in many of the pines and firs, especially after they have been seasoning for a good while, this is distinctly noticeable in the center of the log, and detaches itself from the surrounding wood.
Sap and Heartwood
Wood is composed of duramen or heartwood, and alburnum or sapwood, and when dry consists approximately of 49 per cent by weight of carbon, 6 per cent of hydrogen, 44 per cent of oxygen, and 1 per cent of ash, which is fairly uniform for all species. The sapwood is the external and youngest portion of the tree, and often constitutes a very considerable proportion of it. It lies next the bark, and after a course of years, sometimes many, as in the case of oaks, sometimes few, as in the case of firs, it becomes hardened and ultimately forms the duramen or heartwood. Sapwood is generally of a white or light color, almost invariably lighter in color than the heartwood, and is very conspicuous in the darker-colored woods, as for instance the yellow sapwood of mahogany and similiar colored woods, and the reddish brown heartwood; or the yellow sapwood of Lignum-vitae and the dark green heartwood. Sapwood forms a much larger proportion of some trees than others, but being on the outer circumference it always forms a large proportion of the timber, and even in sound, hard pine will be from 40 per cent to 60 per cent of the tree and in some cases much more. It is really imperfect wood, while the duramen or heartwood is the perfect wood; the heartwood of the mature tree was the sapwood of its earlier years. Young trees when cut down are almost all sapwood, and practically useless as good, sound timber; it is, however, through the sapwood that the life-giving juices which sustain the tree arise from the soil, and if the sapwood be cut through, as is done when “girdling,” the tree quickly dies, as it can derive no further nourishment from the soil. Although absolutely necessary to the growing tree, sapwood is often objectionable to the user, as it is the first part to decay. In this sapwood many cells are active, store up starch, and otherwise assist in the life processes of the tree, although only the last or outer layer of cells forms the growing part, and the true life of the tree.
The duramen or heartwood is the inner, darker part of the log. In the heartwood all the cells are lifeless cases, and serve only the mechanical function of keeping the tree from breaking under its own great weight or from being laid low by the winds. The darker color of the heartwood is due to infiltration of chemical substances into the cell walls, but the cavities of the cells in pine are not filled up, as is sometimes believed, nor do their walls grow thicker, nor are the walls any more liquified than in the sapwood.
Sapwood varies in width and in the number of rings which it contains even in different parts of the same tree. The same year’s growth which is sapwood in one part of a disk may be heartwood in another. Sapwood is widest in the main part of the stem and often varies within considerable limits and without apparent regularity. Generally, it becomes narrower toward the top and in the limbs, its width varying with the diameter, and being the least in a given disk on the side which has the shortest radius. Sapwood of old and stunted pines is composed of more rings than that of young and thrifty specimens. Thus in a pine two hundred and fifty years old a layer of wood or an annual ring does not change from sapwood to heartwood until seventy or eighty years after it is formed, while in a tree one hundred years old or less it remains sapwood only from thirty to sixty years.
The width of the sapwood varies considerably for different kinds of pine. It is small for long-leaf and white pine and great for loblolly and Norway pines. Occupying the peripheral part of the trunk, the proportion which it forms of the entire mass of the stem is always great. Thus even in old long-leaf pines, the sapwood forms 40 per cent of the merchantable log, while in the loblolly and in all young trees the sapwood forms the bulk of the wood.
The Annual or Yearly Rings
The concentric annual or yearly rings which appear on the end face of a log are cross-sections of so many thin layers of wood. Each such layer forms an envelope around its inner neighbor, and is in turn covered by the adjoining layer without, so that the whole stem is built up of a series of thin, hollow cylinders, or rather cones.
A new layer of wood is formed each season, covering the entire stem, as well as all the living branches. The thickness of this layer or the width of the yearly ring varies greatly in different trees, and also in different parts of the same tree.
In a normally-grown, thrifty pine log the rings are widest near the pith, growing more and more narrow toward the bark. Thus the central twenty rings in a disk of an old long-leaf pine may each be one-eighth to one-sixth inch wide, while the twenty rings next to the bark may average only one-thirtieth inch.
In our forest trees, rings of one-half inch in width occur only near the center in disks of very thrifty trees, of both conifers and hardwoods. One-twelfth inch represents good, thrifty growth, and the minimum width of one two hundred inch is often seen in stunted spruce and pine. The average width of rings in well-grown, old white pine will vary from one-twelfth to one-eighteenth inch, while in the slower growing long-leaf pine it may be one twenty-fifth to one-thirtieth of an inch. The same layer of wood is widest near the stump in very thrifty young trees, especially if grown in the open park; but in old forest trees the same year’s growth is wider at the upper part of the tree, being narrowest near the stump, and often also near the very tip of the stem. Generally the rings are widest near the center, growing narrower toward the bark.
In logs from stunted trees the order is often reversed, the interior rings being thin and the outer rings widest. Frequently, too, zones or bands of very narrow rings, representing unfavorable periods of growth, disturb the general regularity.
Few trees, even among pines, furnish a log with truly circular cross-section. Usually it is an oval, and at the stump commonly quite an irregular figure. Moreover, even in very regular or circular disks the pith is rarely in the center, and frequently one radius is conspicuously longer than its opposite, the width of some rings, if not all, being greater on one side than on the other. This is nearly always so in the limbs, the lower radius exceeding the upper. In extreme cases, especially in the limbs, a ring is frequently conspicuous on one side, and almost or entirely lost to view on the other. Where the rings are extremely narrow, the dark portion of the ring is often wanting, the color being quite uniform and light. The greater regularity or irregularity of the annual rings has much to do with the technical qualities of the timber.
Spring- and Summer-Wood
Examining the rings more closely, it is noticed that each ring is made up of an inner, softer, light-colored and an outer, or peripheral, firmer and darker-colored portion. Being formed in the forepart of the season, the inner, light-colored part is termed spring-wood, the outer, darker-portioned being the summer-wood of the ring. Since the latter is very heavy and firm it determines to a very large extent the weight and strength of the wood, and as its darker color influences the shade of color of the entire piece of wood, this color effect becomes a valuable aid in distinguishing heavy and strong from light and soft pine wood.
In most hard pines, like the long-leaf, the dark summer-wood appears as a distinct band, so that the yearly ring is composed of two sharply defined bands—an inner, the spring-wood, and an outer, the summer-wood. But in some cases, even in hard pines, and normally in the woods of white pines, the spring-wood passes gradually into the darker summer-wood, so that a darkly defined line occurs only where the spring-wood of one ring abuts against the summer-wood of its neighbor. It is this clearly defined line which enables the eye to distinguish even the very narrow lines in old pines and spruces.
In some cases, especially in the trunks of Southern pines, and normally on the lower side of pine limbs, there occur dark bands of wood in the spring-wood portion of the ring, giving rise to false rings, which mislead in a superficial counting of rings. In the disks cut from limbs these dark bands often occupy the greater part of the ring, and appear as “lunes,” or sickle-shaped figures. The wood of these dark bands is similar to that of the true summer-wood. The cells have thick walls, but usually the compressed or flattened form. Normally, the summer-wood forms a greater proportion of the rings in the part of the tree formed during the period of thriftiest growth. In an old tree this proportion is very small in the first two to five rings about the pith, and also in the part next to the bark, the intermediate part showing a greater proportion of summer-wood. It is also greatest in a disk taken from near the stump, and decreases upward in the stem, thus fully accounting for the difference in weight and firmness of the wood of these different parts.
In the long-leaf pine the summer-wood often forms scarcely ten per cent of the wood in the central five rings; forty to fifty per cent of the next one hundred rings, about thirty per cent of the next fifty, and only about twenty per cent in the fifty rings next to the bark. It averages forty-five per cent of the wood of the stump and only twenty-four per cent of that of the top.
Sawing the log into boards, the yearly rings are represented on the board faces of the middle board (radial sections) by narrow parallel strips (see Fig. 1), an inner, lighter stripe and its outer, darker neighbor always corresponding to one annual ring.
On the faces of the boards nearest the slab (tangential or bastard boards) the several years’ growth should also appear as parallel, but much broader stripes. This they do if the log is short and very perfect. Usually a variety of pleasing patterns is displayed on the boards, depending on the position of the saw cut and on the regularity of growth of the log (see Fig. 1). Where the cut passes through a prominence (bump or crook) of the log, irregular, concentric circlets and ovals are produced, and on almost all tangent boards arrow or V-shaped forms occur.
Anatomical Structure
Holding a well-smoothed disk or cross-section one-eighth inch thick toward the light, it is readily seen that pine wood is a very porous structure. If viewed with a strong magnifier, the little tubes, especially in the spring-wood of the rings, are easily distinguished, and their arrangement in regular, straight, radial rows is apparent.
Scattered through the summer-wood portion of the rings, numerous irregular grayish dots (the resin ducts) disturb the uniformity and regularity of the structure. Magnified one hundred times, a piece of spruce, which is similar to pine, presents a picture like that shown in Fig. 2. Only short pieces of the tubes or cells of which the wood is composed are represented in the picture. The total length of these fibres is from one-twentieth to one-fifth inch, being the smallest near the pith, and is fifty to one hundred times as great as their width (see Fig. 3). They are tapered and closed at their ends, polygonal or rounded and thin-walled, with large cavity, lumen or internal space in the spring-wood, and thick-walled and flattened radially, with the internal space or lumen much reduced in the summer-wood (see right-hand portion of Fig. 2). This flattening, together with the thicker walls of the cells, which reduces the lumen, causes the greater firmness and darker color of the summer-wood. There is more material in the same volume. As shown in the figure, the tubes, cells or “tracheids” are decorated on their walls by circlet-like structures, the “bordered pits,” sections of which are seen more magnified as a, b, and c, Fig. 2. These pits are in the nature of pores, covered by very thin membranes, and serve as waterways between the cells or tracheids. The dark lines on the side of the smaller piece (1, Fig. 2) appear when magnified (in 2, Fig. 2) as tiers of eight to ten rows of cells, which run radially (parallel to the rows of tubes or tracheids), and are seen as bands on the radial face and as rows of pores on the tangential face. These bands or tiers of cell rows are the medullary rays or pith rays, and are common to all our lumber woods.
In the pines and other conifers they are quite small, but they can readily be seen even without a magnifier. If a radial surface of split-wood (not smoothed) is examined, the entire radial face will be seen almost covered with these tiny structures, which appear as fine but conspicuous cross-lines. As shown in Fig. 2, the cells of the medullary or pith are smaller and very much shorter than the wood fibre or tracheids, and their long axis is at right angles to that of the fiber.
In pines and spruces the cells of the upper and lower rows of each tier or pith ray have “bordered” pits, like those of the wood fibre or tracheids proper, but the cells of the intermediate rows in the rays of cedars, etc., have only “simple” pits, i.e., pits devoid of the saucer-like “border” or rim. In pine, many of the pith rays are larger than the majority, each containing a whitish line, the horizontal resin duct, which, though much smaller, resembles the vertical ducts on the cross-section. The larger vertical resin ducts are best observed on removal of the bark from a fresh piece of white pine cut in the winter where they appear as conspicuous white lines, extending often for many inches up and down the stem. Neither the horizontal nor the vertical resin ducts are vessels or cells, but are openings between cells, i.e., intercellular spaces, in which the resin accumulates, freely oozing out when the ducts of a fresh piece of sapwood are cut. They are present only in our coniferous woods, and even here they are restricted to pine, spruce, and larch, and are normally absent in fir, cedar, cypress, and yew. Altogether, the structure of coniferous woods is very simple and regular, the bulk being made up of the small fibres called tracheids, the disturbing elements of pith rays and resin ducts being insignificant, and hence the great uniformity and great technical value of coniferous woods.
Fig. 3. Group of Fibres from Pine Wood. Partly schematic. The little circles are “border pits” (see Fig. 2, a-c). The transverse rows of square pits indicate the places of contact of these fibres and the cells of the neighboring pith rays. Magnified about 25 times.