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The Gourmet’s Guide to London

by Newnham-Davis

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X The Cecil

I wonder whether Jabez Balfour, the genius who jumped at Park Lane and landed on Broadmoor, ever comes to London from his country retreat, where, under another name, he earns his daily bread, and looks at the great palaces which were one of his money-spinning schemes and notes the changes that are made in them. He certainly would scarcely recognise to-day in the modern Hotel Cecil the great red-brick and stone block of chambers and flats which first grew up, some seventeen or eighteen years ago, next to the Adelphi Terrace overlooking the Embankment Gardens. A company with some very distinguished gentlemen on the list of the directors was formed to buy the great building, and they have worked with indomitable perseverance to make a house that was not intended to be an hotel into one of the most comfortable hotels in London, and to popularise a restaurant which at first refused to respond to their efforts.

The Cecil Restaurant opened with a great flourish of trumpets, with M. Bertini, a clever, quick-eyed, bearded Italian as manager, and M. Coste, who was one of the greatest of the great chefs of the close of the Victorian era, in command of the kitchens. But the company had been in too great a hurry to begin to earn money, and the arrangements were not yet working quite smoothly when London that dines and thinks about its dinners was first asked to sit in judgment on the new dining-place.

The first roughnesses soon wore off; M. Bertini was an admirable maître d’hôtel—I have lost sight of him of late years, but I think he went for a time to South Africa, and he made a short appearance as proprietor of a small restaurant in the Haymarket—and M. Coste, “the old man,” as the rest of the staff affectionately called him behind his back, sent out through the doors that separate the kitchen from the restaurant little dinners that delighted the palates of connoisseurs. This propinquity of kitchen to restaurant is a great advantage. As you sit at your table in the Cecil Restaurant you can, if you listen for it, hear the voices of the men who call out the orders to the cooks—an unceasing chant, a hymn to Gastronomy, and as a result no dish ever comes cold to table at the Cecil Restaurant.

What, however, was radically wrong at first with the Cecil Restaurant was its decoration. It is a very large, very high pillared hall, with a glazed balcony overlooking the Victoria Gardens, and big windows on the west giving a glorious view of Westminster; but its decorations were at first too sombre in colour. The panelling was of walnut wood, a large square of deep crimson velvet was embroidered with the Cecil arms, the great mantelpieces of purple-grey Sicilian marble conformed to the quiet scheme of colour, and the pillars and great window casings all harmonised in the minor key. The mantelpieces are all that remain to-day of the original scheme of colouring, and they are scarcely noticeable amidst the shimmer of pink and white and gold. A minor drawback was that the restaurant had no ante-room, and that a dinner-giver had to await his guests in the bustling hall of the hotel. People who dined at the Cecil Restaurant in those days praised the cooking, and had nothing except good words for the attendance and wine, but they said it was not “cheery.” Nine out of ten ladies or men did not trouble to analyse their feelings, but it was the coldness of their surroundings that affected them.

To tear down all the decorations of a newly built hall is an heroic remedy which no board of directors would willingly face, and before this was done other less expensive remedies were tried. A separate entrance for the restaurant was made in the courtyard, and a lounge built and quite charmingly decorated. M. Paillard, the great Parisian restaurateur, crossed the Channel and became for a time manager of the restaurant, making with M. Coste in the kitchen a remarkable combination of talent. A Roumanian band, fierce-looking gentlemen in embroidered garments, who had been sensationally successful at one of the great exhibitions in Paris, were imported, were perched up on a rostrum and made the roof reverberate with their czardas. The services of “Smiler,” a curry-cook of great renown, were exclusively retained for the Cecil. (Sherry’s in New York offered “Smiler” large sums of money to transfer his services, and he crossed the Atlantic with a little band of underlings of his own nationality. “Smiler” travelled first class, and the reporters on the other side not unnaturally took him to be an Indian Prince on his travels. “Smiler” did not undeceive them, and enjoyed for some days all the privileges given to royalty in a republic. Then he reported at Sherry’s.) Mr Hector Tenant, the managing director of the Empire, joined the Cecil board, and a series of variety performances after dinner on Sundays filled the big restaurant to its holding capacity on those evenings. Harry Lauder, concerning whose talent and fine voice everybody was talking at that time, sang, I remember, on one of those occasions. But there must have been some excellent reasons for not continuing these variety performances, for after a time they ceased.

At last the board took its courage in both hands and redecorated the restaurant from floor to ceiling. It is now a hall of white and gold and pink. The panels are of Rose du Barri silk, the pillars are gleaming white, while the frieze is of the lightest blue. A dark rose carpet gives relief to this shimmering, shining restaurant, and in its centre is a handsome table of many tiers for fruit and sweet things, a table of gilt sphinx heads and many electric lamps. The waiters wear knee-breeches; the band plays in an ante-room. The redecorated restaurant at once jumped into the affections of the world that dines, and further to add to the good temper of this place of butterfly colouring, the directors engaged as the maître d’hôtel in charge of the restaurant, M. Califano, who is known to the patrons of the Cecil as “Sunny Jim.” One of the advantages with which M. Califano has been endowed by Nature is a smiling face, and some wit at the time that “Sunny Jim” was a favourite figure on all the hoardings, gave M. Califano his nickname.

To complete their work of betterment, the board added to the restaurant and hotel the new palm court, a sumptuous lounge, upholstered in powdered blue and gold, which has eaten up more than a half of the great forecourt of the Cecil. This forecourt, which was almost of the size and shape of a Roman hippodrome, was a great comfort in past days to the cabdrivers of London, for there was unlimited room in it for them to wait to take up guests at the hotel; but it was a great waste of space. The new palm court is a very splendid place, and besides giving the restaurant a noble reception-room, it has shut away from the hotel all the noise of the street and all the bustle of the reception hall. It has, however, done away with the most American spot in London, the space of paving outside the front entrance of the Cecil which used to be known as “The Beach.” Here used to be cane chairs and rocking-chairs and piles of luggage, and a newspaper stall, and in the summer-time pretty girls sunning themselves, and waiters hurrying to and fro with cold drinks and long straws in them; and the American guests of the hotel who loved the brightness and the bustle of the spot christened it “The Beach,” and preferred it to any of the gilded parlours inside the hotel. The new palm court, however, in a stately manner, has taken the place of “The Beach” as a meeting-ground for the hotel guests. Mr Kaiser, the general manager of the Hotel Cecil, tells me that the building of this fine lounge has been of benefit to the restaurant as giving a finishing touch to its comforts, and I have no doubt that this is so, for dining in the restaurant, I found it comfortably filled by people staying in the hotel, and guests from outside, and “Sunny Jim” told me of the vast numbers whom on such special occasions as Christmas and New Year’s Eve he manages to accommodate in the restaurant and balcony.

I ate the Cecilian dinner, a seven-and-sixpenny table d’hôte meal, which I found quite excellent. This is the menu:

Huîtres Natives on Hors d’Œuvre.
Consommé Princesse.
Crème Parisienne.
Filets de Sole Carême.
Quartier d’Agneau Arléquine.
Pommes Macaire.
Caille en Cocotte au Jus d’Ananas.
Salade.
Asperges, Sauce Hollandaise.
Glacé à l’Andalouse.
Friandises.

The delicate sauce with the sole, the neatness of the garnish of the vegetables with the quarter of lamb, the plumpness of the quail and their contrast of taste with the pine-apple, would have assured me that the kitchen is in first-class hands, even had I not known that M. Jean Alletru, a chef who stands very high in the estimation of his brother chefs, had succeeded M. Coste, when that great man retired.

I might have spent a shilling less and have eaten an alternative dinner without the oysters in it, or I might have taken advantage of an arrangement by which anyone dining at the Cecil can pay a fixed price for his or her dinner, and choose practically anything they like from the carte du jour, which is a very ample one, and which generally contains some of the spécialités created by M. Alletru. This is the list of these spécialités and a couple of very pretty little dinners can be arranged from amongst them, the only thing needed in addition being a soup. Tomate en surprise au caviar, turbotin Prince de Galles, filet de sole Clarence, timbale de truite froide Norvégienne, ris de veau St Cloud, caille à la Salvini, poitrine de volaille Providence, selle d’agneau Cecil, poularde à la Jacques, fraises Tetrazzini, bouteille de champagne en surprise.

I have given high praise to M. Alletru, but the highest praise that a maître-chef can receive is that which comes from his brothers in art, and no higher compliment could be paid to the management of the Hotel Cecil and their chef de cuisine than that the Ligue des Gourmands, the association of all the principal French chefs in England, when they held their first Dîner d’Epicure under the presidency of M. Escoffier, placed themselves in the hands of the Cecil and of M. Alletru, who, with his brigade of cooks, sent to table the dinner that M. Escoffier had designed. If I print the menu of this banquet, a banquet at which there were three hundred guests present, in preference to that of any of the many banquets at which I have been a guest in the great banqueting halls of the Cecil, it is because in my opinion it is the perfection of a dinner of ceremony. The Dodine and the Fraises Sarah-Bernhardt were the two sensational dishes of the feast, but it is not a dinner of many courses of rich food, and is interesting without being heavy:

Hors d’œuvre.
Petite Marmite Béarnaise.
Truite Saumonée aux Crevettes Roses.
Dodine de Canard au Chambertin.
Nouilles au Beurre Noisette.
Agneau de Pauillac à la Bordelaise.
Petits pois frais de Clamart.
Poularde de France.
Cœur de Romaine aux Pommes d’Amour.
Asperges d’Argenteuil Crème Mousseline.
Fraises Sarah-Bernhardt.
Dessert.
Café—Liqueurs.
Bénédictine.

Whether the Cecil was the first of the great banqueting houses to effect a reform in the service of public banquets I am not sure, but it was at the Cecil that I first found that such a reform had taken place. In old days it was the custom for the waiters to trail a dish along the whole length of a banqueting-table, and the salmon, which went up the room a noble-looking fish, came down five minutes later to starvation corner, a head, a tail and a skeleton. It was at the Cecil that I first noticed the breaking up of the tables into manageable sections of guests, with a waiter and his aids to each section, and the dinner served straight from the kitchen to that section. The restaurant and the banqueting halls and the private dining-rooms by no means exhaust the list of the accommodations of those who dine that the Cecil affords. There is below the Rose du Barri room another one, the Indian room, decorated in Oriental fashion with blue and yellow tiles, and in this a grill dinner and a table d’hôte dinner are both served, and when this room overflows another equally spacious room is opened and becomes the grill-room.

(As I correct the proofs of this chapter news comes to me that “Sunny Jim” will in 1914 become a joint partner in the management of the St James’s Palace Hotel in Bury Street and will give special attention to its restaurant.)

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