Chapter V
“Profundity” and “Simplicity”; the faculty of wonder; Browning’s first conception of “Pippa Passes”; his residence in London; his country walks; his ways and habits, and his; debates whether to become a clergyman; is “Pippa Passes” a drama? estimate of the poem; Browning’s rambles on Wimbledon Common and in Dulwich Wood, where he composed his lines upon Shelley; asserts there is romance in Camberwell as well as in Italy; “Sordello”; the charge of obscurity against “Sordello”; the nature and intention of the poem; quotations therefrom; anecdote about Douglas Jerrold; Tennyson’s, Carlyle’s, and M. Odysse Barot’s opinions on “Sordello”; “enigmatic” poetry; in 1863 Browning contemplated the re-writing of “Sordello”; dedication to the French critic, Milsand. Page 93.