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A Theory of Pure Design

by Denman Waldo Ross

37 of 81 · Contents · Download EPUB

The Order of Rhythm in the Attitudes of Lines

91. It often happens that a line repeated in different attitudes gives us the sense of movement. It does this when the grouping of the repetitions suggests instability. The movement is rhythmical when it exhibits a regularity of changes in the attitudes and in the intervals of the changes.

In this case we have a movement to the right, but no Rhythm, the intervals being irregular.

In this case the changes of attitude and the intervals of the changes being regular, the movement becomes rhythmical. The direction of the rhythm is clearly down-to-the-right.

92. In the repetition of any line we have a Harmony, due to the repetition. If the line is repeated in the same attitude, we have a Harmony of Attitudes. If it is repeated in the same intervals, we have a Harmony of Intervals. We have Harmony, also, in the repetition of any relation of attitudes or of intervals.

We have not yet considered the arrangement or composition of two or more lines of different measures and of different shapes.

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