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‹Better GutenbergThe Prose and Poetical Works of John MiltonAutobiographic Passages in the ‘Paradise Lost’ · 32 of 72Contents›

The Prose and Poetical Works of John Milton

by John Milton

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Autobiographic Passages in the ‘Paradise Lost’

‘Hail, holy Light, offspring of Heaven first-born!
Or of the Eternal coeternal beam
May I express thee unblamed? since God is light,
And never but in unapproachèd light
Dwelt from eternity—dwelt then in thee, 5
Bright effluence of bright essence, increate!
Or hearest thou rather pure Ethereal stream,
Whose fountain who shall tell? Before the Sun,
Before the Heavens, thou wert, and at the voice
Of God, as with a mantle, didst invest 10
The rising World of waters dark and deep,
Won from the void and formless Infinite!
Thee I revisit now with bolder wing,
Escaped the Stygian Pool, though long detained
In that obscure sojourn, while in my flight, 15
Through utter and through middle Darkness borne,
With other notes than to the Orphéan lyre
I sung of Chaos and eternal Night,
Taught by the Heavenly Muse to venture down
The dark descent, and up to reascend, 20
Though hard and rare. Thee I revisit safe,
And feel thy sovran vital lamp; but thou
Revisit’st not these eyes, that roll in vain
To find thy piercing ray, and find no dawn;
So thick a drop serene hath quenched their orbs, 25
Or dim suffusion veiled. Yet not the more
Cease I to wander where the Muses haunt
Clear spring, or shady grove, or sunny hill,
Smit with the love of sacred song; but chief
Thee, Sion, and the flowery brooks beneath, 30
That wash thy hallowed feet, and warbling flow,
Nightly I visit: nor sometimes forget
Those other two equalled with me in fate,
So were I equalled with them in renown,
Blind Thamyris and blind Mæonides, 35
And Tiresias and Phineus, prophets old:
Then feed on thoughts that voluntary move
Harmonious numbers; as the wakeful bird
Sings darkling, and, in shadiest covert hid,
Tunes her nocturnal note. Thus with the year 40
Seasons return; but not to me returns
Day, or the sweet approach of even or morn,
Or sight of vernal bloom, or summer’s rose,
Or flocks, or herds, or human face divine;
But cloud instead and ever-during dark 45
Surrounds me, from the cheerful ways of men
Cut off, and, for the book of knowledge fair,
Presented with a universal blank
Of Nature’s works, to me expunged and rased,
And wisdom at one entrance quite shut out. 50
So much the rather thou, Celestial Light,
Shine inward and the mind through all her powers
Irradiate; there plant eyes; all mist from thence
Purge and disperse, that I may see and tell
Of things invisible to mortal sight.’ 55

—Paradise Lost, Book iii. 1-55.

‘Descend from Heaven, Urania, by that name
If rightly thou art called, whose voice divine
Following, above the Olympian hill I soar,
Above the flight of Pegasean wing!
The meaning, not the name, I call; for thou 5
Nor of the Muses nine, nor on the top
Of old Olympus dwell’st; but, heavenly-born,
Before the hills appeared or fountain flowed,
Thou with Eternal Wisdom didst converse,
Wisdom thy sister, and with her didst play 10
In presence of the Almighty Father, pleased
With thy celestial song. Up led by thee,
Into the Heaven of Heavens I have presumed,
An earthly guest, and drawn empyreal air,
Thy tempering. With like safety guided down, 15
Return me to my native element;
Lest, from this flying steed unreined (as once
Bellerophon, though from a lower clime)
Dismounted, on the Aleian field I fall,
Erroneous there to wander and forlorn. 20
Half yet remains unsung, but narrower bound
Within the visible Diurnal Sphere.
Standing on Earth, not rapt above the pole,
More safe I sing with mortal voice, unchanged
To hoarse or mute, though fallen on evil days, 25
On evil days though fallen, and evil tongues,
In darkness, and with dangers compassed round,
And solitude; yet not alone, while thou
Visit’st my slumbers nightly, or when Morn
Purples the East. Still govern thou my song, 30
Urania, and fit audience find, though few.
But drive far off the barbarous dissonance
Of Bacchus and his revellers, the race
Of that wild rout that tore the Thracian bard
In Rhodope, where woods and rocks had ears 35
To rapture, till the savage clamour drowned
Both harp and voice; nor could the Muse defend
Her son. So fail not thou who thee implores;
For thou art heavenly, she an empty dream.’

—Paradise Lost, Book vii. 1-39.

‘No more of talk where God or Angel Guest
With Man, as with his friend, familiar used
To sit indulgent, and with him partake
Rural repast, permitting him the while
Venial discourse unblamed. I now must change 5
Those notes to tragic—foul distrust, and breach
Disloyal, on the part of man, revolt
And disobedience; on the part of Heaven,
Now alienated, distance and distaste,
Anger and just rebuke, and judgment given, 10
That brought into this World a world of woe,
Sin and her shadow Death, and Misery,
Death’s harbinger. Sad task! yet argument
Not less but more heroic than the wrath
Of stern Achilles on his foe pursued 15
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespoused;
Or Neptune’s ire, or Juno’s, that so long
Perplexed the Greek, and Cytherea’s son;
If answerable style I can obtain 20
Of my celestial Patroness, who deigns
Her nightly visitation unimplored,
And dictates to me slumbering, or inspires
Easy my unpremeditated verse,
Since first this subject for heroic song 25
Pleased me, long choosing and beginning late,
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroic deemed, chief mastery to dissect
With long and tedious havoc fabled knights 30
In battles feigned (the better fortitude
Of patience and heroic martyrdom
Unsung), or to describe races and games,
Or tilting furniture, emblazoned shields,
Impresses quaint, caparisons and steeds, 35
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshalled feast
Served up in hall with sewers and seneshals:
The skill of artifice or office mean;
Not that which justly gives heroic name 40
To person or to poem! Me, of these
Nor skilled nor studious, higher argument
Remains, sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing 45
Depressed; and much they may if all be mine,
Not hers who brings it nightly to my ear.’

—Paradise Lost, Book ix. 1-47.

The following verses addressed to the seraph Abdiel, Milton, at the time he wrote them, might justly have taken to himself:

‘Servant of God, well done! Well hast thou fought
The better fight, who single hast maintained
Against revolted multitudes the cause
Of truth, in word mightier than they in arms,
And for the testimony of truth hast borne
Universal reproach, far worse to bear
Than violence; for this was all thy care—
To stand approved in sight of God, though worlds
Judged thee perverse.’

—Paradise Lost, Book vi. 29-37.

Milton regarded himself as an Abdiel (i.e. as the name signifies in Hebrew, Servant of God), in the past struggle for civil and religious liberty; like Abdiel,

‘Among innumerable false, unmoved,
Unshaken, unseduced, unterrified,
His loyalty he kept, his love, his zeal;
Nor number nor example with him wrought
To swerve from truth, or change his constant mind,
Though single.’

—Paradise Lost, Book v. 898-903.

The following, from ‘Paradise Regained,’ Book i. 196-208, Milton might have written of himself:

‘Oh, what a multitude of thoughts at once
Awakened in me swarm, while I consider
What from within I feel myself, and hear
What from without comes often to my ears,
Ill sorting with my present state compared!
When I was yet a child, no childish play
To me was pleasing; all my mind was set
Serious to learn and know, and thence to do,
What might be public good; myself I thought
Born to that end, born to promote all truth,
All righteous things. Therefore, above my years,
The Law of God I read, and found it sweet;
Made it my whole delight.’

The following letter reveals the difficulties under which Milton, in his blindness, was, at times, obliged to write.

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