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When Macaulay wrote, the place of Bunyan in literature was still held a little doubtful; the place of Cowper among poets is not wholly unquestioned now. Some are impatient of his simplicity, others scorn his piety, many cannot escape, as they read, from the shadow of the darkness in which he wrote. But we cannot doubt that, when the coming reaction from feverishness and heathenism in poetry shall have set in, the name of Cowper will win increasing honour; men will search for themselves into the source of those bright phrases, happy allusions, “jewels five words long, that on the stretched forefinger of all time sparkle for ever,” for which the world is often unconsciously indebted to his poems; while his incomparable letters will remain as the finest and most brilliant specimens of an art which penny-postage, telegrams, and post-cards have rendered almost extinct in England.
No one at any rate will wonder now that we should turn awhile from more outwardly striking or enchanting scenes to the ground made classic and sacred to the English Christian by the memories of Bunyan and Cowper. We may associate their names, not only from their brotherhood in faith and teaching, but from the coincidence which identifies their respective homes with one and the same river, and blends their memories with the fair still landscapes through which it steals.