Chinese Theatre
A comedy came first, and I had little difficulty in following the story by the pantomime alone. Female characters were represented by men, Chinese law forbidding women to act on the stage. Certain parts of the play were open to objections on account of immodesty, but when no ladies are present I presume a Chinese audience is not fastidious. The comedy was followed by something serious, of which I was unable to learn the name. I supposed it represented the superiority of the deities over the living things of earth.
First, there came representations of different animals. There were the tiger, bear, leopard, and wolf, with two or three beasts whose genera and species I could not determine. There was an ostrich and an enormous goose, both holding their heads high, while a crocodile, or something like it, brought up the rear. Each beast and bird was made of painted cloth over light framework, with a man inside to furnish action. While the tiger was making himself savage the mask fell off, and revealed the head of a Chinese. A rent in the skin of the ostrich disclosed the arm of the performer inside. The animals were not very well made, and the accident to the tiger’s head reminded me of the Bowery elephant whose hind legs became very drunk and fell among the orchestra, leaving the fore legs to finish the play.