V
Indeed, to give up the native dress would involve the costly necessity of changing nearly all the native habits of life. Western costume is totally unsuited to a Japanese interior; and would render the national squatting, or kneeling, posture extremely painful or difficult for the wearer. The adoption of Western dress would thus necessitate the adoption of Western domestic habits: the introduction into home of chairs for resting, tables for eating, stoves or fireplaces for warmth (since the warmth of the native robes alone renders these Western comforts at present unnecessary), carpets for floors, glass for windows,—in short, a host of luxuries which the people have always been well able to do without. There is no furniture (according to the European sense of the term) in a Japanese home,—no beds, tables, or chairs. There may be one small book-case, or rather "book-box;" and there are nearly always a pair of chests of drawers in some recess hidden by sliding paper screens; but such articles are quite unlike any Western furniture. As a rule, you will see nothing in a Japanese room except a small brazier of bronze or porcelain, for smoking purposes; a kneeling-mat, or cushion, according to season; and in the alcove only, a picture or a flower vase. For thousands of years Japanese life has been on the floor. Soft as a hair mattress and always immaculately clean, the floor is at once the couch, the dining-table, and most often the writing-table; although there exist tiny pretty writing-tables about one foot high. And the vast economy of such habits of life renders it highly improbable they will ever be abandoned, especially while the pressure of population and the struggle of life continue to increase. It should also be remembered that there exists no precedent of a highly civilized people—such as were the Japanese before the Western aggression upon them—abandoning ancestral habits out of a mere spirit of imitation. Those who imagine the Japanese to be merely imitative also imagine them to be savages. As a fact, they are not imitative at all: they are assimilative and adoptive only, and that to the degree of genius.
It is probable that careful study of Western experience with fire-proof building-material will eventually result in some changes in Japanese municipal architecture. Already, in some quarters of Tōkyō, there are streets of brick houses. But these brick dwellings are matted in the ancient manner; and their tenants follow the domestic habits of their ancestors. The future architecture of brick or stone is not likely to prove a mere copy of Western construction; it is almost certain to develop new and purely Oriental features of rare interest.
Those who believe the Japanese dominated by some blind admiration for everything Occidental might certainly expect at the open ports to find less of anything purely Japanese (except curios) than in the interior: less of Japanese architecture; less of national dress, manners, and customs; less of native religion, and shrines, and temples. But exactly the reverse is the fact. Foreign buildings there are, but, as a general rule, in the foreign concessions only, and for the use of foreigners. The usual exceptions are a fire-proof post-office, a custom-house, and perhaps a few breweries and cotton-mills. But not only is Japanese architecture excellently represented at all the foreign ports: it is better represented there than in almost any city of the interior. The edifices heighten, broaden, expand; but they remain even more Oriental than elsewhere. At Kobe, at Nagasaki, at Ōsaka, at Yokohama, everything that is essentially and solely Japanese (except moral character) accentuates as if in defiance of foreign influence. Whoever has looked over Kobe from some lofty roof or balcony will have seen perhaps the best possible example of what I mean,—the height, the queerness, the charm of a Japanese port in the nineteenth century, the blue-gray sea of tile-slopes ridged and banded with white, the cedar world of gables and galleries and architectural conceits and whimsicalities indescribable. And nowhere outside of the Sacred City of Kyōto, can you witness a native religious festival to better advantage than in the open ports; while the multitude of shrines, of temples, of torii, of all the sights and symbols of Shintō and of Buddhism, are scarcely paralleled in any city of the interior except Nikko, and the ancient capitals of Nara and Saikyō. No! the more one studies the characteristics of the open ports, the more one feels that the genius of the race will never voluntarily yield to Western influence, beyond the rules of jiujutsu.