Chapter XV The Seldja Gorge
It is good, after such visions of human infirmity and of death, to ride over the plain to the Seldja gorge, an astonishing freak of nature. I was twice within its towering walls of rock; the first time on horseback, accompanied by a young Tripolitan miner, and in the evening; yesterday again, in the torrid noon, afoot, alone.
You will do well, in every case, to ride as far as the bordj, or rest-house, that stands near the entrance of the cleft, since there are about four wearisome miles of level country to be traversed after leaving Metlaoui. On the first occasion the Tripolitan ran for this whole long stretch beside my horse, which trotted briskly; he amused himself, none the less, in belabouring its hind-quarters with a club to make it go still faster, and I confess to being not scandalized, not inordinately scandalized, at this performance. We grow hard among the implacable desert stones. Besides, it was only a hired beast. Any true lover of animals will understand.
Skirting the foot of the hills that trend along, apparently closed, one suddenly encounters a broad stream-bed with a rivulet meandering down its centre; this is the Seldja-water (arabice, Thelja). It issues out of a gateway, hitherto unrevealed; and here you may turn aside from the plain and enter into the heart of the mountains, into a world of nightmare effects. This very portal is fantastic, theatrical; it leads into an arena of riven rocks that might serve as council-chamber for a cloud of Ifrits, and is closed at the further end. There is a second gateway to be passed before you can enter the gorge itself.
The track winds upwards—the whole length of the defile is about three miles—sometimes between walls of rock which are chiselled so smoothly by the gentle waters that one can hardly believe them to be of natural workmanship (and at these points, as a rule, your only path is the stream-bed itself); opening out again into wide amphitheatres, rose-tinted cirques of desolation, where masses of debris, slipped down from the heights, lie prone in Dantesque confusion. There are rock-doves and falcons fluttering about the sunny precipices; cliff-swallows build precarious habitations against the roof of yawning caverns; sandpipers and wagtails skim over the streamlet that glides in a smiling flood across reaches of yellow sand. The charm of water in the waste! This Seldja-brook is a true child of the sun; cold in the morning and evening hours, its restless little heart becomes tepid at midday with the glowing beams.
Spiky reeds and tamarisks trip alongside, and the wild fig thrusts demoniac roots into the crevices; here and there you may see a group of oleasters, descendants, maybe, of the now vanished Roman olive plantations in the plain, or a stunted palm that has shot up from the stone cast away by some passing caravan. For these Oueds are all highways dating from immemorial ages; there is a ceaseless passage of man and animals along them.
We passed numbers of camels, groaning and snorting among the slippery rocks, with the water splashing over their feet; higher up, a large descending flock of sheep, over six hundred of them, completely blocked up the valley. They were being led to the plain below, where, thanks to the recent rains, a succulent but ephemeral crop of green had sprung up. Their owner was a fine Boujaja, some six and a half feet in height, accompanied by a sturdy brood of children: milk-drinkers. The upland pastures could wait, he said. Strange to think that two more showers a year might make settlers of these vagrants.
It was among these rocks that Philippe Thomas first detected the traces of those phosphates that have made his name famous. Tissot, in 1878, already anticipated their discovery.
In point of sheer grandeur, of convulsed stratification and cloven ravine, of terrorizing features, I have seen gorges far finer than this of Seldja. Yet it contains one stretch of superlative beauty—a short defile or cañon, I mean, formed of two opposing precipices with a chasm of some thirty yards between them; they wind and curve, parallel to one another, with such magisterial accuracy that one would think they had been designed with mighty compasses from on high, and then carved out, sagaciously, by some titanic blade.
Here we halted; it was time to turn back. There was an indentation in the rocks near at hand, fretted away by hungry floods of the past and overhung, now, with creepers and drooping fernery, concerning which my Tripolitan companion told me a long and complicated legend. This shadowy hollow, he explained, was the bridal couch, in olden days, of an earthly maiden and her demon-lover. He was a simple fellow, unfortunately, who knew the story too well to be able to tell it coherently.
On my second visit, however, I pushed vigorously up the stream-bed in the heat of the morning, determined to reach the head of the waters. Gradually the aspect of the valley changes. It opens out; the rocks melt away into bare white dunes, the country assuming the character of a tableland; you begin to feel a sense of aloofness.
There was blazing sunshine in these upper regions, but a fresh breeze; this is the Ras el-Aioun, where the French have bridled some of the wild waters, thrusting them into a tube that carries them in a mad whirl to their settlement at Metlaoui. Here, too, they have planted a promising youthful oasis, a kind of nursery garden of poplars and cypresses and tamarisks and mimosas, in whose shade grow geraniums, mesembryanthemum and other flowers and creepers, as well as a host of vegetables of every kind. I soon discovered a recess in this delectable pleasaunce, and began my solemn preparations for luncheon.
Out of the pool below there resounded a tuneful croaking of frogs: it spoke of many waters….
Presently an Italian workman or gardener with curly grey hair and moustache—the ubiquitous Italian—came up and began to talk,—per fare un po’ di compania. He conversed delightfully, a smile playing about his kindly old face. He told me about the garden, about the French engineers, about himself, chiefly about himself, in limpid, child-like fashion. He had travelled far in the Old and New Worlds; in him I recognized, once again, that simple mind of the wanderer or sailor who learns, as he goes along, to talk and think decently; who, instead of gathering fresh encumbrances on life’s journey, wisely discards even those he set out with.
Seldja, he told me, used to be a dangerous place for Europeans to traverse; many robberies and even murders had taken place there in times past; the new regime, of course, had put an end to all that. But there were still two perils: the frightful flies that bred diseases and made the gorge almost impassable in the hot months (every one suffered from fevers), and the serpents. Ah, those maladette bestie di serpenti—they swarmed among the rocks: they were of every kind and size; worst of all, the spleenful naja. He himself had killed one that measured two metres in length and was as thick as a man’s arm. They don’t wait till you can hit them, he said, but rush straight at you, swift as an arrow, upraised on their massive posterior coils, hissing like a steam-engine, and swelling out their throat with diabolical rage.
This is the beast that figured in the competition between Aaron and Pharaoh’s conjurers, and it remains the favourite of modern African snake-charmers, who catch it after first irritating it by means of a woollen cloth wherein the fangs are embedded and broken. It is also, no doubt, the dreaded species which Sallust describes as infesting the region of Gafsa. But Lucan goes a little too far in his account of Cato’s expedition into these parts; this veracious historian has inserted a few pages of sublime serpent nonsense, exquisite fooling….
Of all the deadly worms that breed in these wildernesses the most formidable, because the most sluggish, is the two-horned nocturnal cerastes, the “pretty worm of Nilus.” No sensible person, nowadays, goes into the bled[1]1 in summer-time unless armed with a phial of the antidote—Trousse Calmette or Trousse Legros—whose liquid is injected with a hypodermic syringe above and below the wound, and has saved many lives.
“And the scorpions, Signore! We have to tie cotton-wool round the legs of our beds so that these infernal creatures cannot climb up while we are asleep; they get entangled in it, ha, ha! And that is why we all keep cats and hens, who eat them, you know, just like the Arabs do. And sometimes it rains scorpions.”
I had heard that story before, from natives; and it may well be founded on fact. The terrific gusts of desert wind overturn the stones under which the scorpions lie; the fragile beasts are exposed to the blast and, being relatively light, swept skyward across leagues of country with the flying sand. A similar explanation has been given for those old accounts of frog and fish rains.
“Yes; they drop from the clouds. During certain storms I have picked them off my clothes, three or four at a time. Rather a ticklish operation, sir.”
So we discussed the world in that umbrageous shelter, to the music of the frogs. He condescended to partake of a microscopic share of my meal, and thereafter left me, with some old-world compliment, to irrigate his thirsty lettuces.
Notes
1 This is one of the many Arabic words which admit of no clear translation. As opposed to a town, it means a village or encampment; as opposed to that, the open land, a plain, or particular district. When colonists talk of “going into the bled,” they mean their farms; in newspaper language it signifies the country generally, inhabited or not—what we should call “the provinces “; oftentimes, again, the barren desert or (more technically) the soil.