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‹Better GutenbergThe Poetry of Robert BrowningPrincipal Characters · 19 of 19Contents›

The Poetry of Robert Browning

by Stopford A. Brooke

19 of 19 · Contents · Download EPUB

Principal Characters

Guido, 264, 406-407

Caponsacchi, 406-409

Pompilia, 359-364, 369-371, 408-410

The Pope, 410-411

The Conclusion, 412-413

Rizpah (Tennyson), 280

Robin Hood (Tennyson), 224

Romantic Spirit in Browning, 212-218, 270-279

Rossetti, 2, 6, 11, 142, 143, 163

Ruskin, 60, 80, 302

S

St. Simeon Stylites (Tennyson), 318

Scott, 80, 221, 223

Shakespeare, 34, 43, 50, 52, 220, 223, 287, 288-289

Shelley, 22, 35, 68, 74, 90, 92, 93, 94, 221-222, 344-345

Sir Galahad (Tennyson), 318

Sordello, 4, 8, 9, 10, 20, 26, 44, 70-71, 87, 88, 122, 167, 213, 240-241, 282, 301, 333, 348, 399

Landscape in, 101-106

The Temperament of the Hero, 163-171, 183-187

His artistic Development, 171-176

The Argument, 171-179

Historical Background to the Story, 177, 183, 187-190

Nature Pictures, 190-193

Portraiture, 193-195

Illustrative Episodes, 196-198

Analogy between Sordello and Browning, 200-205, 208, 211

Theory of Art in, 167-176, 203-211

Theory of Life in, 203-208, 216-217

Character of the Heroine, 327-331

Style in Browning, 31-33, 49-55, 94, 121, 210-211, 213, 432

Swinburne, 2, 11

T

Tempest, The (Shakespeare), 63, 284, 287-289

Tennyson, 1-56, 58, 60, 61, 66, 68, 74, 80, 92, 98, 104, 106, 124, 170-171, 211-212, 220-221, 222-225, 280, 318, 323, 345-346, 348

Turner, 104, 162

Theory of Life, Browning’s, 109-112, 428, 436

Its main Features, 116-120, 121, 131, 158-159, 203, 217, 249, 262-263, 438-440

In Pauline, 120-127

In Paracelsus, 127-140, 202

In Easter Day, 145-148

In Abt Vogler, 149-150

In Andrea del Sarto, 155, 157-159

In Old Pictures in Florence, 160-161

In Sordello, 203-208, 217

V

Vergil, 43, 211, 216

Vita Nuova, La (Dante), 181

W

Will Waterproof’s Monologue (Tennyson), 32

Womanhood, Studies of

In the Early Poems, 323-327

Pauline, 323-325

Lady Carlisle, 326

Palma, 327-330

In the Dramas, &c., 327-343

Ottima, 331-332

Pippa, 334-336

Anael, 336-338

Mildred and Guendolen, 338-339

Colombe, 339-340

Constance, 340-343

In the Dramatic Lyrics, 344-359

Characteristics of Browning’s Women, 346-349

Poems to Mrs. Browning, 249-251, 358, 403-404

Pompilia, 359-364, 370-371

Balaustion, 365-390

Womanhood in the Modern Poets, 344-346

Wordsworth, 35, 57, 58, 59, 65, 68, 75, 93-94, 124, 162-163, 221, 223, 245, 344

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