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Anthology of Modern Indian Poetry

by Gwendoline Goodwin

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Tansen

Tansen, the singer, in great Akbar’s Court
Won great renown; through the Badshahi Fort
His voice rang like the sound of silver bells
And Akbar ravished heard. The story tells
How the King praised him, gave him many a gem,
Called him chief jewel in his diadem.
One day the singer sang the Song of Fire,
The Deepak Râg, and burning like a pyre
His body burst into consuming flame.
To cure his burning heart a maiden came
And sang Malhar, the song of water cold,
Till health returned, and comfort as of old.
  “Mighty thy Teacher must be and divine,”
Great Akbar said; “magic indeed is thine,
Learnt at his feet.” Then happy Tansen bowed
And said, “Beyond the world’s ignoble crowd,
Scorning its wealth, remote and far-away
He dwells within a cave of Himalay.”
  “Could I but see him once,” desired the King,
  “Sit at his feet awhile, and listening
Hear his celestial song, I would deny
My state and walk in robes of poverty.”
Then said Tansen, “As you desire, Huzoor,
Indeed ’twere better as a slave and poor
To come; for he, lifted above the things
Of earth, disdains to sing to earthly kings.”
Long was the road, and Akbar as a slave
Followed Tansen who rode towards the cave
High in the mountains. At the singer’s feet
They knelt and prayed with supplication sweet:
  “Towards thy shrine, lo, we have journeyed long,
O Holy Master, bless us with thy song!”
Then Ostad, won by their humility,
Sang songs of peace and high felicity;
The Malkous Raga all ecstatic rang
Till birds and beasts, enchanted as he sang,
Gathered to hear. O’er Akbar’s dreaming soul
He felt the waves of heavenly rapture roll,
But, as he turned to speak his words of praise,
Ostad had vanished from his wondering gaze.
  “Tell me, Tansen, what theme this is that holds
The soul enchanted, and the heart enfolds
In high delight”; and, when he knew the name,
  “Tell me,” again he said, “could you the same
Theme sing to lure my heart to paths untrod?”
  “Ah no, to thee I sing; he sings to God.”

         Inayat Khan.

The high ambition of the drop of rain
  Is to be merged in the unfettered sea;
My sorrow when it passed all bounds of pain,
  Changing, became itself the remedy.

Behold how great is my humility!
  Under your cruel yoke I suffered sore;
Now I no longer feel thy tyranny,
  I hunger for the pain that then I bore.

Why did the fragrance of the flowers outflow
  If not to breathe with benediction sweet
Across her path? Why did the soft wind blow
  If not to kiss the ground before her feet?

          Ghalib.

How difficult is the thorny way of strife
  That man hath stumbled in since time began!
And in the tangled business of this life
  How difficult to play the part of man!

When she decrees there should exist no more
  My humble cottage, through its broken walls,
And cruelly drifting in the open door,
  The frozen rain of desolation falls.

O mad Desire, why dost thou flame and burn
  And bear my soul further and further yet
To the Belovéd? Then, why dost thou turn
  To bitter disappointment and regret?

Such light there gleams from the Belovéd’s face
  That every eye becomes her worshipper,
And every mirror, looking on her grace,
  Desires to be the frame enclosing her.

Unhappy lovers, slaves of cruel chance,
  In this grim place of slaughter strange indeed
Your joy to see unveiled her haughty glance
  That flashes like the scimitar of Ede.

When I had hardly drawn my latest breath,
  Pardon she asked for killing me. Alas!
How soon repentance followed on my death,
  How quick her unavailing sorrow was!

          Ghalib.

Thy beauty flashes like a sword
  Serene and keen and merciless;
But great as is thy cruelty,
  Even greater is thy loveliness.

It is the gift of God to thee,
  This beauty rare and exquisite;
Why dost thou hide it thus from me?
  I shall not steal nor sully it.

And as thy beauty shines, in Heaven
  There climbs upon its path of fire
The star that lights my rival’s way,
  And with it mounts his heart’s desire.

Even in thy house is jealousy,
  Thy youth demands the lover’s praise
Over thy beauty, which itself
  Is jealous of thy gracious ways.

I died with joy when winningly
  I heard the Well-Beloved call—
Zahir, where is my beauty gone?
  Thou must have robbed me after all.

          Zahir.

I shall not try to flee the sword of Death,
  Nor, fearing it, a watchful vigil keep;
It will be nothing but a sigh, a breath,
  A turning on the other side to sleep.

Through all the close entanglements of earth
  My spirit shaking off its bonds shall fare
And pass, and rise in new unfettered birth,
  Escaping from this labyrinth of care.

Within the mortal caravanserai
  No rest and no abiding place I know;
I linger here for but a fleeting day,
  And at the morrow’s summoning I go.

What are these bonds that try to shackle me?
  Through all their intricate chains my way I find;
I travel like a wandering melody
  That floats untamed, untaken, on the wind.

From an unsympathetic world I flee
  To you, your love and fellowship I crave,
O Singers dead, Sauda and Mushafi,
  I lay my song as tribute on your grave.

          Amir.

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