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Dramatic Technique

by George Pierce Baker

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The Dancing Girl. Act I8

SCENE. The Island of Saint Endellion, off the Cornish Coast. At the back is a line of low rocks, and beyond, the sea. A pathway leads through the rocks down to the sea. On the right side of the stage is the Quakers’ meeting-house, a plain square granite building, showing a door and two windows. The meeting-house is built on a low insular rock that rises some three or four feet above the stage; it is approached by pathways, leading up from the stage. On the left side of the stage, down towards the audience, is David Ives’s house; another plain granite building, with a door down stage, and above the door, a window. The house is built into a cliff that rises above it. Beyond the house is a pathway that leads up the cliff and disappears amongst the rocks on the left side towards the centre of the stage; a little to the right is a piece of rock rising about two feet from the stage.

Time, An Autumn evening.

I. Call.
John Christison.
Faith Ives.
David Ives.
Drusilla Ives
.

As the chief purpose of the writer of a scenario is immediately to grip the interest of the reader, this dramatic outline must obviously provide any historical background necessary to sympathetic understanding of the story. In other words, a scenario must very briefly summarize the preliminary exposition about which so much has already been said in the body of this book.9 The opening of the scenario, already quoted in part on p. 428, may be interesting, but it is also puzzling, for a reader is not told enough in regard to the past of the figures involved to know how to receive what information is given. Much depends on whether Denis de Beaulieu is lying or not. Make the reader somehow understand that Denis and Blanche have never met before and that although the uncle believes Denis is her lover, he is completely in the wrong. Then comedy immediately emerges, interest increases.

Here is a scenario which remained vague and confusing, till just before the final curtain, because the writer thought surprise more valuable than suspense. Consequently he held back the one bit of information which gives significance and comic value to the conduct of Mr. and Mrs. Brede.

SCENE. The piazza of a mountain boarding-house. R, practicable door. L, practicable window. C, practicable step. On the piazza are a number of chairs. The bit of lawn in front is not too well kept.

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