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Tablets

by A. Bronson Alcott

29 of 39 · Contents · Download EPUB

I Ideas

The Ancients had a happy conception of mind in their Pantheon of its Powers. They fabled these as gods celestial, mundane, infernal, according to their several prerogatives and uses. It appears their ideal metaphysic has not as yet been surpassed or superseded altogether, as the classic mythology still holds its high place in modern thought and the schools as a discipline and culture. And for the reason that thought is an Olympian, and man a native of the cloudlands, whatever his metaphysical pretensions. It is only as we sit aloft that we oversee the world below and comprehend aright its drift and revolutions. Ixion falling out of the mist, which he illicitly embraced, is the visionary mistaking images for ideas, and thus paying the cost in his downfall. Plumage, wings or none, imagination or understanding, the fledged idea or the footed fact, the fleet reason or slow—these distribute mankind into thinkers or observers. Only genius combines the double gifts in harmonious proportions and interplay, possessing the mind entire, and is a denizen of both hemispheres. The idealist is the true realist, grasping the substance and not its shadow. The man of sense is the visionary or illusionist, fancying things as permanencies, and thoughts as fleeting phantoms. A Ptolemaist in theory, and earth-bound, he fears to venture above his terra firma into the real firmament whereinto mind is fashioned to spring, and command the wide prospect around.

“Things divine are not attained by mortals who understand body merely,
  But only those who are lightly armed arrive at the summit.”

Thought is the Mercury; and things are caught on the wing, and by the flying spectator only. Nature is thought in solution. Like a river whose current is flowing steadily, drop displacing drop, particle following particle of the passing stream, nothing abides but the spectacle. So the flowing world is fashioned in the idealist’s vision, and is the reality which to slower wits seems fixed in space and apart from thought, subsisting in itself. But thought works in the changing and becoming, not in the changed and become; all things sliding by imperceptible gradations into their contraries, the cosmos rising out of the chaos by its agency. Nothing abides; all is image and expression out of our thought.

So Speech represents the flowing essence as sensitive, transitive; the word signifying what we make it at the moment of using, but needing life’s rounded experiences to unfold its manifold senses and shades of meaning.H Definitions, however precise, fail to translate the sense. They confine in defining; good for the occasion, but leaps in the dark; at best, guesses at the meanings we seek; parapets built in the air, the lighter the safer; mere ladders of sound, whose rounds crumble as we tread. We write as we speak. The silence bars away the sense, closing shape and significance from us. Here is the mind facing its image the world, and wishing to see the reflection at a glance, a trope. No. The world is but the symbol of mind, and speech a mythology woven of both. Each thing suggests the thought imperfectly, and thought is translatable only by thought. Our standards are ideas, those things of the mind and originals of words.

Thought’s winged hand,
Marshals in trope and tone
The ideal band.
Genius alone
Holds fast in eye
The fleeing God—
Brings Beauty nigh—
Senses descry
Footsteps he trod,
Figures he drew,
Shapes old and new,
The fair, the true,
In soul and sod.

Nature is thought immersed in matter, and seen differently as viewed from the one or the other. To the laborer it is a thing of mere uses; to the scholar a symbol and a muse. The same landscape is not the same as seen by poet and plowman. It stands for material benefit to the one, immaterial to the other. The artist’s point of view is one of uses seen as means of beauty, that being the complement of uses. His faculties handle his organs; the hands, like somnambulists, playing their under parts to ideas; these, again, serving uses still higher. The poet, awakened from the sleep of things, beholds beauty in essence and form, being thus admitted to the secret of causes, the laws of pure Being.

The like of Persons. Every one’s glass reflects his bias. If the thinker views men as troglodytes—like Plato’s groundlings, unconscious of the sun shining overhead; men of the senses, and mere makeweights—they in turn pronounce him the dreamer, sitting aloof from human concerns, an unproductive citizen and waste power in the world. Still, thought makes the world and sustains it; atom and idea alike being its constituents. Nor can thought, from its nature, at once become popular. It is the property and delight of the few fitted by genius and culture for discriminating truth from adhering falsehood, and of setting it forth in its simplicity and truth to the understandings of the less favored. Apart by pursuit from the mass of mankind, or at most taking a separate and subordinate part in affairs that engage their sole attention, the thinker seems useless to all save those who can apprehend and avail themselves of his immediate labors; and the less is he known and appreciated as his studies are of lasting importance to his race. Yet time is just, and brings all men to the side of thought as they become familiar with its practical benefits, else the victory were not gained for philosophy, and wisdom justified in him of her chosen children.

Ideas alone supplement nature and complement mind. Our senses neither satisfy our sensibility nor intellect. The mind’s objects are mind itself; imagination the mind’s eye, memory the ear, ideas of the one imaging the other, and the mind thus rounding its history. And hence the pleasurable perspective experienced in surveying our personality from obverse sides in the landscape of existence—culture, in its inclusive sense, making the tour of our gifts, and acquainting us with ourselves and the world we live in. All men gain a residence in the senses and the family of natural things; few come into possession of their better inheritance and home in the mind—the Palace of Power and Personality. Sons of earth rather by preference, and chiefly emulous for their little while of its occupancy, its honors, emoluments, they here pitch their tents, here plant fast their hopes, and roll through life they know not whither.

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