Translator’s Preface
“A noi sembra che l’ opera del Croce sia lo sforzo più potente che il pensiero italiano abbia compiuto negli ultimi anni.”—G. de Ruggiero in La Filosofia contemporanea, 1912.
“Il sistema di Benedetto Croce rimane la più alta conquista del pensiero contemporaneo.”—G. Natoli in La Voce, 19th December 1912.
Those acquainted with my translation of Benedetto Croce’s Æsthetic as Science of Expression and General Linguistic will not need to be informed of the importance of this philosopher’s thought, potent in its influence upon criticism, upon philosophy and upon life, and famous throughout Europe.
In the Italian, this volume is the third and last of the Philosophy of the Spirit, Logic as Science of the Pure Concept coming second in date of publication. But apart from the fact that philosophy is like a moving circle, which can be entered equally well at any point, I have preferred to place this volume before the Logic in the hands of British readers. Great Britain has long been a country where moral values are highly esteemed; we are indeed experts in the practice, though perhaps not in the theory of morality, a lacuna which I believe this book will fill.
In saying that we are experts in moral practice I do not, of course, refer to the narrow conventional morality, also common with us, which so often degenerates into hypocrisy, a legacy of Puritan origin; but apart from this, there has long existed in many millions of Britons a strong desire to live well, or, as they put it, cleanly and rightly, and achieved by many, independent of any close or profound examination of the logical foundation of this desire. Theology has for some taken the place of pure thought, while for others, early training on religious lines has been sufficiently strong to dominate other tendencies in practical life. Yet, as a speculative Scotsman, I am proud to think that we can claim divided honours with Germany in the production of Emmanuel Kant (or Cant).
The latter half of the nineteenth century witnessed with us a great development of materialism in its various forms. The psychological, anti-historical speculation contained in the so-called Synthetic Philosophy (really psychology) of Herbert Spencer was but one of the many powerful influences abroad, tending to divert youthful minds from the true path of knowledge. This writer, indeed, made himself notorious by his attitude of contemptuous intolerance and ignorance of the work previously done in connection with subjects which he was investigating. He accepted little but the evidence of his own senses and judgment, as though he were the first philosopher. But time has now taken its revenge, and modern criticism has exposed the Synthetic Philosophy in all its barren and rigid inadequacy and ineffectuality. Spencer tries to force Life into a brass bottle of his own making, but the genius will not go into his bottle. The names and writings of J. S. Mill, of Huxley, and of Bain are, with many others of lesser calibre, a potent aid to the dissolving influence of Spencer. Thanks to their efforts, the spirit of man was lost sight of so completely that I can well remember hearing Kant’s great discovery of the synthesis a priori described as moonshine, and Kant himself, with his categoric imperative, as little better than a Prussian policeman. As for Hegel, the great completer and developer of Kantian thought, his philosophy was generally in even less esteem among the youth; and we find even the contemplative Walter Pater passing him by with a polite apology for shrinking from his chilly heights. I do not, of course, mean to suggest that estimable Kantians and Hegelians did not exist here and there throughout the kingdom in late Victorian days (the names of Stirling, of Caird, and of Green at once occur to the mind); but they had not sufficient genius to make their voices heard above the hubbub of the laboratory. We all believed that the natural scientists had taken the measure of the universe, could tot it up to a T—and consequently turned a deaf ear to other appeals.
Elsewhere in Europe Hartmann, Haeckel, and others were busy measuring the imagination and putting fancy into the melting-pot—they offered us the chemical equivalent of the wings of Aurora. We believed them, believed those materialists, those treacherous neo-Kantians, perverters of their master’s doctrine, who waited for guileless youth with mask and rapier at the corner of every thicket. Such as escaped this ambush were indeed fortunate if they shook themselves free of Schopenhauer, the (personally) comfortable philosopher of suicide and despair, and fell into the arms of the last and least of the Teutonic giants, Friedrich Nietzsche, whose spasmodic paragraphs, full of genius but often empty of philosophy, show him to have been far more of a poet than a philosopher. It was indeed a doleful period of transition for those unfortunate enough to have been born into it: we really did believe that life had little or nothing to offer, or that we were all Overmen (a mutually exclusive proposition!), and had only to assert ourselves in order to prove it.
To the writings of Pater I have already referred, and of them it may justly be said that they are often supremely beautiful, with the quality and cadence of great verse, but mostly (save perhaps the volume on Plato and Platonism, by which he told the present writer that he hoped to live) instinct with a profound scepticism, that revelled in the externals of Roman Catholicism, but refrained from crossing the threshold which leads to the penetralia of the creed.
Ruskin also we knew, and he too has a beautiful and fresh vein of poetry, particularly where free from irrational dogmatism upon Ethic and Æsthetic. But we found him far inferior to Pater in depth and suggestiveness, and almost devoid of theoretical capacity. Sesame for all its Lilies is no Open Sesame to the secrets of the world. Thus, wandering in the obscure forest, it is little to be wondered that we did not anticipate the flood of light to be shed upon us as we crossed the threshold of the twentieth century.
It was an accident that took me to Naples in 1909, and the accident of reading a number of La Critica, as I have described in the introduction to the Æsthetic, that brought me in contact with the thought of Benedetto Croce. But it was not only the Æsthetic, it was also the purely critical work of the philosopher that appeared to me at once of so great importance. To read Hegel, for instance, after reading Croce’s study of him, is a very different experience (at least so I found it) to reading him before so doing.
Hegel is an author most deeply stimulative and suggestive, but any beginner is well to take advantage of all possible aid in the difficult study.
To bring this thought of Hegel within the focus of the ordinary mind has never been an easy task (I know of no one else who has successfully accomplished it); and Croce’s work, What is living and what is dead of the Philosophy of Hegel, as one may render the Italian title of the book which I hope to translate, has enormously aided a just comprehension, both of the qualities and the defects of that philosopher. This work appeared in the Italian not long after the Æsthetic, and has had an influence upon the minds of contemporary Italians, second only to the Philosophy of the Spirit. To clear away the débris of Hegel, his false conception of art and of religion, to demonstrate his erroneous application of his own great discovery of the dialectic to pseudo-concepts, and thus to reveal it in its full splendour, has been one of the most valuable of Croce’s inestimable contributions to critical thought.
I shall not pause here to dilate upon the immense achievement of Croce, the youngest of Italian senators, a recognition of his achievement by his King and country, but merely mention his numerous historical works, his illuminative study of Vico, which has at last revealed that philosopher as of like intellectual stature to Kant; the immense tonic and cultural influence of his review, La Critica, and his general editorship of the great collection of Scrittori d’ Italia. Freed at last from that hubbub of the laboratory, from the measures and microscopes of the natural scientists, excellent in their place, it is interesting to ask if any other contemporary philosopher has made a contribution to ethical theory in any way comparable to the Philosophy of the Practical. The names of Bergson and of Blondel at once occur to the mind, but the former admits that his complete ideas on ethics are not yet made known, and implies that he may never make them entirely known. The reader of the Philosophy of the Practical will, I think, find that none of Bergson’s explanations, “burdened,” as he says, with “geometry,” and as we may say with matter, from the obsession of which he never seems to shake himself altogether free, are comparable in depth or lucidity with the present treatise. The spirit is described by Bergson as memory, and matter as a succession of images. How does the one communicate with the other? The formula of the self-creative life process seems hardly sufficient to explain this, for if with Bergson we conceive of life as a torrent, there must be some reason why it should flow rather in one channel than in another. But life is supposed to create and to absorb matter in its progress; and here we seem to have entered a vicious circle, for the intuition presupposes, it does not create its object. As regards the will, too, the Bergsonian theory of the Ego as rarely (sometimes never once in life) fully manifesting itself, and our minor actions as under the control of matter, seems to lead to a deterministic conception and to be at variance with the thesis of the self-creation of life.
As regards Blondel, the identification of thought and will in the philosophy of action leads him to the position that the infinite is not in the universal abstract, but in the single concrete. It is through matter that the divine truth reaches us, and God must pass through nature or matter, in order to reach us, and we must effect the contrary process to reach God. It is a beautiful conception; but, as de Ruggiero suggests, do we not thus return, by a devious and difficult path, to the pre-Hegelian, pre-Kantian, position of religious platonicism?1
This, however, is not the place to discourse at length of other philosophies. What most impresses in the Crocean thought is its profundity, its clarity, and its completeness,—totus teres atque rotundus. Croce, indeed, alone of the brilliant army of philosophers and critics arisen in the new century, has found a complete formula for his thought, complete, that is, at a certain stage; for, as he says, the relative nature of all systems is apparent to all who have studied philosophy. He alone has defined and allocated the activities of the human spirit; he alone has plumbed and charted its ocean in all its depth and breadth.
A system! The word will sound a mere tinkling of cymbals to many still aground in the abstract superficialities of nineteenth-century scepticism; but they are altogether mistaken. To construct a system is like building a house: it requires a good architect to build a good house, and where it is required to build a great palace it requires a great genius to build it successfully. Michael Angelo built the Vatican, welding together and condensing the works of many predecessors, ruthlessly eliminating what they contained of bad or of erroneous: Benedetto Croce has built the Philosophy of the Spirit. To say of either achievement that it will not last for ever, or that it will need repair from time to time, is perfectly true; but this criticism applies to all things human; and yet men continue to build houses—for God and for themselves. Croce is the first to admit the incompleteness, the lack of finality of all philosophical systems, for each one of them deals, as he says, with a certain group of problems only, which present themselves at a definite period of time. The solution of these leads to the posing of new problems, first caught sight of by the philosopher as he terminates his labours, to be solved by the same or by other thinkers.
And here it may be well to state very briefly the basis on which rests the Philosophy of the Spirit, without attempting to do anything more than to give its general outline. The reader should imagine himself standing, like bold Pizarro, on his “peak of Darien,” surveying at a great distance the vast outline of a New World, which yet is as old as Asia.
The Spirit is Reality, it is the whole of Reality, and it has two forms: the theoretic and the practical activities. Beyond or outside these there are no other forms of any kind. The theoretic activity has two forms, the intuitive and individual, and the intellectual or knowledge of the universal: the first of these produces images and is known as Æsthetic, the second concepts and is known as Logic. The first of these activities is altogether independent, self-sufficient, autonomous: the second, on the other hand, has need of the first, ere it can exist. Their relation is therefore that of double degree. The practical activity is the will, which is thought in activity, and this also has two forms, the economic or utilitarian, and the ethical or moral, the first autonomous and individual, the second universal, and this latter depends upon the first for its existence, in a manner analogous to Logic and to Æsthetic.
With the theoretic activity, man understands the universe, with the practical, he changes it. There are no grades or degrees of the Spirit beyond these. All other forms are either without activity, or they are verbal variants of the above, or they are a mixture of these four in different proportions.
Thus the Philosophy of the Spirit is divided into Æsthetic, Logic, and Philosophy of the Practical (Economic and Ethic). In these it is complete, and embraces the whole of human activity.
The discussion of determinism or free will is of course much more elaborated here than in the Æsthetic, where exigencies of space compelled the philosopher to offer it in a condensed form. His solution that the will is and must be free, but that it contains two moments, the first conditioned, and that the problem should be first stated in terms of the Hegelian dialectic, seems to be the only one consonant with facts. The conclusion that the will is autonomous and that therefore we can never be obliged to do anything against our will may seem to be paradoxical, until the overwhelming argument in proof of this has been here carefully studied.
Croce’s division of the practical activity into the two grades of Economic and Ethic, to which Kant did not attain and Fichte failed fully to perceive, has for the first time rendered comprehensible much that was hitherto obscure in ancient history and contemporary history. The “merely economic man” will be recognised by all students of the Philosophy of the Practical, where his characteristics are pointed out by the philosopher; and a few years hence, when Croce’s philosophy will have filtered through fiction and journalism to the level of the general public, the phrase will be as common as is the “merely economic” person to-day.
For indeed, all really new and great discoveries come from the philosophers, gradually filtering down through technical treatises and reviews, until they reach the level of prose fiction and of poetry, which, since the Æsthetic, we know to be one and the same thing with different empirical manifestations. In truth, the philosophers alone go deeply enough into the essence of things to reach their roots. Thus some philosophy, generally in an extremely diluted form, becomes part of every one’s mental furniture and thus the world makes progress and the general level of culture is raised. Thought is democratic in being open to all, aristocratic in being attained only by the few—and that is the only true aristocracy: to be on the same level as the best.
Another discovery of Croce’s, set forth in this volume for the first time in all the plenitude of its richness, is the theory of Error. The proof of the practical nature of error, of its necessity, and of the fact that we only err because we will to do so, is a marvel of acute and profound analysis. Readers unaccustomed to the dialectic may not at first be prepared to admit the necessary forms of error, that error is not distinct, but opposed to truth and as such its simple dialectic negation, and that truth is thought of truth, which develops by conquering error, which must always exist in every problem. The full understanding of the Crocean theory of error throws a flood of light on all philosophical problems, and has already formed the basis of at least one brilliant study of contemporary philosophy.
To the reduction of the concept of law to an economic factor, which depends upon the priority and autonomy of Economic in relation to Ethic, is devoted a considerable portion of the latter part of the Philosophy of the Practical, and it is easy to see that an elaborate treatment of this problem was necessary, owing to the confusion as to its true nature that has for so long existed in the minds of thinkers, owing to their failure to grasp the above distinction. In Great Britain indeed, where precedent counts for so much in law, the ethical element is very often so closely attached as to be practically indistinguishable from it, save by the light of the Crocean analysis. In the Logic as Science of the Pure Concept will be found much to throw light upon the Philosophy of the Practical, where the foreshortening of certain proofs (due to concentration upon other problems) may appear to leave loopholes to objection. Thought will there be found to make use of language for expression, though not itself language; and it will be found useless to seek logic in words, which in themselves are always æsthetic. For there is a duality between intuition and concept, which form the two grades or degrees of theoretic knowledge, as described also in the Æsthetic. There are two types of concept, the pure and the false or pseudo-concept, as Croce calls it. This latter is also divided into two types of representation—those that are concrete without being universal (such as the cat, the rose), and those that are without a content that can be represented, or universal without being concrete, since they never exist in reality (such are the triangle, free motion). The first of these are called empirical pseudo-concepts, the second abstract pseudo-concepts: the first are represented by the natural, the second by the mathematical sciences.
Of the pure concept it is predicated that it is ineliminable, for while the pseudo-concepts in their multiplicity are abolished by thought as it proceeds, there will always remain one thought namely, that which thinks their abolition. This concept is opposed to the pseudo-concepts: it is ultra or omni-representative. I shall content myself with this brief mention of the contents of the Philosophy of the Practical and of the Logic upon which I am now working.
Since the publication of Æsthetic as Science of Expression and General Linguistic, there has been some movement in the direction of the study of Italian thought and culture, which I advocated in the Introduction to that work. But the Alps continue to be a barrier, and the thought of France and of Germany reaches us, as a rule, far more rapidly than that of the home of all the arts and of civilization, as we may call that Italy which contains within it the classical Greater Greece. A striking instance of this relatively more rapid distribution of French thought is afforded by the celebrated Lundis of Sainte-Beuve, so familiar to many readers; yet a critic, greater in depth than Sainte-Beuve, was writing at the same period—greater in philosophical vision of the relations of things, for the vision of Sainte-Beuve rarely rose above the psychological plane. For one reader acquainted with the History of Italian Literature of De Sanctis, a hundred are familiar with the Lundis of Sainte-Beuve.
At the present moment the hegemony of philosophical thought may be said to be divided between Italy and France, for neither Great Britain nor Germany has produced a philosophical mind of the first order. The interest in Continental idealism is becoming yearly more keen, since the publication of Bergson’s and of Blondel’s treatises, and of Croce’s Philosophy of the Spirit. Mr. Arthur Balfour, being himself a philosopher, was one of the first to recognise the importance of the latter work, referring to its author in terms of high praise in his oration on Art delivered at Oxford in the Sheldonian Theatre. Mr. Saintsbury also has expressed his belief that with the Æsthetic Croce has provided the first instrument for scientific (i.e. philosophical, not “natural” scientific) criticism of literature. This surely is well, and should lead to an era of more careful and less impartial, of more accurate because more scientific criticism of our art and poetry.
I trust that a similar service may be rendered to Ethical theory and practice by the publication of the present translation, which I believe to be rich with great truths of the first importance to humanity, here clearly and explicitly stated for the first time and therefore (in Vico’s sense of the word) “created,” by his equal and compatriot, Benedetto Croce.
Then leaning upon the arm of time came Truth, whose radiant face,
Though never so late to the feast she go, hath aye the foremost place.
DOUGLAS AINSLIE.
ATHENAEUM CLUB, PALL MALL,
January 1913.
Notes
1 G. de Ruggiero, La Filosofia contemporanea, Laterza, Bari, 1912.
⁂
Note
Legislative activity as generically practical—Vanity of disputes as to the character of institutions, whether economic or ethical: punishment, marriage, State, etc.—Legislative activity as economic—Judicial activity: its economic character: its consequent identity with economic activity—Non-recognition of economic form, and meaning of the problem as to distinction between morality and rights—Theories of co-action and of exteriority, as distinctive characteristics: critique of them—Moralistic theories of rights: critique—Duality of positive and ideal rights, historical and natural rights, etc.; absurd attempts at unification and co-ordination—Value of all these attempts as confused glimpse of amoral character of rights—Confirmations of this character in ingenuous conscience—Comparison between rights and language. Grammar and codes—Logic and language; morality and rights—History of language as literary and artistic history—History of rights as political and social history.
VI 543
HISTORICAL NOTES
I. Distinction between morality and rights, and its importance for the history of the economic principle—Indistinction lasting till Tomasio—II. Tomasio and followers—Kant and Fichte—Hegel—Herbart and Schopenhauer—Rosmini and others—III. Stahl, Ahrens, Trendelenburg—Utilitarians—IV. Recent writers of treatises—Strident contradictions. Stammler—V. Value of law—In antiquity—Diderot—Romanticism—Jacobi—Hegel—Recent doctrines—VI. Natural rights and their dissolution—Historical school of rights—Comparison between rights and language—VII. Concept of law, and studies of comparative rights and of the general Doctrine of law—VIII. Legalism and moral casuistic—Probabilitism and Jesuitic morality—Critique of the concept of the licit—Fichte—Schleiermacher—Rosmini.
CONCLUSION 586
The Philosophy of the Spirit as the whole of Philosophy—Correspondence between Logic and System—Dissatisfaction at the end of every system and its irrational motive—Rational motive: inexhaustibility of Life and of Philosophy.