Large and Small Towns
I regret that I have not by me a certain essay dealing with this subject by Guglielmo Ferrero. I read it in some review the name of which I have forgotten, but I preserve a clear recollection of it, for it interested me greatly. Ferrero treated the subject from the historical and sociological point of view, and I, who am neither an historian nor a sociologist, intend to treat it, as is my custom, from the point of view of purely personal opinion and individual impression. (This is my custom, and yet in spite of the fact I cannot prevent people from insisting on calling me a savant and talking about my theories. I have no theories. I have only impressions and sensations.)
But, since I am unable to put some quotation from Ferrero at the head of this essay—this habit of basing our assertions upon authority is the conventional way of giving them a deceptive air of objectivity—I will head it by a sentence from George Meredith, that extremely subtle English novelist. In “The Egoist” it is stated that Willoughby “abandoned London as the burial-place of the individual man.”
I, to-day, am one with Willoughby in believing that great cities de-individualize, or rather de-personalize, us. This may perhaps be due to the fact that, though not an egoist like the hero of Meredith’s novel, I still remain, according to Ramiro de Maeztu, an incorrigible egotist.
Great cities are levelling; they lift up the low and depress the high; they exalt mediocrity and abase superlativeness—the result of the action of the mass, as powerful in social life as in chemistry.
Soon after I came to this ancient city of Salamanca which has now become so dear to me, a city of some thirty thousand souls, I wrote to a friend and told him that if after two years’ residence here he should be informed that I spent my time playing cards, taking siestas and strolling round the square for a couple of hours every day, he might give me up for lost; but if at the end of that time I should still be studying, meditating, writing, battling for culture in the public arena, he might take it that I was better off here than in Madrid. And so it has proved to be.
I remember that Guglielmo Ferrero’s conclusion, based upon a review of ancient Greece, of the Italy of the Renaissance and of the Germany of a century ago, is that for the life of the spirit, small cities of a population like that of Salamanca are the best—better than very small towns or large ones of over a hundred thousand inhabitants.
This depends, of course, upon the quality of the spirit in question. I am convinced that the monastic cloister, which so often atrophies the soul and reduces the average intelligence to a lamentable slavery to routine, has in certain exceptional cases exalted the spirit by its arduous discipline.
Great cities are essentially democratic, and I must confess that I feel an invincible platonic mistrust of democracies. In great cities culture is diffused but vulgarized. People abandon the quiet reading of books to go to the theatre, that school of vulgarity; they feel the need of being together; the gregarious instinct enslaves them; they must be seeing one another.
I think it was Taine who observed that the majority of French geniuses were either themselves country-born or the sons of country-born parents. And I assure you that I should find it difficult to believe in the genius of a Parisian born of Parisians.
Guerra Junqueiro once said to me: “You are fortunate in living in a city in which you can walk along the streets dreaming, without fear of people disturbing your dream!” And certainly in Madrid it is impossible to walk along the streets dreaming, not so much for fear of motors, trams and carriages as because of the continual stream of unknown faces. The distraction of a great city, so agreeable to those who must have something, no matter what, to occupy their imagination, is necessarily vexatious to those whose chief concern is not to have their imagination diverted. Personally I find nothing more monotonous than a Paris boulevard. The people seem to me like shadows. I cannot endure a crowd of unknown faces.
I am afraid of Madrid. That is to say, I am afraid of myself when I go there. It is easy to say that in great cities everyone can live the life that suits him best, but it is easier to say it than to do it. When I am in the capital, I return home every night regretting having gone to the party or to the meeting that I went to and resolving never to go again, but only to break my vow the very next day. I am surrounded, hemmed in and invaded by a lethal atmosphere of compliance, an atmosphere that is generated by this so-called life of society.
I have always felt an aversion from this so-called life of society, which has for its object the cultivation of social relationships. Is there anything more terrible than a “call”? It affords an occasion for the exchange of the most threadbare commonplaces. Calls and the theatre are the two great centres for the propagation of platitudes.
A man of society, a drawing-room man who can make himself agreeable to women when he pays a call, is always a man whose principal concern is to suppress any arresting spontaneity, not to let his own personality show through. For it is a man’s own personality that people find irritating. People like to meet the average man, the normal man, the man who has nothing exceptional about him. The exception is always irritating. How many times I have heard the terrible phrase: “This man irritates me.” Yes, it is “the man” that irritates, and the hardest fight for the man who feels that he is a man is the fight to win respect for his own individuality.
And in a small town? Its stage is very restricted; the players soon tire of playing the parts allotted to them and the real men begin to appear underneath, with all their weaknesses—that is to say, with precisely that which makes them men. I have a great liking for provincial life, for there it is easiest to discern tragedy lurking beneath an appearance of calm. And just as much as I abhor comedy, I love tragedy. And, above all, tragi-comedy.
I have heard it said that there are no such seething intestine rancours and dissensions as in a merchant vessel or a monastery; that whenever men are obliged to live together, cut off from the rest of the world, their personalities, their most real and intimate selves, immediately clash against one another. And I dare say that this is the only way of attaining that knowledge of ourselves which ought to be our chief aim. It seems to me scarcely possible that a man should get to know himself by shutting himself up in the wilderness, contemplating—what? The best way of knowing one’s self is to clash, heart against heart, that is to say, rock against rock, with one’s fellow.
I know that I shall be told that I am indulging my love of paradox, but nevertheless I maintain that if it is true that the most ardent admirations are those which are disguised in the form of envy, very often the strongest attractions are those which take the appearance of hate. In one of these tragi-comic, or rather comi-tragic, small towns I know two men who, though obliged to see one another constantly in the way of business, never greet one another in the street and profess a mutual detestation. Nevertheless at bottom they feel themselves reciprocally attracted to one another and each one is continually preoccupied by the other.
These irreconcilable feuds into which small towns are so often divided are much more favourable to the development of strong personalities than the bland comedy of a great metropolis, where those who fight a duel to the death on the public stage embrace one another behind the scenes. Do you suppose that the tragedy of Romeo and Juliet is possible in a city that counts its inhabitants by the million?
And I ask you, do you suppose that anyone who sees a multitude of people in the course of the day, listens to this man to-day, to another man to-morrow and to another man the day after, and attends twenty or thirty conferences—do you think that such a one can preserve his spiritual integrity without any leakage? In such a life a hedgehog would end by becoming a lamb, its quills would turn into softest fleece, and for my part I would rather be a hedgehog than a lamb.
I understand why Willoughby fled from London as from the burial-place of the individual man. Is it not a terrible thing to walk through two or three miles of city streets and pass two or three thousand people without meeting a single known face to set a spark to a train of human thought? A glance of hate from a known enemy is sweeter than a glance of indifference, if not of disdain, from an unknown stranger. For man has acquired the habit of disdaining those whom he does not know, and seems to suppose that every stranger must be presumed to be an imbecile until he proves himself otherwise.
And those who say that they are bored in a small town? The reason is because they have not dug down to its tragic roots, to the august severity of the depths of its monotony.
It is my belief that in great cities proud natures become vain, that is to say, the quills become fleece.
And for the man who is engaged in any kind of work in which he can exercise his influence from a distance, for the writer or the painter, the small town offers the inestimable advantage of enabling him to live far from his public and of its being possible that the effects which his work produces either do not reach him or reach him only after a searching process of filtration. He can live more or less independently of his public, without allowing himself to be influenced by it, and this is the only way of making a public for oneself instead of adapting oneself to it.
If this be the case, it may be urged that a village would be better than a small town, a hamlet or perhaps even a remote farm-house. But no, for then there would be lacking that minimum of organic society without which our personality runs as much risk as it runs in the heart of a metropolis.
Essentially, in the sphere of psychologico-sociological relations—this is for the benefit of those who insist on labelling me savant—it is a question of what is perhaps the most fundamental of all problems, the problem of maxima and minima. This is the problem that is the nerve of physical mechanics and the nerve also of social mechanics or economics. The problem always is how to obtain the maximum result or profit with the minimum effort or expense, the largest return with the least expenditure. It is also the fundamental problem of æsthetics; it is at the root of all the problems of life.
And with regard to the subject I am now considering, it is a question of obtaining the maximum of our own personality with the minimum of others’ society. Less society, or a society less complex, would diminish our personality, and so also would more society, or a society apparently more complex. And I say apparently, for I am not aware that an elephant is more complex than a fox.
Very well then—he who has no sense of his own personality and is willing to sacrifice it on the altar of sociability, let him go and lose himself among the millions of a metropolis. For the man who has a longing for Nirvana the metropolis is better than the desert. If you want to submerge your own “I,” better the streets of a great city than the solitudes of the wilderness.
It is not a bad thing now and again to visit the great city and plunge into the sea of its crowds, but in order to emerge again upon terra firma and feel the solid ground under one’s feet. For my part, since I am interested in individuals—in John and Peter and Richard, in you who are reading this book—but not in the masses which they form when banded together, I remain in the small town, seeing every day at the same hour the same men, men whose souls have clashed, and sometimes painfully, with my soul; and I flee from the great metropolis where my soul is whipped with the icy whips of the disdainful glances of those who know me not and who are unknown to me. People whom I cannot name... horrible!