Books
Tuesday, 8.
Next to a friend’s discourse, no morsel is more delicious than a ripe book, a book whose flavor is as refreshing at the thousandth tasting as at the first. Books when friends weary, conversation flags, or nature fails to inspire. The best books appeal to the deepest in us and answer the demand. A book loses if wanting the personal element, gains when this is insinuated, or comes to the front occasionally, blending history with mythology.
My favorite books have a personality and complexion as distinctly drawn as if the author’s portrait were framed into the paragraphs and smiled upon me as I read his illustrated pages. Nor could I spare them from my table or shelves, though I should not open the leaves for a twelvemonth;—the sight of them, the knowledge that they are within reach, accessible at any moment, rewards me when I invite their company. Borrowed books are not mine while in hand. I covet ownership in the contents, and fancy that he who is conversant with these is the rightful owner, and moreover, that the true scholar owes to scholars a catalogue of his chosen volumes, that they may learn from whence his entertainment during leisure moments. Next to a personal introduction, a list of one’s favorite authors were the best admittance to his character and manners. His library were not voluminous. He might specify his favorites on his fingers, and spare the printer’s type.
“Books have many charming qualities to such as know how to choose them.” And without Plutarch, no library were complete.
Can we marvel at his fame, or overestimate the surpassing merits of his writings? It seems as I read as if none before, none since, had written lives, as if he alone were entitled to the name of biographer,—such intimacy of insight is his, laying open the springs of character, and through his parallels portraying his times as no historian had done before: not Plato, even, in the livelier way of dialogue with his friends. Then his morals are a statement of the virtues for all times. And I read the list of his lost writings, not without a sense of personal wrong done to me, with emotions akin to what the merchant might feel in perusing the bill of freight after the loss of his vessel. Hercules, Hesiod, Pindar, Leonidas, Scipio, Augustus, Claudius, Epaminondas, minds of mark, all these and other precious pieces gone to the bottom: his books on the Academy of Plato, The Philosophers, and many more of this imperial freight, to be read by none now. Still, there remains so much to be grateful for; so many names surviving to perpetuate virtue and all that is splendid in fame, with his own. I for one am his debtor, not for noble examples alone, but for portraits of the possibilities of virtue, and all that is dearest in friendship, in his attractive pages. It is good exercise, good medicine, the reading of his books,—good for to-day, as in times it was preceding ours, salutary reading for all times.
Montaigne also comes in for a large share of the scholar’s regard. Opened anywhere, his page is sensible, marrowy, quotable. He may be taken up, too, and laid aside carelessly without loss, so inconsequent is his method, and he so careless of his wealth. Professing nature and honesty of speech, his page has the suggestions of the landscape, is good for striking out in any direction, suited to any mood, sure of yielding variety of information, wit, entertainment,—not to be commanded, to be sure, without grave abatements, to be read with good things growing side by side with things not such and tasting of the apple. Still, with every abatement, his book is one of the ripest and mellowest, and, bulky as it is, we wish there were more of it. He seems almost the only author whose success warrants in every stroke of his pen his right to guide it: he of the men of letters, the prince of letters; since writing of life, he omits nothing of its substance, but tells all with a courage unprecedented. His frankness is charming. So his book has indescribable attractions, being as it were a Private Book,—his diary self-edited, and offered with an honesty that wins his readers, he never having done bestowing his opulent hospitalities on him, gossiping sagely, and casting his wisdom in sport to any who care for it. Everywhere his page is alive and rewarding, and we are disappointed at finding his book comes to an end like other books.
Lord Herbert’s Autobiography is a like example of sincerity and naturalness. If he too often play the cavalier, and is of a temper that brooks not the suspicion of insult, he is equally eager to defend when friendship or humanity render it a duty. The brothers, Edward and George, were most estimable characters. To George how largely are we in debt for his sacred verses, the delight and edification of the saints wherever they are known. Add Vaughan and Crashaw. And making due allowance for the time when Herrick’s verses were written, his temptation to suit the tastes of courtiers and kings, his volumes contain much admirable poetry, tempered with religious devotion. He wrote sweet and virtuous verse, with lines here and there that should not have been written. But he is an antidote to the vice in his lines, and may well have place in the scholar’s library with Donne, Daniel, Cowley, Shakespeare, and contemporaries.
If one would learn the titles and gain insight into the contents of the best books in our literature, let him track Coleridge in his readings and notes as these have been collected and published in his Literary Remains and Table Talk. He explored the wide field of literature and philosophy, and brought to light richer spoils than any scholar of his time, or since. His reading was not only choice, but miscellaneous. Nothing of permanent value appears to have escaped his searching glance, and his criticisms on books are among the most valuable contributions to British letters. He knew how to read to get and give the substance of the book in sprightly comment and annotation on the text. His judgments are final and exhaustive. To follow him were an education in itself.
One’s diary is attractive reading, and productive, if he have the art of keeping one.
Thoreau wrote in his:—
“I set down such choice experiences that my own writings may inspire me, and at last I may make wholes of parts. Certainly it is a distinct profession to rescue from oblivion and to fix the sentiments and thoughts which visit all men, more or less, generally, and that the contemplation of the unfinished picture may suggest its harmonious completion. Associate reverently and as much as you can with your loftiest thoughts. Each thought that is welcomed and recorded is a nest-egg by the side of which another will be laid. Thoughts accidentally thrown together become a frame in which more may be developed and exhibited. Perhaps this is the main value of a habit of writing or keeping a journal,—that is, we remember our best draught, and stimulate ourselves. My thoughts are my company. They have a certain individuality and separate existence, large personality. Having by chance recorded a few disconnected thoughts and then brought them into juxtaposition, they suggest a whole new field in which it is possible to labor and think. Thought begets thought. I have a commonplace-book for facts, and another for poetry. But I find it difficult always to preserve the vague distinctions which I had in my mind, for the most interesting and beautiful facts are so much the more poetry,—and that is their success. They are translated from earth to heaven. I see that if my facts were sufficiently vital and significant, perhaps transmuted more into the substance of the human mind, I should need but one book of poetry to contain them all.
“I do not know but thoughts written down thus in a journal might be printed in the same form with greater advantage than if the related ones were brought together into separate essays. They are allied to life, and can be seen by the reader not to be far-fetched; thus, more simple, less artful. I feel that in the other case, I should have a proper form for my sketches. Here facts and names and dates communicate more than we suspect. Whether the flower looks better in the nosegay than in the meadow where it grew, and we had to wet our feet to get it? Is the scholastic air any advantage? Perhaps I can never find so good a setting for thoughts as I shall thus have taken them out of. The crystal never sparkles more brightly than in the cavern. The world have always liked best the fable with the moral. The children could read the fable alone. The grown-up read both. The truth so told has the best advantages of the most abstract statement, for it is not the less universally applicable. Where else will you ever find the true cement for your thoughts? How will you ever rivet them together without leaving the marks of your file?
“Yet Plutarch did not so. Montaigne did not so. Men have written travels in this form; but perhaps no man’s daily life has been rich enough to be journalized. Yet one’s life should be so active and progressive as to be a journey. But I am afraid to travel much, or to famous places, lest it might completely dissipate the mind. Then I am sure that what we observe at home, if we observe anything, is of more importance than what we observe abroad. The far-fetched is of least value. What we observe in travelling are to some extent the accidents of the body; but what we observe when sitting at home are in the same proportion phenomena of the mind itself. A wakeful night will yield as much thought as a long journey. If I try thoughts by their quality, not their quantity, I may find that a restless night will yield more than the longest journey.”
These masterpieces, Thoreau’s Diaries, are a choice mingling of physical and metaphysical elements. They show the art above art which was busied about their composition. They come near fulfilling the highest ends of expression; the things seen become parts of the describer’s mind, and speak through his Person. Quick with thought, his sentences are colored and consolidated therein by his plastic genius.
Of gifts, there seems none more becoming to offer a friend than a beautiful book, books of verse especially. How exquisite these verses of Crashaw’s, “Addressed to a Lady with a Prayer Book.”
“Lo, here a little volume, but great book,
Fear it not, sweet,
It is no hypocrite,
Much larger in itself, than in its look.
“It is, in one rich handful, heaven and all
Heaven’s royal hosts encamp’d, thus small,
To prove that true schools used to tell
A thousand angels in one point can dwell.
“’Tis Love’s great artillery
Which here contracts itself and comes to lie
Close couched in your white bosom, and from thence
As from a snowy fortress of defence
Against the ghostly foe to take your part,
And fortify the hold of your chaste heart.
“It is the armory of light,
Let constant use but keep it bright,
You’ll find it yields
To holy hands and humble hearts,
More swords and shields
Than sin hath snares, or hell hath darts.
Only be sure
The hands be pure
That hold these weapons, and the eyes
Those of turtles, chaste and true,
Wakeful and wise.
“Here is a friend shall fight for you;
Hold this book before your heart,
Let prayer alone to play his part.
“But O! the heart
That studies this high art,
Must be a sure housekeeper,
And yet no sleeper.
“Dear soul, be strong,
Mercy will come ere long,
And bring her bosom full of blessings;
Flowers of never-fading graces
To make immortal dressings
For worthy souls, whose wise embraces
Store up themselves for him, who is alone
The spouse of virgins, and the Virgin’s Son.
“But if the noble bridegroom when he come
Shall find the wandering heart from home,
Leaving her chaste abode
To gad abroad
Amongst the gay mates of the god of flies,
To take her pleasures, and to play
And keep the devil’s holiday;
To dance in the sunshine of some smiling
But beguiling
Spear of sweet and sugared lies;
Some slippery pair
Of false, perhaps as fair,
Flattering, but forswearing eyes,
Doubtless some other heart
Will get the start,
And stepping in before,
Will take possession of the sacred store
Of hidden sweets and holy joys,
Words which are not heard with ears
(Those tumultuous shops of noise),
Effectual whispers, whose still voice
The soul itself more feels than hears;
Amorous languishments, luminous trances,
Sights which are not seen with eyes;
Spiritual and soul-piercing glances,
Whose pure and subtle lightning flies
Home to the heart and sets the house on fire,
And melts it down in sweet desire,
Yet doth not stay
To ask the window’s leave to pass that way.
An hundred thousand loves and graces,
And many a mystic thing
Which the divine embraces,
Of the dear spouse of spirits with them will bring,
For which it is no shame
That dull mortality must not know a name.
Of all this hidden store
Of blessings, and ten thousand more,
If when he come
He find the heart from home,
Doubtless he will unload
Himself some otherwhere,
And pour abroad
His precious sweets
On the fair soul whom first he meets.”