Harriet Hosmer’s Vision
Lydia Maria Child relates the following interesting narrative:
“When Harriet Hosmer, the sculptor, visited her native country a few years ago, I had an interview with her, during which our conversation happened to turn on dreams and visions.
“‘I have had some experience in that way,’ said she. ‘Let me tell you a singular circumstance that happened to me in Rome. An Italian girl named Rosa was in my employ for a long time, but was finally obliged to return to her mother on account of confirmed ill-health. We were mutually sorry to part, for we liked each other. When I took my customary exercise on horseback, I frequently called to see her. On one of these occasions, I found her brighter than I had seen her for some time past. I had long relinquished hopes of her recovery, but there was nothing in her appearance that gave the appearance of immediate danger. I left her with the expectation of calling to see her again many times. During the remainder of the day, I was busy in my studio, and I do not recollect that Rosa was in my thoughts after I had parted from her. I retired to rest in good health, and in a quiet frame of mind. But I woke from a sound sleep with the oppressive feeling that someone was in the room. I wondered at the sensation, for it was entirely new to me; but in vain I tried to dispel it. I peered beyond the curtains of my bed but could distinguish no objects in the darkness. Trying to gather my thoughts I reflected that the door was locked, and that I had put the key under my bolster. I felt for it and found it where I had placed it. I said to myself that I had probably had some ugly dream, and had waked with a vague impression of it still on my mind. Reasoning thus, I arranged myself comfortably for another nap.
“‘I am habitually a good sleeper and a stranger to fear, but do what I would, the idea still haunted me that someone was in the room. Finding it impossible to sleep, I longed for daylight to dawn, that I might rise and pursue my customary avocation. It was not long before I was able dimly to distinguish the furniture in my room, and, soon after, to hear familiar noises of servants opening windows and doors. An old clock with ringing vibration, proclaimed the hour. I counted one, two, three, four, five, and resolved to rise immediately. My bed was partially screened by a long curtain looped up at one side. As I raised my head from the pillow, Rosa looked inside the curtain, and smiled at me. The idea of anything supernatural did not occur to me. I was simply surprised and exclaimed: “Why, Rosa! How came you here when you are so ill?”
“‘In the old familiar tone to which I was so much accustomed, a voice replied, “I am well now.”
“‘With no other thought but that of greeting her joyfully, I sprang out of bed. There was no Rosa there! When I became convinced that there was no one in the room but myself, I recollected the fact that my door was locked, and thought I must have seen a vision.
“‘At the breakfast table, I said to the old lady with whom I boarded: “Rosa is dead.” I then summoned a messenger and sent him to inquire how Rosa was. He returned with the answer that she died that morning at 5 o’clock.’
“I wrote the story as Miss Hosmer told it to me, and after I had shown it to her, I asked her if she had any objection to its being published without suppression of names. She replied: ‘You have reported the story of Rosa correctly. Make what use you please of it. You cannot think it more interesting or unaccountable than I do myself.’”