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The True History of Tom & Jerry

by Charles Hindley

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W.

Waifs and Strays.—The juvenile homeless poor. Waifs are goods found but not claimed. Strays are animals that have wandered from their proper enclosures to the grounds of some one not their owner.

Walking Poulterer.—One who steals fowls, and hawks them from door to door.

Walking Stationer.—A hawker of books, prints and dying-speeches, &c.

Walking-up against the Wall.—To run up a score, which in alehouses is commonly recorded with chalk on the walls of the bar.

Wapping Great.—Means astonishingly great. Saxon, Wafian, to be astonished.

Ware Hawk.—An exclamation used by thieves to inform their confederates that some police officers are at hand.

Warming-pan.—A large old fashioned watch.

Watch, Chain and Seals.—A sheep’s head and pluck.

Watchmaker.—A stealer of watches—he makes them in a crowd!

Water Sneaksman.—A man who steals from ships or crafts on the river.

Ways and Means.—To raise the supply of ready money for the current expenses of the day.

Wear the Breeches.—To be White Serjeant.

Weasel.—“To catch a weasel asleep.” To catch a person nodding; to find he has not his weather-eye open—Nunquam dormio!

Weather-Eye.—“I have my weather-eye open.” I have my wits about me; I know what I am after: I can see the difference between a clock and a cabbage.

Wedge.—Silver plate, because melted by the receivers of stolen goods into wedges.

West-End Tailor—A.—“Corinthian Tom had just ordered his servant to bring him ‘The Weekly Dispatch,’ to see how sporting matters had been going on in the Metropolis during his absence from town, when Mr. Primefit—the West-End Schneider!—Par excellence!—was announced to Mr. Hawthorn to be in waiting to receive his commands.

“Mr. Primefit, according to the ‘counter-talking part of the community,’ had done, all his ‘dirty work;’ and among the needles—otherwise sharps—at the West-end of the Town, who must sport a genteel outside, no matter at whose suit, it was observed, between a grin and a pun, that he had not only got rid of all his ‘bad habits,’ but had likewise outlived his sufferings. It was said of this celebrated ‘apparel furnisher,’ that, if he received the cash for ONE coat out of three, nothing was the matter! In his intercourse with people of fashion, the character that ran before him was a perfectly gentlemanly tradesman. He had one point in view on setting out in life, and he never lost sight of it. To ask his customers for payment was to lose their custom. Though for the first seven years Dickey Primefit was engaged in cutting-up his cloth, he was hurried beyond measure, by those ‘troublesome customers,’ John Doe and Richard Roe, who were continually at his elbow, nudging him to take ‘measure of their suits’ in preference to every other person; his law expenses and ‘Mum tip’—that is rhino to silence, or, shut-up the gab of the bum-traps—in consequence, were frightful; yet Dickey braved the fury of the woollen-draper’s ’storm’ with the utmost composure. With a placid countenance he never refused credit to any British officer, either in the sea or land service, let the distance or uncertainty be what it might. The reference of one gentleman to another was quite sufficient to Mr. Primefit; and the garments were made and sent home without further enquiry or delay. Of course, in return, the charges of Dickey were never overhauled; indeed, what Gentleman would have behaved so ungentlemanly to a tradesman who was all civility, politeness, and accommodation, from one end of his pattern-card to the other? The business of Mr. Primefit, therefore, became so extensive, that he sent clothes to all parts of the world. In London, no gentleman, who had been once in the books of Dickey, would listen to the name of any other tailor, which rendered Primefit the ‘go for a tasty cut, best materials, and first-rate workmanship.’ Dickey had a ’soul above buttons,’ he had no narrow ideas belonging to him: and he flattered himself that, ultimately, it would all be right. ‘No gentleman,’ Mr. Primefit would often assert, when he has been blamed for giving such an extensive loose sort of credit, ‘I am convinced, but will act as such, sooner or later, towards me!’ So it proved. Things, at length, took the expected turn. Many long out-standing bills came in. His capital accumulated. His business also increased in so extraordinary a manner that several clerks were necessary to keep it in order, and ensure punctuality. Dickey was almost as true as a clock to his time, in attending to orders. His character for fashion was so emphatic, that numbers of stylish tradesmen, who found it necessary to have a ’bettermost coat’ by them, for ’high days and holidays’ regardless of the charge, employed Mr. Primefit. The sunshine of prosperity was now so complete, that not a single bum-trap had crossed the threshold of Dickey’s door, in the way of private business, for many a long day past. In short, Mr. Primefit had realised the climax of his exertions—he had measured his way into a carriage. Dickey was principally distinguished for the cut of his coats. To Corinthian Tom he was peculiarly indebted, as a leader of the fashion. It was owing to this circumstance that Mr. Primefit waited in person at Corinthian House; indeed, the active use of the scissors and parchment had long been removed from the hands of Dickey, and his principal occupation now consisted of talking over the versatility of fashion to his customers, and giving directions to his men. But the slightest idea that might drop from Corinthian Tom respecting the advantages of dress was what Dickey could not resist, and he, therefore, ordered his carriage immediately to attend upon the rustic Jerry at once.

“Tom and Jerry, previously to the arrival of the apparel-furnisher, had been discussing the advantages resulting from dress and ADDRESS; and the Corinthian had also been pointing out to his Coz not to skim too lightly over so important a subject, but to peruse with most marked attention that grand living Book of books:—MAN!!!”

Whetstone Park.—A lane between Holborn and Lincoln’s-Inn-Field’s. Formerly famed for being the resort of women of the town.

Whistling Shop.—A place in which spirits are sold without a licence. “Who that has ever visited a Friend undergoing a three months’ purification in the Fleet or King’s Bench, but has been introduced to a Whistling Shop; and who that has been initiated into its sacred rites, would basely betray his knowledge. No one at all ambitious of bearing the character of the real thing. Neither Mr. Brown nor Marshal Jones would thank any Paul Pry for splitting on this point. Any reader that may not have visited a Whistling Shop, cannot do better than put a little of the bustle in his poke; call on the first Friend he has in Limbo, and get introduced to one as quickly as possible; and thus do a double good, furnish himself with a little useful information, and cheer a Pal in distress at the same time.

Whitechapel.—Anything low, mean, or paltry. A Whitechapel portion, a smock, and what nature gave. Whitechapel breed, fat, ragged, and saucy. Whitechapel Beau, one who dresses with a needle and thread, and undresses with a knife. A Whitechapel Brougham, a costermonger’s donkey-barrow.

Wipe.—A nose handkerchief.

Wrench, Benjamin.—Comedian; original Corinthian Tom at the Adelphi, died November 24, 1843, aged 67.

Wrekin Tavern.—In Broad Court, Drury Lane, was much frequented by first-rate theatricals, authors, poets, painters, gentlemen of the press, men of the world, and intelligent persons in general, and was a house of entertainment of no common description, kept at the time by a Mr. Williams, a person connected with literary pursuits. It was to the Wrekin Tavern that Edmund Kean was conveyed on the ever-memorable night of the 24th of March, 1833, when he partly played Othello to his son Charles’s Iago, at Covent Garden Theatre. And described thus by his biographer:—

“After making one or two feeble steps towards his son, and attempting the speech of:—

Villian, be sure thou prove my love a whore;
Be sure of it; give me the ocular proof, &c.

“When his head sunk on his son’s shoulder, and the tragedian’s acting was at an end. He was able to groan out a few words in Charles’s ear—‘I am dying—speak to them for me;’ after which (the audience refusing in kindness, to hear any apology) he was borne from the stage. His son, assisted by other persons, carried him to his dressing-room, and laid him on a sofa. He was as cold as ice; his pulse was scarcely perceptible; and he was unconscious of all that was going on around him. In this state he remained some time, when the remedies which were applied having restored him to his senses, he was taken to the ‘Wrekn’ Tavern, near the theatre, and Messrs. Carpue and Duchez, the surgeons, were sent for. From the Wrekin Tavern, he was after a week’s stay, removed to Richmond: where he died on the fifteenth day of May, 1833.”

The Wrekin Tavern—the Times—and the Proprietors underwent many changes from good, bad, and very indifferent; in fact, the character of house and company was entirely altered—O tempora! O mores! Here Johnny Broome, the pugilist, who was born at Birmingham, 1817, and the successful hero of six or seven battles in the P.R., and also the prime mover in “The Great Brighton Card Cheating Case,” committed suicide by cutting his throat, May 31, 1855.

LONDON:
E. A. Beckett, Printer, 111 & 113, Kingsland Road, E.


Footnotes

1 Books published by G. Virtue, Ivy-lane, Paternoster-row:—

Boxiana; or, Sketches of Ancient and Modern Pugilism; including every Exploit from the Days of Figg and Broughton to the present year (1829); with Biographical Memoirs of all the Boxers, particulars of their age, weight, style of fighting, &c.; and interspersed with a variety of Sporting Anecdotes, never before published. By PIERCE EGAN.

Also in royal 8vo. price £1 16s., embellished with 36 beautifully coloured, characteristic plates and woodcuts, from scenes in real life, by I. R. and G. Cruikshank.

A New Edition of Life in London; or, the Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant Friend, Corinthian Tom, in their Rambles and Sprees through the Metropolis. By Pierce Egan.

Also, just published, uniform with the above, price £1 16s., embellished with 36 richly coloured scenes from real life, and spirited wood cuts, by R. Cruikshank.

“Begar here’s Monsieur Tonson come again.”

Pierce Egan’s Finish to the Adventures of Tom, Jerry, and Logic, in their Pursuits through Life In and Out of London. Being the Second Part, or Continuation of ‘Life in London,’ calculated to attract the Corinthian, entertain the Sportsman, relieve the cares of the Merchant, a specific against Ennui, delight the Country Folks, please Everybody, and ‘No Mistake.’

Also, by the same Author, and uniform with the above.

The Life of an Actor, Peregrine Proteus. Illustrated by Twenty-seven coloured Scenes, representing the Vicissitudes of the Stage; and nine beautiful wood cuts. By Pierce Egan, Author of ‘Life in London,’ ‘Tom and Jerry,’ &c. Price £1 1s. in boards; or in nine parts, at 2s. 6d. each.

“The present work is one of the best exemplifications of Mr. Egan’s peculiar talents. It is impossible for us to do justice to the spirit of the designs, many of which would not discredit the pencil of Hogarth.”—Monthly Critical Gazette.

2 Quarterly Review, the organ of the Tory party, first appeared in February, 1809, under the editorship of William Gifford, the celebrated translator of “Juvenal.” He died 31 December, 1826.

3 Edinburgh Review was founded October, 1802, by Francis Jeffrey, Scotch lawyer, critic, and politician, Francis Horner, Brougham, Rev. Sidney Smith, and other Whigs.

4 Fistulæ and Piles.—Mr. Van Butchell, Surgeon Accoucheur No. 2, Half Moon Street, Piccadilly, having, without cutting or confinement, in the short space of three weeks, cured me of the above-named complaints (under which I had laboured for nearly four years). I am prompted by gratitude to him publicly to state, that I had previously consulted several Surgeons, who pronounced my cure impossible, without submitting to the painful operation of cutting, to which dangerous experiment I had always been averse, and therefore despaired of ever regaining my health, till, on applying to Mr. Van Butchell, to whom I was strongly recommended, he, in the short space above-mentioned, realized his assurances by performing a perfect cure.

Newhaven, Sussex.
THOMAS EAGLES, Butcher & Salesman.

5 John Abernethy, Surgeon and Physiologist, 1764-1831.

6 William Blackwood, Scotch bookseller, born 1776; established “Blackwood’s Magazine,” 1817, died 1834.

7 Pocket-book. Townsend’s first introduction to the police, it seems, was owing to his knowledge of the numerous persons hanged, transported, &c.; he having kept a regular journal to that effect. This calender of offences gave him a great superiority over his fellows.

8 James Gillray, the famous caricaturist, 1785-1815.

9 In Cheyne walk, Chelsea, was the museum and coffee house of Don Saltero, renowned in the swimming exploits of Dr. Franklin. The landlord, James Salter, was a noted barber, who made a collection of natural curiosities, which acquired him the name (probably first given him by Steele,) of Don Saltero.—See Tatler, Nos. 34, 195 and 226.—The quiet tavern remains, but the museum was dispersed by auction about the year 1807. Another wonder was the Old Chelsea Bun-house, which possessed a sort of rival museum to Don Saltero’s. It was taken down in 1839.—John Timbs Curiosities of London.

10 This is certainly good and correct advice, but, perhaps the metaphor might have proved rather more illustrative, if the old adage had been quoted, that, “when at Rome do as Rome does!”

11 Pea-Green Hayne. See page 195.

12 Parson Colton:—Rev. Caleb C. Colton, A.M., eccentric clergyman; published “Lacon; or, Many Things in Few Words; addressed to Those Who Think.” 1820-25.—Died by suicide 29th April, 1832.

13 The Three R’s.—Sir William Curtis being asked at a City Banquet to give a toast said—“I will give you Gemmen the three R’s, that’s Reading! Riting!! and Rithmetic!!!”

14 None but himself can be his parallel.—Louis Theobald’s—The Double Falsehood, Act iii. Sc. 2.

“Quæris Alcidæ parem?
Nemo est nisi ipse.”
Seneca, Hercules Furens, Act. i., Sc. 1.

15 This Piece—that is to say the Adelphi Dramatic Version, as written, printed, and published by Mr. W. T. Moncrieff, at No. 104, Drury Lane. 1824.

16 Not out of wind, nor beat to a stand-still; but sorry that I am compelled to forfeit on the 1st of January, 1821, being out of condition to appear bang-up at the scratch!

17 Jack Randall, the Nonpareil, of the Ring, was then keeping the Hole-in-the-Wall, in Chancery Lane. See Randall, page 199.

18 Crooky Booked it, i.e., Cruikshank made a mental note; or, sketch of the circumstance at the time:—“When found, make a note of.”

19 Leicester Fields.—Now Leicester Square, so called from a family mansion of the Sydneys, Earls of Leicester, which stood on the north-east side.

20 The Plate in question occurs at page 276 of the work, and is entitled—“Life in London.—Peep O’ Day-Boys; A Street Row, the Author losing his ‘reader;’ Tom and Jerry showing fight, and Logic floored.” N.B.—A Catnachian pirated copy of the Plate will be found at page 36 and 99, of the present work.—But a far better idea of this, and all the other Plates by the Brothers Cruikshank: in Colours after the Originals, will be found in the reprint of Life in London: Published by Chatto and Windus, Piccadilly. Crown 8vo., cloth extra 7s. 6d.—Editor.

21 Mr. Jones of the firm of Sherwood, Jones and Co., Publishers, Paternoster Row, London.

22 Literary.

23 A half-penny.

24 Short-hand.

25 One pound note. An author, indeed, with money in his pocket-book, would be a novelty in Life in London. But in the North, they are not quite so Scott free in this respect. Merit is at all times, worthy of reward.

26 Mr. Parry, the celebrated composer of the Welsh Melodies and several other popular pieces of music; a gentleman well known in the musical world, and who has risen to the well-merited eminence he now enjoys entirely from the possession of superior talents. Mr. Parry was originally the master of the Derbyshire Band, and the fife was the first instrument he excelled upon, when quite a boy; but his performances on the flageolet are exquisitely fine, and the admiration of all those persons who have heard him.

27 Paintings of Hogarth and Hayman.=At the sale of the movable property, Oct., 1841, twenty-four pictures by William Hogarth [1697-1764] and Francis Hayman, R.A., historical painter [1708-1776] produced but small sums: they had mostly been upon the premises since 1742; the canvas was nailed to boards, and much obscured by dirt. Those by Hogarth fetched as follows.—A Drunken Man, £4 4s.; A Woman pulling out an Old Man’s grey hairs, £3 3s.; Jobson and Nell in the Devil to Pay, £4 4s.: The Happy Family, £3 15s.; Children at Play, £4 11s. 6d. Those by Hayman:—Children Bird’s-nesting, £5 10s.; Minstrels, £3; The Enraged Husband, £4 4s.; The Bridal Day, £6 6s.; Blindman’s Buff, £3 8s.; Prince Henry and Falstaff, £7: Scene from the Rake’s Progress, £9 15s.; Merry-making, £1 12s.; The Jealous Husband, £4; Card-party, £6; Children’s Party, £4 15s.; Battledore and Shuttlecock, £1 10s.; The Doctor, £4 14s. 6d.; Cherrybob, £2 15s.; The Storming of Seringapatam, £8 10s.; Neptune and Britannia, £8 15s. Four busts of Simpson, the celebrated Master of the Ceremonies, were sold for 10s.; and a bust of his royal shipmate, William IV.—not a sovereign!—only 19s. Among the Vauxhall composers were Arne, Boyce, Carter, Mountain, Hook (father to Theodore Edward) and Signor Storace. Male singers: Beard, Tommy Lowe, Webb, Charley Dignum, Vernon, Incledon, Braham, Pyne, Sinclair, Tinney—Pretty Jane Robinson, Paul Bedford, W. H. Williams, Sharp, Weekes, &c. Females: Miss Brent, Mrs. Wrighten, Mrs. Weischel (mother of Mrs. Billington), Mrs. Mountain, Mrs. Crouch, Mrs. Bland, Miss Tryer (afterwards Mrs. Liston), Miss Graddon, Miss Love, Miss Tunstall, Miss P. Horton, &c. Italian Operas were performed here in 1829. The band were the last to wear the semi-circular or cocked hat:—
“By the high dome that trembling glows
With lamps, cock’d hats, and shiv’ring bows,
How many hearts are shook!
A feather’d chorister is there,
Warbling some tender, grove-like air.
Composed by Mr. Hook.”—London Magazine, Sept., 1824.

28 Vauxhall Slices! or Ham Shavings!—See page 213. Apropos to the subject we here insert the following J’eu d’esprit: from Bell’s Life in London: August 2, 1829.

A NEW SONG TO AN OLD TUNE.

[Mr. Moncrieff, the Dramatist, having received an invitation to supper from the Proprietors of Vauxhall, returned one of the Gentlemen the following extemporaneous answer:—]

By thy cold fowls, each worth, at least a crown—
And by thy ham which makes these fowls go down—
By thy French rolls—thy beef and pickled ghirkins—
By thy brown stout, by Barclay brew’d and Perkins—
And by thy lettuce, from the isle of Cos—
Thy pepper, vinegar, and mustard, pos.—
In that same place thou hast appointed me,
This ev’ning, truly, will I meet with thee!

By thy old port, and thy particular sherry,
With which men, for six shillings, oft get merry—
By thy Sauterne, thy Hock, and thy Bucellas,
Thy real Champagne—Nectar of good fellows—
By thy best Chateau Margaux; and again,
By Mr. Simpson,A blandest, best of men!
In that same place thou hast appointed me,
This ev’ning, truly, will I meet with thee.

By thy Italian singers, whose fine throats
Produce such a vast quantity of notes—
By thy Hydraulics and thy Cosmoramas,
Delight of all town-visiting clods and farmers—
By thy famed fire-works, pleasing great and small—
And by thy rack-punch, greatest charm of all!
In that same place thou hast appointed me,
This ev’ning, truly, will I meet with thee!

A M.C., and Inspector of the Gardens.

29 The late John Camden Hotten’s Introduction to the new edition of “Life in London.” Chatto & Windus: Piccadilly.

30 Mr. Pierce Egan says:—“Mr. Barrymore’s Burletta was thought of, written, and got up, in five days. As a friend, I attended the rehearsals, notwithstanding I had previously made an outline of a Drama for myself.”

31 An Italian Turn-up.
Surprising Novelty in the Sporting Circle.
On Tuesday next, at Seven o’Clock in the Evening,
A special grand combat will be decided at the
WESTMINSTER PIT,
FOR ONE HUNDRED GUINEAS,
Between the extraordinary and celebrated creature, the famed
Italian Monkey:
Jacco Maccacco,
And a Dog of 20lbs. weight, the property of a Nobleman
well-known in the circle.

32 Tom Cribb, born at Hanham, Gloucestershire, July 8, 1781. His last fight was with Molineux, a black, for £600, at Thistleton Gap, September 28, 1811. Presented by the Sporting World with a cup of the value of eighty guineas, December 2, 1811, at the Castle Tavern, Holborn. Which he received from the hands of Mr. Emery, the comedian, who made the following complimentary address:—“Thomas Cribb, I have the honour this day of being the representative of a numerous and most respectable body of your friends; and though I am by no means qualified to attempt the undertaking which has devolved on me, by a vote of the subscribers, yet the cause will, I am confident, prove a sufficient excuse for my want of ability. You are requested to accept this Cup, as a tribute of respect for the uniform valour and integrity you have shown in your several combats, but, most particularly, for the additional proofs of native skill and manly intrepidity displayed by you in your last memorable battle, when the cause rested not merely upon individual fame, but for the pugilistic reputation of your native country, in contending with a formidable foreign antagonist. In that combat you gave proof that the innovating hand of a foreigner, when lifted against a son of Britannia, must not only be aided by the strength of a Lion but the Heart also.

“The fame you have so well earned has been by manly and upright conduct, and which I have no doubt will ever mark your very creditable retirement from the ring or stage of pugilism. However intoxicated the cup or its contents may at any future period make you, I am sufficiently persuaded the gentlemen present, and the sons of John Bull in general, will never consider you have a cup too much.”

Tom Cribb took a farewell benefit under the auspices of the Pugilistic Association, at the National Baths, Westminster Road, November 12, 1840. Died in High Street, Woolwich, May 11, 1848. Monument erected to his memory in Woolwich Churchyard, May 1, 1851.

33 All-Max in the East.—The very antipodes of the Almack’s in the West—was held at the Coach and Horses public house, Nightingale-lane, East Smithfield, which was kept by a person of the appropriate name of Mace. Here it required no patronage;—a card of admission was not necessary; no enquiries were made, and every cove that put in his appearance was quite welcome, colour or country considered no obstacle; and dress and Address completely out of the question. Ceremonies were not in use, therefore no struggle took place at All-Max for the master of them. The parties paired off to fancy; the eye was pleased in the choice, and nothing thought of about birth and distinction. All was happiness!—every body free and easy, and freedom of expression allowed to the very echo. The group motley indeed;—Lascars, blacks, jack tars, coalheavers, dustmen, women of colour, old and young, and a sprinkling of the remnants of once fine girls, &c. were all jigging together, provided the teazer of the catgut was not bilked out of his duce. Gloves might have been laughed at, as dirty hands produced no squeamishness on the heroines in the dance, and the scene changed as often as a pantomime, from the continual introduction of new characters. Heavy wet was the cooling beverage, but frequently overtaken by flashes of lightning.

“I am quite satisfied in my mind, said Logic to Tom, it is the Lower Orders of society who really enjoy themselves. They eat with a good appetite, hunger being the sauce; they drink with zest, in being thirsty from their exertions, and not nice in their beverage, and, as to dress, it is not an object of serious consideration with them. Their minds are daily occupied with work, which they quit with the intention of enjoying themselves, and enjoyment is the result; not like the rich, who are out night after night to kill time, and what is worse, dissatisfied with almost every thing that crosses their path, from dulness of repetition.”

“There is too much truth about your argument, I must admit,” replied Corinthian; “and among the scenes that we have witnessed together, where the Lower Order have been taking their pleasure, I confess they have appeared ALL HAPPINESS. I am sorry I cannot say as much for the higher ranks of society.”

34 E. L. Blanchard’s History of the Adelphi Theatre.

35 Mr. Edmund Kean.

36 Mr. Joseph Munden.

37 It is well-known that the dust hill at the bottom of Gray’s Inn Lane, near Battle Bridge, was sold for some thousands of pounds, and was shipped off to Russia, to aid in the rebuilding of Moscow.—Pierce Egan.

38 Our thanks are due, and are hereby given to Crawford John Pocock, Esq., of Cannon Place, Brighton, for the loan and use of his—what we feel almost inclined to consider—unique copy of Catnach’s broadside of “Life in London.”—Price Two Pence.

39 Testament, is perfectly correct. The words will and testament are generally used indiscriminately; but they are not words exactly of the same import. A will, is properly limited to land; a testament, to personal estate, as money, furniture, &c., &c.

40 Carey Street, and its immediate neighbourhood, abounded in spunging-houses.

41 Corinthian Tom, it appears, was rather in doubt whether bulls or bears were disposed of by Mr. Tattersall.


Text of page 99.

LIFE IN LONDON;
OR, THE SPREES OF
Tom and Jerry;
ATTEMPTED IN CUTS AND VERSE.

Tom, Jerry, and Logick in a Row.

MERCY! what a din and clatter
Breaks the stillness of the night,
Lamps do rattle—’tis a battle,
Quick, and let us see the sight.

Notice:—This is to give Notice to those persons who are in the habit of pirating my copyrights that if they dare to print any part of this Sheet, they shall be proceeded against according to Law. James Catnach.

EIGHTEENTH EDITION.

London: Printed & Sold by Jas. Catnach,
2, Monmouth Court, 7 Dials, of whom may be had
The Queen’s Life, in Cuts & Verse.
PRICE TWO PENCE.

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