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High Life in New York

by Ann S. Stephens

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Contents.

LETTER I.PAGE
First Impressions of New York—Visit to the Counting-room of a City Cousin—Advice to his Clerk—Description of a City Residence and its Inmates13
LETTER II.
The Family Dinner and Effects of July Cider23
LETTER III.
Jonathan visits the Express Office—Sensations on seeing himself in Print27
LETTER IV.
The Political Meeting and its Disasters33
LETTER V.
A Little of Jonathan's Private Love Affairs39
LETTER VI.
Jonathan's Opinions of Ministerial Interference—A Card of Invitation, and an Evening Party at Cousin Beebe's, in which Jonathan makes some Mistakes and a Lady Acquaintance44
LETTER VII.
Scenes in Broadway—Jonathan's Interview with the Count and Flirtations with Miss Miles69
LETTER VIII.
The Morning Call—A Coquette's Dressing Room78
LETTER IX.
A New York Parvenu—Jonathan's Account of his Cousin Jason Slick, and how Jason was too lazy to work, and got rich on soft sodder—The dinner of a Connecticut Coaster—A New York Coat of Arms, lions couchant and levant—Yankee Ancestry—The way a Yankee speculates, and gets up States, Railroads and Banks, by soft sodder87
LETTER X.
New-Year's Calls—A real Yankee's New-Year's Treat of Dough-nuts and Cider—Jonathan's ideas of the real difference between a real lady's House and Furniture and the House of a stuck-up Parvenu—Jonathan's ideas of Love and Ladies99
LETTER XI.
Visit to the Park Theatre—First Impressions of the Poetry of Motion, as written on the air, in the aerial feats of Mademoiselle Celeste—First shock at the exhibition of a Ballet Costume accompanied by the "twinkles" of Celeste's feet—with her pigeon wings, double-shuffles, gallopades, and pirouettes117
LETTER XII.
Jonathan receives an Invitation to a Fancy Ball—Dilemma about the Dress—Choice of a Character, &c.129
LETTER XIII.
Jonathan Slick and the Grand Fancy Ball—Jonathan in the character of an Injun, and Cousin Beebe in the character of Jonathan—Cousin Mary as Jonathan's Squaw—Jonathan among Kings and Queens, Spaniards, Turks and Jews—Jonathan meets his pussey Cousin in the character of a Turk—Jonathan cuts his pussey Cousin133
LETTER XIV.
Advice to Jonathan from the Humstead—Jonathan's Criticism on his Brother Sam's book—The Ennui of Jonathan in good Society—Jonathan's entree into a Milliner's Establishment, and sad mistake about a Side-saddle143
LETTER XV.
Jonathan visits the Milliner Girl—Reflections about her Situation154
LETTER XVI.
In which Jonathan shows up the Hardships of Sewing Girls—Describes a Tammany Hall Ball—Milliner Aristocracy and Exclusiveness—Informs the reader how Miss Josephine Burgess took a tall man with whiskers into her Establishment, who took her in in return—The desperation of a little Apothecary—His Marriage, and the Ascent of Miss Josephine Burgess from the front store to a work room a little higher up156
LETTER XVII.
Jonathan gets Ill and Homesick—Resists all entreaties to go to Washington, and resolves on going back to "the Humstead" with Captain Doolittle173
LETTER XVIII.
Jonathan's Arrival in New York from the Onion Beds at Weathersfield—Jonathan puts up at the Astor House—His notion of that great Heap of Stones—Jonathan's Ideas of a New York Cab, and the usual quarrel of a Stranger with Cabmen—A Sensation is created at the Astor180
LETTER XIX.
A live Yankee and the Parisian Danseuse—Fanny sends her Card and Jonathan makes a call—Down East Yankee and French-English rather hard to be understood—Jonathan quite killed off by Fanny's Curchies and Dimples—A little sort of a Flirtation—An Invitation to see Fanny in Nathalie, which is accepted188
LETTER XX.
Jonathan goes to the Express Office—His Opinion of Zeke Jones and the "Brother Jonathan" Newspaper—Explains his Absence, and enters into a new Agreement with the Editors197
LETTER XXI.
Jonathan Visits Mr. Hogg's Garden and gets a Bouquet—Puzzled about the propriety of Paying for it—Purchases a Ribbon, and starts for the Theatre202
LETTER XXII.
Jonathan gives a Description of the Theatre, Private Boxes, Drop Scene, &c.—His Ideas of Miss Elssler's Dancing, and Dancing Girls in general—Jonathan mistakes Williams in his Comic Song of "Old Maids and Old Bachelors to Sell," for an Auctioneer who is knocking off "La Belle Fanny," to the Highest Bidder—Jonathan is indignant that she is not his, after so much hard bidding, by winks, &c.—He flings his Bouquet at Fanny's Feet—Jonathan's Visit Behind the Scenes, and his Idea of Things seen there—Gallants Fanny home to the Astor House206
LETTER XXIII.
Jonathan gets out of love with Fanny Elssler—Doctors the Ague in her Face and Leaves her—Receives an Invitation from his Pussey Cousin to a Thanksgiving Dinner, with a three cornered Note for Lord Morpeth—Jonathan's Opinion of the Travelling Lords and Democratic Hospitality220
LETTER XXIV.
Description of Cousin Jason's Equipage—Figure cut by Mrs. Jason Slick and her Daughter—Manners of a Noble Lord—The Dinner—Jason boasts of his Birth, Heraldry, and Coat of Arms—Jonathan creates great Consternation by proclaiming the Head of the Family as a Shoemaker—Makes a Speech224
LETTER XXV.
Jonathan rides to Mill—The Millerite Excitement—His Marm waits for the World to come to an End—Letter from New York—The old White Horse244
LETTER XXVI.
Jonathan arrives in New York—Travels on the Deacon's Mare—Has Trouble with the Colt—Embarks from Peck Slip, on Capt. Doolittle's Sloop, to meet the President—His Introduction—Jonathan's Idea of the Cold Collation—The Reception—Landing at Castle Garden—Review of the Troops—The Procession, &c.252
LETTER XXVII.
Jonathan attends the President at the Howard House—Visits the Park Theatre with the President and his Handsome Girl—Goes with Mr. Robert Tyler to have his Hair Cut at Clairhugh's—Takes Refreshments with the Ladies at the Howard House—Bed-chamber Scene with the President—Serenade, &c.268
LETTER XXVIII.
Jonathan goes to see Mr. Macready—Description of the Theatre—Introduces himself to a Handsome Girl at the Theatre—Enters into a Flirtation—Promises to Visit her—Jonathan takes a Novel Method of providing himself with a Fashionable Dress—Quarrels with Captain Doolittle—Is reconciled, and starts off to make a Morning Call on the Handsome Girl272
LETTER XXIX.
Jonathan Visits the Handsome Girl—Describes a Gambling-House in the Morning before it is put to rights—Visits the Lady's Boudoir—Describes the Furniture, the Lady, her Dress, and Conversation—Is Interrupted by the Gentleman of the House—And leaves with a promise to return and escort Miss Sneers to Mad. Castellan's Concert275
LETTER XXX.
The Gambling House—Jonathan is taken in with Cards285

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