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The Louvre: Fifty Plates in Colour

by Paul G. Konody

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Hobbema

The talents of Meindert Hobbema (1638–1709) were so disregarded by his countrymen that in disgust he, at the age of thirty, took a humble post in the Customs. His woody scenes seen in the pale sunlight of the early afternoon are not copied from any chance scenery, but composed; and his Water Mill (No. 2404), fine though it is, contains passages that will be met with elsewhere. The Farm (No. 2404a) is a very good picture, as also is the Landscape (No. 2403) from the Nieuwenhuys collection. A very large number of painters, including Wyntrack, who gives us a Farm (No. 2639), painted the figures into the foregrounds of Hobbema’s best works.

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